Here are 100 books that 100 Poems to Break Your Heart fans have personally recommended if you like
100 Poems to Break Your Heart.
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I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.
I was first captivated by the stunning cover, but stayed because I love stories about groups of friends and the emotions and connections that bind them for better or worse. Deep in Providenceshowcases this beautifully through the lenses of Miliani, Inez, and Natalie, three girls whose lives are shattered when their friend Jasmine is killed by a drunk driver. The girls turn to Filipino spells and folklore in an attempt to bring Jasmine back from the dead. Desperation and yearning bleed through these pages, and by the end, I was sobbing. This book is a beautiful exploration of grief, told in the tenderest way.
"Haunting, intimate, and beautifully told: a magical debut novel from a writer to watch.” —Emily M. Danforth, national bestselling and award-winning author of The Miseducation of Cameron Post
A spellbinding young adult fantasy debut following three best friends who turn to magic when they're haunted by a friend's death...and perhaps her spirit, combining the atmospheric thrills of The Hazel Wood with the nuanced realism of Erika L. Sanchez.
For best friends Miliani, Inez, Natalie and Jasmine, Providence, Rhode Island has a magic of its own. From the bodegas and late-night food trucks on Broad Street to The Hill that watches…
I’ve been mesmerized by paranormal stories since grade school when I first read The Chrysalids by John Wyndham. Paranormal, supernatural, and magical books capture my imagination, probably because I’ve always wished I could fly like I can in my dreams. But since gravity is real, I make the magic happen in my writing. I especially enjoy when the magic takes place in a contemporary setting but is hidden to all but the reader and the ones who possess it. It feels like being in on a very big secret. The books I’ve recommended are a mix of secretive and outed magic. I hope you enjoy them.
It was Spirit Legacy’s cover that drew me in, but it was the ghosts that kept me reading. I love the paranormal and I especially enjoy unique stories with strong characters. Holmes created both with this series. Her pairing of the protagonist, free-spirited Jess Ballard, with Tia, an ultra-organized and grounded roommate, makes for some hilarious situations. I love these two together. As the story progresses, intrigue builds, strange phenomena occur, and motives are questioned. Someone has deadly intentions, but who? No one’s beyond suspicion. Not even Jess’s friends or her family. Holmes kept me guessing right to the end. Thankfully, this is a series, so I have more books to enjoy.
These cryptic words wake college student Jess Ballard from a terrifying dream into an even more terrifying reality. Jess’ life has never been what anyone would call easy; doing damage control in the wake of your nomadic, alcoholic mother doesn't exactly make for a storybook childhood.
But now her world has fallen apart just when it should be coming together: her mother gone—dead under mysterious circumstances; her life uprooted to stay with estranged relatives she’s never met; and there’s something odd about some of the people she’s been meeting at…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
I bought this book for the title, and happily there are Madonnas galore in this story, including in the apartment of “two motherless dudes,” dying teen Jessie T. Serrano and his dad. This quest novel—before he dies, Jessie sets up a mysterious trip to Europe for his three cousins, best friend and girlfriend—follows five grieving young adults on a doomed pilgrimage in a strange continent. If you have ever been a teen (as I assume you have) you will connect with the six (!!) point of view characters, each flawed but achingly human. "Not all stories are about love," says one of them, but this story most definitely is.
Five teens backpack through Europe to fulfill the mysterious dying wish of their friend in this heartwarming novel from the author of The Vigilante Poets of Selwyn Academy.
Jesse lives with his history professor dad in a house covered with postcards of images of the Madonna from all over the world. They’re gotten used to this life: two motherless dudes living among thousands of Madonnas. But Jesse has a heart condition that will ultimately cut his life tragically short. Before he dies, he arranges a mysterious trip to Europe for his three cousins, his best friend, and his girlfriend to…
Rachel is a heart-minded professional specializing in current and relevant approaches in support of individuals and workplaces following a loss or trauma. She is a best-selling author, seasoned keynote speaker, and business consultant. She began her career serving in management of Fortune 500 companies, overcoming her own adversity following the sudden death of her husband while raising a 2-year-old. She was immediately confronted with the see-saw created when personal and professional trajectories collide, giving her the opportunity to provide invaluable insights about loss. Her books include best-selling Living with Loss One Day at a Time, Finding Peace, and Grief in the Workplace: A Comprehensive Guide for Being Prepared.
I would highly recommend this book to anyone who has suffered multiple losses of loved ones, whether it be a spouse, family member, or friend. Nancy Saltzman's story will enter into your soul and give you the strength of a woman who lost her husband and two children in a plane crash. She shares her story of love, loss, and rebuilding of a future as a radical survivor of cancer and loss of her family. Her spirit and desire to live life to the fullest are prominent in her story.
