Here are 100 books that A Cluster of Noisy Planets fans have personally recommended if you like
A Cluster of Noisy Planets.
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Now, I’m a journalist who covers prisons—but a decade ago I was in prison myself. I’d landed there on a heroin charge after years of struggling with addiction as I bumbled my way through college. Behind bars, I read voraciously, almost as if making up for all the assignments I’d left half-done during my drug years. As I slowly learned to rebuild and reinvent myself, I also learned about recovery and hope, and the reality of our nation’s carceral system really is. Hopefully, these books might help you learn those things, too.
I read so much poetry in prison—words about survival, and loss, and absence. But one thing I did not read was poetry about people who’d been in prison like me, and wish I had. This poetry collection wasn’t out then, but I think I would have loved it if it were.
In fierce, agile poems, Felon tells the story of the effects of incarceration-canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood and grace-and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.
Selected by Nobel Laureate Czeslaw Milosz, an inspiring collection of 300 poems from writers around the world.
Czeslaw Milosz's A Book of Luminous Things—his personal selection of poems from the past and present—is a testament to the stunning varieties of human experience, offered up so that we may see the myriad ways that experience can be shared in words and images. Milosz provides a preface to each of these poems, divided into thematic (and often beguiling) sections, such as “Travel,” “History,” and “The Secret of a Thing,” that make the reading as instructional as it is inspirational and remind us…
I’m a lifelong typewriter lover. That passion has taken me down some deep and wonderful rabbit holes, including critiques of digital tech. I’m just as hooked on tech as the average person today, and of course, it has real benefits, but I’m painfully aware of how my addiction damages my attention, privacy, and self-reliance. The books I’ve picked help me articulate the problems, imagine just how bad things can get, and see alternatives. In my day job as a philosophy professor, I think about topics like memory, time, and technology, and specialize in controversial thinker Martin Heidegger (I own his typewriter!).
I’ve tried my hand at street poetry with a typewriter and been surprised by the hugs and tears my little efforts sometimes provoke. This book shows me why: people are hungry for someone to listen and care. And something about a mechanical intermediary promotes attention, while digital tech pushes us apart.
I was absorbed by Sonia-Wallace’s stories and jealous of his chance to be Amtrak’s writer-in-residence, typing poems on a train across America.
It might surprise you who’s a fan of poetry — when it meets them where they are.
Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: all over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life.
"She plunged her blade into his chest, feeling it grind along his ribs..."
Outcast swordfighter, Kyer Halidan, was abandoned in a cornfield at age three. Now, twenty years on, she’s searching for answers: Who left her there? And why?
Kyer doesn’t suffer fools, and when she kills a man in…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I’m including some verse in my list because there’s no better way to capture Appalachia’s mix of beauty and sorrow than with poetry. This collection by Joseph Bathanti, former poet laureate of North Carolina and longtime inhabitant of the Blue Ridge Mountains, lays bare the effects of mountaintop removal mining against a backdrop of the serene landscape it destroys. I don’t often read a book of poetry more than once, but I found myself skipping back through this one a lot, unable to turn away from the forsaken people and places of the poems.
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its…
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
If some books inspire a rethink of recent history through hundreds of pages of forensic evidence or rigorous theory, Emtithal Mahmoud’s poetry recasts big questions that African societies have struggled with by weaving together hard-hitting metaphors and stunning phrases to open up new worlds of possibility and loss.
I find Emi’s writing an incredible call for solidarity, compassion, and the shattering of barriers—whether through the tender or the raw, the unspeakable or the gushing, the blistering and the comforting. A set of poems I return to regularly for perspective, whether on personal dilemmas, the contraptions of unity and division, or the political currency of love and othering.
2015 World Poetry Slam Champion and Woman of the World co-Champion Emtithal "Emi" Mahmoud presents her hauntingly beautiful debut poetry collection.
Brimming with rage, sorrow, and resilience, this collection traverses an expansive terrain: genocide; diaspora; the guilt of surviving; racism and Islamophobia; the burdens of girlhood; the solace of sisterhood; the innocence of a first kiss. Heart-wrenching and raw, defiant and empowering, Sisters' Entrance explores how to speak the unspeakable.
