Here are 19 books that Weird West Tale fans have personally recommended once you finish the Weird West Tale series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
These fourteen essays explore the hybrid “weird west” genre, examining a range of texts including some by Native American authors, as well as TV series, films, fiction, roleplaying games, and comic books. It makes for an interesting read – and is thought-provoking in its conclusion that despite weird westerns challenging and destabilizing many of the old cliches, they have yet to “imagine an existence outside of colonial frameworks”. This has given me much food for thought, as it seems to me that frontiers (wherever found) are an intrinsic part of the western genre, and frontiers tend to imply conflict between the inhabitants and the invaders, between the new and the established. Maybe I’m wrong! In any case, this proves that we still have a long way to go before we’re done exploring all the possibilities of this intriguing genre!
2021 Top Ten Finalist for the Locus Awards in Nonfiction
Weird Westerns is an exploration of the hybrid western genre-an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.
The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders…
Being a lifelong fan of fantasy and horror, I've always embraced stories of creepy monsters and vainglorious gods, especially novels that mash-up genres, like Stephen King's Gunslinger, Neil Gaiman's American Gods, and Mary Doria Russell's The Sparrow. But my fascination always circles back to the supernatural, especially sorcerers who raise the dead. After writing my dark fantasy Shackled Verities series, I decided to venture into the Old West with a twist—monsters, magic, and mayhem, featuring, of course, a necromancer gnome. So let me present a spellbinding list of stories about these doers of the dark arts that span genres, from spine-chilling to lighthearted—because who says raising the dead has to be serious?
This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.
Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.
It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales - stories of the Old West infused with elements of the fantastic - produced specifically for this volume by many of today's finest writers. Included are Orson Scott Card's first "Alvin Maker" story in a decade, and an original adventure by Fred Van…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!
The untamed frontier is a challenge, a test of character, a proving ground for the soul. It's a place where pioneers rewrite their future, or end their days…for better or worse. In the spirit of Bret Maverick, Cat Ballou, Kwai Chang Caine, and James West, The Weird Wild West blends western grit with the magical and mysterious unknown that waits beyond the next horizon.
With thrilling stories by Jonathan Maberry, Gail Z. Martin and Larry N. Martin, John G. Hartness, RS Belcher, Diana Pharaoh Francis, Misty Massey, James R. Tuck, Robert E. Waters, David Sherman, Tonia Brown, Liz Colter, Scott…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
If Indiana Jones was based in Brooklyn and was also an expert at magic and arcane lore, you'd have Piers Knight, the titular character of this book. Although a bit lighter on humor than the other entries here, I found this book to be fun and snappy, and as an additional bonus delves into the real (and weird!) historical factoids about New York City.
Professor Piers Knight, an esteemed curator at the Brooklyn Museum, is regarded by many on the staff as a revered institution of his own, if not an outright curiosity. Knight's portfolio includes lost civilizations; arcane cultures, languages, and belief; and, more than a little bit of the history of magic and mysticism. His colleagues don't know that, in addition to being a scholar of all things ancient, he is schooled in the uses of magical artefacts, the teachings of forgotten deities, and the threats of unseen dangers. If a mysterious object surfaces, Professor Knight makes it his job to figure…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
A recent transplant from the South gets hired as a travel
book editor and finds herself the sole human employee in a company run by a
vampire. Her coworkers include zombies, incubi, and even a goddess. As part of
her job, she must write a tourist guide to the city—for the undead.
To me, the most fun parts are the actual pages from the
guide, interspersed with the narrative.
A travel writer takes a job with a shady publishing company in New York, only to find that she must write a guide to the city -- for the undead!
Because of the disaster that was her last job, Zoe is searching for a fresh start as a travel book editor in the tourist-centric New York City. After stumbling across a seemingly perfect position though, Zoe is blocked at every turn because of the one thing she can't take off her resume -- human.
Not to be put off by anything -- especially not her blood drinking boss or death…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
Dead Jack is a zombie private detective with fairy dust
addiction and a homunculus sidekick. He plies his trade in the Five Cities of Pandemonium
which are very clearly the five boroughs of New York City.
I'm a sucker for a snarky voice first and foremost. Staten
Island-based Aquilone melds horror and humor into a page-turner series that
deliver my recommended daily dose of Vitamin Snark.
