Here are 22 books that U.S.A. Trilogy fans have personally recommended once you finish the U.S.A. Trilogy series.
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As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim.Â
The sheer volume of historical research evident in Quicksilvereclipses all other works of the genre. The number of âthrow awayâ lines that reveal deeper research and add but a thought or two to the current narrative is awesome.This is rapture for a bibliophile.Mr. Stephenson is a genius.
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox.
I was a misbegotten child of World War II, my father an anonymous stranger on a train returning to war, thus setting me in search of an answer. While driving through rural France one day in my sixth decade I realized I'd been searching for my father through writing, and an understanding of his experience in war. My seventh decade produced Dutch Children of African American Liberators, with co-author Mieke Kirkels, about the puzzling lives of the European children of African American soldiers of World War II. As I got to its final chapters, my own fatherâs identity was revealed to me through DNA, and that will be the subject of my final book.
As I was finishing Dutch Children, my own DNA began pointing to the watermen, boatbuilders, and seafarers of Middlesex and Mathews counties, Virginia, on the Chesapeake Bay. The Mathews Men took me deep within a story of the war that I had not much known and which would soon turn personal. These were the Merchant Mariners who carried the people and supplies of war through treacherous seas of German submarines, and lost beneath the waves the highest percentage of members of all military branches. Gerouxâs fine telling of the lives of these men and their families prepared me for the eventual discovery that my mystery father had been one of them, raised in Middlesex County, a survivor of the war who had sailed everywhere in the world, though I would never meet him.
"Vividly drawn and emotionally gripping." -Daniel James Brown, #1 New York Times bestselling author of The Boys in the Boat
From the author of The Ghost Ships of Archangel, one of the last unheralded heroic stories of World War II: the U-boat assault off the American coast against the men of the U.S. Merchant Marine who were supplying the European war, and one community's monumental contribution to that effort
Mathews County, Virginia, is a remote outpost on the Chesapeake Bay with little to offer except unspoiled scenery-but it sent an unusually large concentration of sea captains to fight in WorldâŠ
I was a misbegotten child of World War II, my father an anonymous stranger on a train returning to war, thus setting me in search of an answer. While driving through rural France one day in my sixth decade I realized I'd been searching for my father through writing, and an understanding of his experience in war. My seventh decade produced Dutch Children of African American Liberators, with co-author Mieke Kirkels, about the puzzling lives of the European children of African American soldiers of World War II. As I got to its final chapters, my own fatherâs identity was revealed to me through DNA, and that will be the subject of my final book.
âJe suis las,â is the first human utterance of A Hero of France. âI am tired of the way I have to live my life.â In the lights and shadows of Alan Furstâs Europe at war the challenges are almost elegant in their quiet persistence, and their demands for endurance through the endless nights of the European underground. Occupied France is often the transit point through the center of it all. Paris is the delicate city of hard dangers and the closed doors upon, or hidden stairways to, the French Resistance. Mathieu, without a surname, is the leader of one of its cells of ordinary men and women who love their country and its magnificent, brutalized city. Like my friend Alan Seeger, he becomes A Hero of France.
From the bestselling master espionage writer, hailed by Vince Flynn as âthe best in the business,â comes a riveting novel about the French Resistance in Nazi-occupied Paris.
1941. The City of Light is dark and silent at night. But in Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu, a leader of the French Resistance, leads one such cell, helping downed British airmen escape back to England.  Alan Furstâs suspenseful, fast-paced thriller captures this dangerous time as noâŠ
I was a misbegotten child of World War II, my father an anonymous stranger on a train returning to war, thus setting me in search of an answer. While driving through rural France one day in my sixth decade I realized I'd been searching for my father through writing, and an understanding of his experience in war. My seventh decade produced Dutch Children of African American Liberators, with co-author Mieke Kirkels, about the puzzling lives of the European children of African American soldiers of World War II. As I got to its final chapters, my own fatherâs identity was revealed to me through DNA, and that will be the subject of my final book.
Eventually, my travels to understand and write about the times in which I had been born took me to the Auschwitz concentration camp near Krakow, then to its source in Berlin and some excellent walking tours into the heart of its lights and shadows â which is much of the world of Philip Kerrâs fictional Bernie Gunther. A 1930s Berlin detective, Bernie must navigate the attempt to maintain a humanity that is both moral and faulted in a time of brutality and absurdity over the course of fifteen novels that will puzzle through the human dilemma of World War II Europe. Field Gray, which ranges from the Spanish Flu epidemic of World War I to the corruption of 1950s Cuba is perhaps the most comprehensive of the series.
'One of the greatest anti-heroes ever written' LEE CHILD
'A man doesn't work for his enemies unless he has little choice in the matter.'
So says Bernie Gunther. It is 1954 and Bernie is in Cuba. Tiring of his increasingly dangerous work spying on Meyer Lansky, Bernie acquires a boat and a beautiful companion and quits the island. But the US Navy has other ideas, and soon he finds himself in a place with which he is all too familiar - a prison cell. After exhaustive questioning, he is flown back to Berlin and yet another prison cell with aâŠ
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.
Larson limns Captains Turner of the Lusitania, and Schweiger of theU-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story.Â
The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read.Â
On May 1, 1915, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were anxious. Germany had declared the seas around Britain to be a war zone, and for months, its U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era's great transatlantic "Greyhounds" and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. He knew, moreover,âŠ
Since I was a young boy, Iâve been fascinated with the concept of time. Iâve spent hours studying the physics of time as a hobby, and to this day, as an adult, that fascination continues. Whenever the topic of time arises in conversation, I will be the first to contribute my understanding of this mystery that has baffled humankind since the beginning of...well, time.
