Here are 100 books that Trilogy of the Rat fans have personally recommended once you finish the Trilogy of the Rat series.
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.
The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
How do we decide what is true and untrue, what is real and what isn’t? It’s something I’ve tried to understand since I was a child. In each book I chose, a character has to face a universe completely unlike what they’d believed—in some cases, what they’d spent their entire lives devoted to. How someone would react in such a situation is deeply fascinating to me, and each of these books has not only stayed with me for years but has profoundly influenced my own writing and worldview.
I love books that explore how ordinary people might react in extraordinary circumstances, and this one takes that to another level.
The main characters, Tengo and Aomame, see that the world has changed—the most obvious clue being that there are now two moons in the sky—and it is fascinating to watch how these two very different people cope with living in a new and mysterious context. Murakami has a knack for making the surreal seem believable, and in this book, he is at the top of his game.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
You thought I was going to list travel guides, didn’t you? Heck no! When I’m planning an adventure, I like to read literature from authors who live there. I wish I had read more Japanese fiction before I moved to Japan for a semester of law school. I studied the language and culture in college and spent an entire spring semester of law school in Japan. I plan to visit my old school in 2025, but even if I don’t, I will continue to read books by Japanese authors because I find the cultural and societal demands of being Japanese fascinating. I wrote a book about my time in Japan.
Haruki Murakami is probably the most famous Japanese author in the world and the father of Japanese magical realism. I have read a large portion of his work, and I have enjoyed many of his books (even with his weird ear fetish).
This one, however, is one of my favorites. It’s two stories in one, and although others sometimes criticize it for not being a good blend between the two stories, it is that separation that actually makes this book a gem for me. It captures your imagination as you follow a human computer down into a psychological miasma of perception and thought.
If that seems confusing, I’m sorry, but I don’t want to spoil for you one of my all-time favorite Murakami books. Also, if you want to know what I mean by human-computer, I guess you’ll just have to pick up the book.
A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
The Elephant Vanishes includes two of my favorite stories by any contemporary writer.
Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.
This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.
A dizzying short story collection that displays Murakami's genius for uncovering the surreal in the everyday, the extraordinary within the ordinary
*Featuring the story 'Barn Burning', the inspiration behind the Palme d'Or nominated film Burning*
When a man's favourite elephant vanishes, the balance of his whole life is subtly upset. A couple's midnight hunger pangs drive them to hold up a McDonald's. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible - even death.
As someone who has endured great challenges in life, I am fascinated by stories about overcoming obstacles and facing difficult challenges. We do not choose where we are born or to what circumstances ,but we do have the opportunity to rise above those challenges that we face on a daily basis. The human spirit and the desire for a better future is a universal gift we all share.
I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.
These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.
Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!
One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.
I'm a curious writer and compulsive traveler. My lifelong goal is to communicate the message “You don’t have to live your life the way others expect.” From 2002-2015 I went to every country in the world, chronicling the journey on my blog The Art of Non-Conformity. At first I thought the blog would be just about travel, but along the way I began meeting lots of people interested in living unconventionally. Ever since, I've been writing books, hosting events, and avoiding traditional employment by any means necessary.
Emmanuel Carrère just thinks differently! Sometimes described as the #1 non-fiction writer in France, this deeply personal memoir from him touched me with its sensitivity and embrace of awkwardness.
I don't know how else to describe it except to say: wow, this guy truly lives. I feel jealous of him as a writer, yet also different enough that it doesn’t really bother me. Instead, I just end up inspired.
'As a writer, Carrere is straight berserk' Junot Diaz
In this non-fiction novel - road trip, confession, and erotic tour de force - Emmanuel Carrere pursues two consuming obsessions: the disappearance of his grandfather amid suspicions that he was a Nazi collaborator in the Second World War; and a violently passionate affair with a woman that he loves but which ends in destruction. Moving between Paris and Kotelnich, a grisly post-Soviet town, Carrere weaves his story into a travelogue of a journey inward, travelling fearlessly into the depths of his tortured psyche.
I'm a curious writer and compulsive traveler. My lifelong goal is to communicate the message “You don’t have to live your life the way others expect.” From 2002-2015 I went to every country in the world, chronicling the journey on my blog The Art of Non-Conformity. At first I thought the blog would be just about travel, but along the way I began meeting lots of people interested in living unconventionally. Ever since, I've been writing books, hosting events, and avoiding traditional employment by any means necessary.
A very early (published in 1908!) example of the personal development genre. Some of Bennett's recommendations may seem a little outdated now, but the concept of "you should work on improving yourself, and here's how" still feels fresh and original.
A secret publishing dream of mine is to update this book and introduce it to a new generation of readers. But don't wait until I'm able to do that (or until someone beats me to it). Jump in now and read the original.
2019 Reprint of 1910 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. In the book, first published in 1908, Bennett addressed the large and growing number of white-collar workers that had accumulated since the advent of the Industrial Revolution. In his view, these workers put in eight hours a day, 40 hours a week, at jobs they did not enjoy, and at worst hated. They worked to make a living, but their daily existence consisted of waking up, getting ready for work, working as little as possible during the workday, going home, unwinding, going to…
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
Really hard to pick just one Pynchon for this list, as he is an all-around master of satire. But Inherent Vice is probably his LOL funniest, a stoner take on the detective genre set in the hippie world of 1970s southern California. The cinematic adaptation by Paul Thomas Anderson ain’t half bad, either.
Part noir, part psychedelic romp, all Thomas Pynchon-Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