"Radical Survivor" chronicles elementary school principal Nancy Saltzman's extraordinary saga as a two-time cancer survivor who lost her entire family in a small plane crash. Told with honesty, insight and laugh out loud flashes of humor, Radical Survivor traverses the full spectrum of human emotions. Several aspects of this book make it unique among memories. *The book is enriched by letters to the author interwoven with narrative throughout the book. Most of the notes were received after the death of her family, but some are mementos from her husband and entries from her son's journals. *The author has experienced an…
I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.
I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.
The first book that explains how to open to the immensity of living with death—and how participating fully in life is the perfect preparation for whatever may come next.
In Who Dies?, the Levines provide calm compassion rather than the frightening melodrama of death.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
I love this book partly because it’s a great source of facts and statistics about death and dying throughout the ages.
However it also tells a compelling story of how dying has changed: from short lives often ended abruptly by accident or infectious disease, to what sociologists call ‘the predictable death trajectory’ of gradual death from the diseases of old age and modern lifestyles.
I’m also intrigued by the author’s vision of death and dying in the future: maybe medical advances will even conquer death itself.
A GUARDIAN, ECONOMIST AND PROSPECT BOOK OF THE YEAR
'A superb book' Simon Sebag Montefiore
'An empowering story of human ingenuity' Economist
'Full of curious facts' The Times
Causes of death have changed irrevocably across time. In the course of a few centuries we have gone from a world where disease or violence were likely to strike anyone at any age, and where famine could be just one bad harvest away, to one where in many countries excess food is more of a problem than a lack of it. Why have the reasons we die changed so much? How is…
I have accompanied dying people for more than twenty-five years—as a counsellor, volunteer chaplain, and companion. I feel passionate about changing the perception of dying and death, the way we care for people during their most vulnerable moments, and how we support families through this painful time. Since my twenties I have been immersed in Buddhist practise which inspires and informs my life and work. Together with other clinicians and mindfulness practitioners, we created one of the first contemplative-based training in end-of-life care for caregivers called “Authentic Presence”. Daring to be present might be the hardest thing you may have done in your life, and, you may come to discover, one of the most intimate, beautiful, and rewarding.
Dr. Ira Byock is a well-known authority in palliative care and hospice and a wonderful storyteller. In his stories, he talks about the physical realities of the dying process, the emotional despair we may witness, or how to handle family dynamics. He doesn't shy away from reflecting on his personal growth doing this work, which makes this book deeply human and relatable. Dying Well was published several years ago. It is still an informative and insightful read, especially if you are a family caregiver and care for a loved one. Please also check out his other books, Four Things That Matter Most and The Best Care Possible.
From Ira Byock, prominent palliative care physician and expert in end of life decisions, a lesson in Dying Well.
Nobody should have to die in pain. Nobody should have to die alone.
This is Ira Byock's dream, and he is dedicating his life to making it come true. Dying Well brings us to the homes and bedsides of families with whom Dr. Byock has worked, telling stories of love and reconciliation in the face of tragedy, pain, medical drama, and conflict. Through the true stories of patients, he shows us that a lot of important emotional work can be accomplished…
In my non-fiction books, my travel writing, and as a Financial Times contributor, I’ve always been drawn to two questions: How does the world work? And what makes us human? Seeking answers to these questions has taken me on extraordinary journeys and given me the excuse to meet some fascinating people. In this, I consider myself extremely lucky.
When I began looking into how we humans send off our dead, this was the first book I read. Both moving and funny, it remains one of my favorites. Lynch, a poet, author, and professional undertaker, writes unsentimentally but with great compassion about the business of burying the dead.
While Lynch is critical of modern approaches to death—which he compares to the flush toilet, allowing us to quickly remove unpleasant reminders of our failing bodies—his book left me with a new understanding of the importance of the services provided by those who work in “the dismal trade.”
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
Now, I am no friend to graphic novels. As a novelist I prefer a story told in long strokes. For Taniguchi Jiro, however, I make an exception.
When I stumbled across A Journal of My Father, I was initially skeptical. Page after page, however, with an almost cinematic panorama laid out before me, I found myself in complete awe of the fine power of observation that Taniguchi brings to the small things in life. The simple and still finds artistic expression in his work, the every day suddenly seems notable, and anyone who – like me – often finds themselves reaching for a handkerchief, consider yourself warned: this touches you, though without a show of sentimentality.
After the death of his father, a man travels to his hometown and, through various conversations and encounters, pursues memories that have stayed with him since childhood. That doesn’t sound all that exciting. But…
KNOW THY FATHER The book opens with some childhood thoughts of Yoichi Yamashita spurred by a phone call at work informing him of his father’s death. So, he journeys back to his hometown after an absence of well over a decade during which time he has not seen his father. But as the relatives gather for the funeral and the stories start to flow, Yoichi’s childhood starts to resurface. The Spring afternoons playing on the floor of his father’s barber shop, the fire that ravaged the city and his family home, his parents’ divorce and a new ‘mother’. Through confidences…
