Here are 7 books that 150 Glimpses of the Beatles fans have personally recommended if you like
150 Glimpses of the Beatles.
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There is plenty of market lore about what influences a corporate acquisition’s probability of success. It took the authors of this book to produce a thorough, empirically supported answer to that question. Using a database of 40,000 transactions over a 40-year period, Lev and Gu identify a total of 43 factors that make an acquisition more likely to succeed or to fail. They provide a ten-factor model that is practical for investors to apply in assessing a given deal’s odds of beating the overall observed failure rate of 70%-75%. (That is twice the failure rate of internal projects reported by Wrike, Inc.)
Despite its quantitative rigor, The M&A Failure Trap is no dry recitation of statistics. The authors present their findings in colorful prose, not hesitating to point the finger at the parties and incentive arrangements they hold responsible for the appalling high failure rate. I especially like the case…
An essential read about M&A for executives and investors who make critical decisions when M&A events and opportunities happen.
In The M&A Failure Trap: Why Most Mergers and Acquisitions Fail and How the Few Succeed, a distinguished team of finance and accounting researchers and practitioners delivers a practical and up-to-date exploration of the shortcomings of managerial mergers and acquisitions decisions. In the book, you'll discover:
Why 70-75% of all corporate acquisitions fail
How to substantially improve acquisition decisions
How to predict a specific merger outcome
All the lessons and advice provided in this book are fact-based-derived from a sample of…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
This is a book that was truly needed. Bitcoin is a controversial subject, with passions that run high on both sides. Unfortunately, the passions are rarely accompanied by productive discussion of the actual pros and cons. It fell to the philosophy professors who wrote this book to address fairly and frankly the arguments against the most famous cryptocurrency, even as they conclude that on balance we are better off living in a world with bitcoin than in one without it.
Readers who are skeptical about bitcoin’s usefulness, but willing to approach the matter with an open mind, will learn how it can serve the world’s billions of unbanked people. Others facing censorship and political oppression stand to gain some relief through the use of bitcoin. At the same time. Bailey, Rettler, and Warmke bring up objections that even the digital currency’s critics have probably not seen raised previously.
Bitcoin isn't just for criminals, speculators, or wealthy Silicon Valley entrepreneurs - despite what the headlines say. In an imperfect world of rampant inflation, creeping authoritarianism, surveillance, censorship, and financial exclusion, bitcoin empowers individuals to elude the expanding reach and tightening grip of institutions both public and private. So although bitcoin is money, it isn't just money. Bitcoin is resistance money.
Resistance Money: A Philosophical Case for Bitcoin begins by explaining why bitcoin was invented, how it works, and where it fits among other kinds of money. The authors then offer a framework for evaluating bitcoin from a global perspective…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
When I was growing up, the fabled 1969 Woodstock music festival was a byword for the alternative drop-out culture of hippiedom then at its height.
Even today, people remember it and the town that gave it its name (although it's actually located 40 miles from the site of the festival). What’s perhaps less well known is that Woodstock first became Hippie Central several years before, after Bob Dylan and his manager Albert Grossman moved there, and it continued to attract musicians and artists long afterwards.
This book tells an often shocking tale of excess – drink, drugs, and sexual shenanigans. (And incidentally, Donald Fagen now divides his time between Woodstock and New York.)
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.
This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?
Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.
When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts-work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I grew up in south-west London, and still live here.
My formative years were spent going to rock gigs in local clubs, pubs, and colleges, when bands like Genesis, Black Sabbath, the Soft Machine, and Pink Floyd were still playing in small venues. Queen’s Brian May went to my school, as did half of the Yardbirds.
This book reflects that era, particularly the amazing goings-on at Eel Pie Island in Twickenham, where gigs were held in a crumbling hotel infested with hippies and other ne’er-do-wells… including me and some of my closest friends.
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
This is the most fun you’ll ever have reading about music history, guaranteed. Gioia focuses on outsiders, renegades, and people at the margins of society who launched musical innovations that were later adopted – and legitimized – by leaders of mainstream culture.
“So don’t be surprised,” he warns early on, “if a woman’s erotic love song gets turned into a scriptural utterance by a king. That’s how the history of music unfolds, especially for anything innovative or transgressive.”
I especially appreciated how, in examining music’s 4,000-year history, Gioia never fails to highlight contributions by women, which sets his book apart.
The phrase "music history" likely summons up images of long-dead composers, smug men in wigs and waistcoats, and people dancing without touching. In Music: A Subversive History, Gioia responds to the false notions that undergird this tedium. Traditional histories of music, Gioia contents, downplay those elements of music that are considered disreputable or irrational-its deep connections to sexuality, magic, trance and alternative mind states, healing, social control, generational conflict, political unrest, even violence and murder. They suppress the stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
You thought you knew everything there was to know about The Beatles. I thought I did. I was wrong.
Craig Brown somehow manages to tell a very familiar story with details that either you never knew or had forgotten. He isn’t scraping the barrel: the book is full of excellent stories about the Fab Four, and sheds new light on where the band came from and where they ended up. It’s more than 600 pages long, and beautifully written, but a very easy read.
SHORTLISTED for the Baillie Gifford Prize's 25th Anniversary Winner of Winners award
WINNER OF THE BAILLIE GIFFORD PRIZE 2020
A Spectator Book of the Year * A Times Book of the Year * A Telegraph Book of the Year * A Sunday Times Book of the Year
From the award-winning author of Ma'am Darling: 99 Glimpses of Princess Margaret comes a fascinating, hilarious, kaleidoscopic biography of the Fab Four.
John Updike compared them to 'the sun coming out on an Easter morning'. Bob Dylan introduced them to drugs. The Duchess of Windsor adored them. Noel Coward despised them. JRR Tolkien…