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.
The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.
Jane Hirshfield's urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees. The poems of Ledger record riches, both abiding and squandered, and mourn our failures. They confirm, too, the continually renewing gift of the present moment, summoning our responsibility as moral beings to sustain one another and the earth's continuance. Finally, it is the human spirit and the language of poetry - loyal instruments…
When a mysterious stranger traps teen siblings in a precarious game, each must overcome their embittered past for the other to survive.
This magical realism YA novel explores the power of family and forgiveness. But take heed. The truth can cut like shards of glass, especially for those who’d rather…
As someone who served in Iraq with the Army in 2004, I have been inspired and—in many ways—saved by the work of these American veterans who wrote before me. In their work, they showed me a path in which to write and live. While I would love to list more books, these are the ones that I’ve been going back to most recently. Beyond simply capturing “war,” all of these writers reckon with mortality, loss, longing, and love.
I love this book because it’s a beautiful and honest reckoning with what it means to serve, particularly as an enlisted American soldier in Vietnam. Weigl focuses on combat, homecoming, the horror faced by civilians, and he does it with a subtle plainspoken language that draws in every reader.
The images are remarkably stark and fresh; each poem also carries an undercurrent of sonic attention, a musicality that limns the harsher moments of the book—hence, that “Song” of Napalm.
"Song of Napalm is more than a collection of beautifully wrought, heartwrenching, and often very funny poems. It's a narrative, the story of an American innocent's descent into hell and his excruciating return to life on the surface. Weigl may have written the best novel so far about the Vietnam War, and along the way a dozen truly memorable poems." Russell Banks
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
I was in second grade when I first read this Robert Frost poem in our classroom textbook. There was one magnificent illustration of a horse in a dark, snowy forest, with big snowflakes falling that captured my imagination. I was entranced by the language and images and remember memorizing the poem to recite. In 1978 Susan Jeffers illustrated the poem as a picture book, with evocative gray and white drawings. A later edition added some color. In this case, the beauty of the text is such that no illustrations are needed, but it is lovely to see the snowy village, the narrator stopping to make a snow angel, and the snow-laden tree branches. A great introduction to the poems of Robert Frost, who called this poem “my best bid for remembrance.” (Just FYI, you can listen to a recording of Robert Frost reading this poem on YouTube.)
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
From the illustrator of the world’s first picture book adaptation of Robert Frost’s “The Road Not Taken” comes a new interpretation of another classic Frost poem: “Stopping By Woods on a Snowy Evening.” Weaving a simple story of love, loss, and memories with only illustrations and Frost’s iconic lines, this stirring picture book introduces young readers to timeless poetry in an unprecedented way.
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
The poems in this book made me feel glad to be alive in a world that feels like it’s ending. I loved how Jones situated personal grief within disasters of national and international scale; grieving a mother is as monumental as grieving a world.
I also found it compelling how Jones consistently maintains a musical quality to the poems’ language. The first two lines of, 'Saeed, How Dare You Make Your Mother into a Prelude', are: "And then, night neons itself inside me / and I begin missing you in loud new ways.”
Multisensory with pleasing consonance, these lines are a small sample of Jones’s linguistic verve. Full of wit and sincerity, these poems made me want to write my own defiant love letter to the apocalypse.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
In Renaissance Venice, the deadliest weapon isn’t a blade… it’s a secret.
Angelo Mascari is a master swordsman whose greatest battle isn’t fought for crown or country, but for love. When treachery strikes and the Republic turns against him, Angelo is forced into a desperate flight that leads him across…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
This is one of those gems that can easily get lost in the literary shuffle. Poet-teacher John Fox gets into the craft of writing poetry in Finding What You Didn’t Lose, but it’s not one of those dry books that will get you all tangled up worrying about your iambic pentameters. Instead, he takes you on a beautiful journey, showing how such useful tools as imagery, sound, metaphor, and rhythm can help you express yourself. Quotes and poetry excerpts round out the rich content of this book.