This book did something amazing to me. I was mesmerized by Finneyâs narrative of the past, which negated the method of self-hypnosis he used to bring the protagonist from the future to the past, so it no longer seemed far-fetched.
The narrative recreation of the late 19th century captivated my imagination, enabling me to feel the protagonistâs awe at seeing, feeling, and smelling the past as actual reality. Isnât this every writerâs dream?
Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden,âŠ
Iâm pretty well qualified to provide you with a list of five great books about men at war because, frankly, Iâve spent half my life reading them and the other half trying to write them (you be the judge!). My degree in Military Studies was focused on the question of what makes men endure the lunacy of war (whether they be âgoodiesâ or âbaddiesâ), and it was in fiction that I found some of the clearest answersâclue: itâs often less about country and duty and more about the love of the men alongside the soldier. In learning how to write, I also learned how to recognize greatâenjoy!
OâBrien performed some sort of alchemy in turning a previously dry and underpopulated section of the historical fiction genre into literary gold, at once gripping and supremely well-written. One follows the adventures of a Royal Navy Commander and his Irish doctor friendâa man with a secret lifeâthrough the war at sea in the Napoleonic era, and I found the balance between naval exploitsâJack Aubrey being a swashbuckler of renownâand period history made for fascinating counter-points.
Over and above that, I loved the way OâBrien built an ensemble cast and proceeded to draw the reader into their lives, making the death of any one of them a personal loss. I know that I benefitted from learning this writing trick and used it myself in my Empire series, and I know at least one other Roman author who did much the same. Wonderful stories that kept me coming back, and this isâŠ
This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, R.N., and Stephen Maturin, ship's surgeon and intelligence agent, against a thrilling backdrop of the Napoleonic wars. Details of a life aboard a man-of-war in Nelson's navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the roar of broadsides as the great ships close in battle.
Having spent much time in France, Iâve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.
On finishing my book, I wanted to write a companion novel, based this time in Paris. My inspiration for the lead character in that book was Marie-Madeleine Fourcade, an extraordinary woman who led the Alliance network in France, operating on behalf of SIS, as MI6 was then known. Her handler Sir Kenneth Cohen described her as the âtextbook beautiful spy,â but her intelligence and courage marked her out even more. Marie-Madeleine lived a life on the run, operating under the radar via a string of false identities, and even escaping imprisonment. Lynne Olsenâs riveting account tells the story of Marie-Madeleineâs terrifying existence in Nazi-occupied France, and of a heartbreaking love affair.Â
NEW YORK TIMES BESTSELLER âą The little-known true story of Marie-Madeleine Fourcade, the woman who headed the largest spy network in occupied France during World War II, from the bestselling author of Citizens of London and Last Hope Island
âBrava to Lynne Olson for a biography that should challenge any outdated assumptions about who deserves to be called a hero.ââThe Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WASHINGTON POSTÂ
In 1941 a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of aâŠ
As a lifelong New Yorker and author of two books about drinking in the cityâNew York Cocktails and Drink Like a Local New Yorkâthese are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some âdeep cutsâ New York City appreciation books that you should also get to know. Â
This novel of interconnected stories is a fascinating snapshot of life in 1920s New York City.
Considering that it was written in 1925, Dos Pasos does an incredible job of representing different backgrounds and classes as they move through the city with one another. It shows how one canât exist in such a setting on the highest levels of society without the help of people who make up the fabric of the rest of the town.
Encountering day-to-day strangers in the city wonât feel the same after reading this book. Plus, it takes place during Prohibition from a real time perspective, showing that the âRoaring Twentiesâ were more of a yelp.
'My literary hero is John Dos Passos' - Adam Curtis (filmmaker)
'A modernist masterpiece, capturing ... the fragmented lives it sketches, in a dazzling kaleidoscope of New York City in the 1920s' Christopher Hudson, Evening Standard
'Dos Passos has invented only one thing, an art of story-telling. But that is enough to create a universe' Jean-Paul Sartre
'The best modern book about New York' D.H. Lawrence
A modernist masterwork that has more in common with films than traditional novels, John Dos Passos' Manhattan Transfer includes an introduction by Jay McInerney in Penguin Modern Classics.
As a lifelong New Yorker and author of two books about drinking in the cityâNew York Cocktails and Drink Like a Local New Yorkâthese are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some âdeep cutsâ New York City appreciation books that you should also get to know. Â
New York City includes all five boroughs. When it was first published in the early 1990s, this creative book that weaves the stories of four Dominican sisters through the decades backwards from the 1980s to the 1960s was a real gamechanger.
Itâs about a family thatâs been taken down a few notchesâhaving once lived as upper-class citizens with house servants in the Dominican Republicâas they adjust to New York City culture, and specifically, life in the 1960s and 1970s Bronx, and unpack the truth about their fatherâs reasons for relocating the family in the first place.
Part of the narrative also serves as a relatable coming-of-age story about teenage girls, their sisterhoods, and friendships. Think Judy Blume, but Dominican, with more house parties, food, and drinking.Â
From the international bestselling author of In the Time of the Butterflies and Afterlife, How the Garcia Girls Lost Their Accents  is "poignant...powerful... Beautifully captures the threshold experience of the new immigrant, where the past is not yet a memory." (The New York Times Book Review)
Julia Alvarezâs new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now!
Acclaimed writer Julia Alvarezâs beloved first novel gives voice to four sisters as they grow up in two cultures. The GarcĂa sistersâCarla, Sandra, Yolanda, and SofĂaâand their family must flee their home in the Dominican Republic after theirâŠ