8 books like Trojan Threads

I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!

Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.

This graphic novel is an absolute gift to anyone interested in both many of the lesser-known but no less fascinating narrative digressions of the Trojan War cycle and the visual exploration of what the late bronze age might have truly looked like. Shanower has given so much attention to period details and clothing, to the settings and backgrounds of palace, ship, and landscape. If you’re like me and you struggle to really see what the archaeological record has presented to us in rough floor plans and surviving artworks as a whole picture of life and living, this is an absolute must-read as a gorgeously illustrated narrative of the Trojan War—and the people who existed in the period we often refer to as Mycenean.

I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.

I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.

When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

If a racially diverse, gender-bending, often raunchy, always nuanced, new take on an old tale sounds like a good read to you, then pick up this “novel-in-parts.” Both the racial and sexual fullness reflect historical reality, although they’ve ordinarily been left out. Retelling the Trojan War from its early causes to its tragic but still hope-infused end, the authors gave this rendition a compelling depth that will make you savor the old tradition with some new spice on your tongue.

Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.

Margaret George is a preeminent writer of historical fiction—big, authoritative novels focusing on remarkable, famous people, as her 2006 Helen of Troy demonstrates. She covers Helen’s life from girlhood through the Trojan War and back to Sparta. She builds a full depiction of ancient Greek life, which always makes me happy, but George is most compelling with her characters. George’s interpretations often break with tradition, and that is true for Helen and Paris. Helen disdains her extraordinary beauty and must grow into visionary insights and outsized passions with guidance from the gods. If you want a genuinely heroic Paris (not his usual wimpiness) and a couple who cleave to each other to the end, this is the Helen book for you. George’s skill holds your attention through it all.

I love the way Miller treats mythic figures as sharing reality with humans.

Who can forget blue-green Thetis coming out dripping from the sea to meet her son, the hero Achilles? This is how the ancients wrote about the gods, and it's terrific to see it making a comeback after a hundred years or so when myth was treated as a source for psychoanalysis.

I was not so much inspired by this book (it came late) as encouraged and confirmed in my own treatment of otherworldly figures. They are there, for those with the eyes or imagination to see.