79 books like World of the First Law

I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.

The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.

It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.

I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.

It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.

What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.

Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.

What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.

Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.

So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.

Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).

This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch. 

This book takes the tired and worn trope surrounding mankind’s search for the fountain of youth, twists it violently, and asks, “What if this were viable, although exorbitantly expensive, tech?” I loved not only this fresh, original angle, but Morgan’s thoughtful treatment of it.

With immersive world-building and a gritty protagonist, Altered Carbon dragged me through a truly surprising and original murder mystery that kept me guessing through the final reveal – though it wasn’t the murder plot that kept me hanging on.

Morgan’s not-particularly-likeable protagonist not only darkened the story, he pressured me to revisit difficult moral questions and to reconsider them from his perspective. He pulled me into the story, shook my moral compass, and then made me believe that perspective was standard in his world.

I stopped and blinked at the end of the first chapter, knowing the author had touched on something brilliant. His character, Kit, asked something I never expected to read in a fantasy novel. I broke out in goose bumps as I thought to myself, where will this go? An ending is a conclusion, and both feel best when they are strong and unquestionable. So, what happens when we find a book that makes us question what is true? Not an abstract quest towards the meaning of life or epistemology, but an indictment of human dogmatism, The Dragon’s Path will make you laugh at your own desire for simple, unquestionable answers.

Sometimes we think we are reading fiction as an exercise in entertainment, and fantasy as a guilty pleasure. Abercrombie is a favorite writer of mine because his work does all that, but he also surprises with sharp insight every single time. Last Argument of Kings ends his First Law Trilogy with the most surprising reveal of all—that the moral center does not exist. Not at all. All the blood and death that his characters have dealt out and survived are not in service to some higher good. More than just an exercise in cynicism or a service to violence, this story shines a light on power, politics and the people who stand atop the heap. And somehow Abercrombie does this all while making you laugh and shake your head in amazement.

As with the previous book recommendations, I find myself drawn to a resilient female protagonist who overcomes incredible odds in an empire crumbling under the weight of forces beyond any of the characters’ control.

In this book, Nona Grey, a young girl trained by the Sisters of Sweet Mercy convent as an assassin, has to contend with both political and existential threats as the powerful rulers of Abeth squabble over resources on their dying planet. I was also drawn to the intricacy of the storyline because I loved watching Nona navigate this complex world.