100 Books Like A Betrayal of Storms

Although heists and team-driven stories are difficult to mess up, I rarely find a gem with fun, snarky, and interesting characters like those delivered by Bardugo.

Clever banter effortlessly drives the storyline from beginning to end. When you start to feel the characters are proving to be one-dimensional and predictable, they begin to change and evolve (albeit a bit slowly for my tastes), which made for a surprisingly satisfying read (I’m including book two in this observation).

Worldbuilding is intelligent enough to keep you trusting the author when you grow concerned that the ending will be unrealistically implausible. Okay, maybe that last observation is my personal pet peeve with modern authors, but Six of Crows pulled off the credibility factor reasonably well.

This book was billed as a magical gay murder cruise, and I was so thrilled to discover that it more than lived up to the pitch.

Dee, the loveably insecure and absolutely hilarious protagonist, had me cheering for him the whole way through the book as he works to uncover who is killing his fellow passengers. With the help of a delightful found family nicknamed the Swarm, Dee realizes that not only is he cut out for the task—he’s truly the only man for the job.

This book made me laugh and cry and ultimately touched me deeply as it spoke to coming to trust and love oneself. 

If you’re looking for the best-found family in the most stunning dragon book ever, look no further than the Den in this book, a queer Jamaican-inspired book about magic-wielders and dragon-riders defending their island from colonizers.

I cheered Elara, Faron, and the rest of the cast on as the book soared to thrilling heights and completely swept me away. I came for the world, magic, and dragons and stayed for the banter, found family, touching story of love and loss—and dragons. I firmly believe that this one will become a classic of YA fantasy.  

I was immediately enthralled by this queer Jewish-found fantasy book, pitched as Scorpio Races meets Peaky Blinders.

The daughter of a renowned family facing impending ruin teams up with a rogue enchanter and an ambitious heir to win a deadly horse race using forbidden magic.

As I read this book in a single sitting, my heart felt like I was the one running a race. I loved the entire gang, as well as the star of this particular found family—the cat. 

This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up. 

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

Don’t be fooled by the initial MF pairing of this book, A Lady of Rooksgrove Manor is very queer and very spicy.

Kathryn Moon does a fantastic job creating a realistic example of a polyamorous relationship in a genre where most authors tend to just like creating conflict. Each partner to the main character has unique, well-negotiated relationships not only with the main character but also with each other.

These relationships range from sexual to queer, platonic, and scratches the itch that every queer person has to build a commune out in the wilderness with all their closest friends that they may or may not make out with sometimes.

This was just such a fun read. It had me giggling. Well, at first, it had me rolling my eyes. This is probably one of my all-time favorites. Within a few chapters, I was swooning for both characters and trying to logic a reason why things would turn out well, even though it’s literally about an assassin whose target is a prince.

There was so much fun worldbuilding in the background of this adorable romance, and I’m a sucker for big magical worlds.

Much extreme horror presents us with cardboard characters who are ripped and torn with no real consequence – but Aaron gives us deeply felt people who pulse on the page, which means it really hurts me as a reader when he subjects them to brutal and unforgiving fates.

His fiction aches like unacknowledged truth, displaying an empathy that doesn’t gloss over the horrors of this world and the next, and feels intimately personal whether he's delving into family dramas, failed relationships, queer themes, or sophisticated splatter.

While his work mostly details the horrors we inflict upon each other, even with the best of intentions, it’s too broad to be kept in one box – and if it was, it would surely cut its way out and come for your heart next. 

Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.

I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.