"Dead Jack is wicked fun! Undead noir with a devious sense of humor. Highly recommended!" ― Jonathan Maberry, New York Times bestselling author of V-Wars and Rot & Ruin
JACK WOULD DO ANYTHING FOR DUST―MAYBE EVEN SAVE THE WORLD!
Dead Jack and the Pandemonium Device kicks off a wild and irreverent fantasy / horror series following the exploits of a zombie detective and his homunculus frenemy. In the fast-paced novel, the drug-addicted zombie detective and his shapeshifting sidekick battle and outsmart supernatural creatures, from tough-guy leprechauns to sex-obsessed shark women and insane bat gods, in a hellish, alternate New York…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
Mike Resnick is a master of writing humor, and Hex collects all of his Harry the Book stories, a Damon-Runyon
style tales of a down-on-his-luck bookie and his oddball crew, operating out of a
booth in a Manhattan bar. I love this noir-ish version of NYC with zombies,
werewolves, and even dragons mixing with human New Yorkers who are even more
colorful.
If you love this book, Resnick's Hunting
the Unicorn (and sequels) take place in the same setting.
From boxing matches to dragon races to elections, there's no wager Harry won't cover—so long as the odds are right.
Harry the Book operates out of a Manhattan bar booth, with his personal wizard and his zombie bodyguard close at hand. He'll dope out the odds on any sort of contest, even if that gets him into a heap of trouble.
Be it conniving gamblers, lovelorn wizards, or flea-bitten werewolves, when it comes to the misadventures of Harry and his crew one thing is certain: the hex is always in.
This book contains fifteen tales of Harry the Book—the complete…
Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
I first discovered Rachel Aaron, when one of my fans recommended her. After reading her first book, I could see why. Eli is a charming roguish thief who can communicate with spirts, and Niko is a no-nonsense ghost. Their contrasting personalities makes for great reading.
Like all of my prior recommendations, humor plays an important part in this tale. But what I like the most is that the pair’s relationship isn’t just about camaraderie during adventures—it’s about mutual growth and understanding as they both learn from one another. This book isn’t as widely read as some of Rachel’s more recent stories, but it’s well worth checking out, and a great example of a bromance done well.
Eli Monpress is talented. He's charming. And he's a thief.
But not just any thief. He's the greatest thief of the age -- and he's also a wizard. And with the help of his partners -- a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls -- he's going to put his plan into effect.
The first step is to increase the size of the bounty on his head, so he'll need to steal some big things. But he'll start…
I've steeped myself in the world of entertainment journalism since high school—writing music reviews, interviewing musicians, hanging out with actors, wandering backstage on shows as varied as Law & Order and Another World—and it was time to do what everyone says authors should do: Write what you know. I have a great admiration (and some criticism) for soaps and reality TV shows, but I recognize the ways in which they appeal to us like no other entertainment—they get us involved. They make us want to be part of the story, and the best ones convince us (especially those reality TV shows) that we are part of their incredible worlds.
Shvartsman has been compiling anthologies of funny fantasy and science fiction since 2012; he's just recently launched a Kickstarter for Unidentified Funny Objects No. 9. He picks wonderful stories from an array of genre authors, which always leads to a great experience for readers. This particular book is a compilation of fourteen of his best (at least, so far). I have a warm spot for these stories, not just because they make me laugh, but they show a wide variety of the types of comedy that can work on a page, and as such are a primer in how to do it right. I did submit a story to Shvartsman once and he gave me suchgenerous feedback it made me want to work harder. And funnier.
From evil overlords to bumbling henchmen, talking cats to lovelorn fishermen, mad queens to wise opossums, the collected fourteen stories subvert popular fantasy tropes in surprising and delightful ways. This book collects some of the best funny fantasy fiction published in the past decade. Included are works by Hugo and Nebula Award winners, New York Times and USA Today bestselling authors, as well as up-and-coming talented writers.
Includes the following stories:
“Dave the Mighty Steel-Thewed Avenger” by Laura Resnick “Crumbs” by Esther Friesner “Fellow Traveler” by Donald J. Bingle “A Fish Story” by Sarah Totton “Another End of the Empire”…
