Here are 9 books that The Tudor Court fans have personally recommended once you finish the The Tudor Court series.
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Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
Another lesser-known figure, Elizabeth is the wife of Thomas Cromwell. She has very little mention in the historical record but the author draws on what we do know of her husband, Thomas. Elizabeth Cromwell’s character is convincing and likable. I particularly enjoyed glimpsing another side of Thomas Cromwell, a more human side and I loved the descriptions of their imagined daily life together. The author doesn’t over describe but the sights, sounds, and smells of the city are touched on just enough to provide a sense of place. It was also refreshing to see a woman involved in business in her own right, the cloth trade is described with enough detail to engage the reader but never becomes tedious.
"One of my favourite Tudor set books . . . A wonderfully vivid read." Nicola Cornick
Young widow Elizabeth Williams is determined to make a success of the business she inherited from her merchant father. But an independent woman draws the wrong kind of attention, and Elizabeth soon realises she has enemies - enemies who know the dark truth about her dead husband.
Happiness arrives when Elizabeth meets rapidly rising lawyer, Thomas Cromwell. Their marriage begins in mutual love and respect - but it isn't easy being the wife of an ambitious courtier in Henry VIII's London. The city is…
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
I was drawn to this book because Mary is so often overshadowed by her older brother, King Henry VIII. The research is faultless, and the story well told. I enjoyed how Tony Riches went against convention and entertained the idea that perhaps the marriage between Arthur Tudor and Catherine of Aragon was actually consummated. His characters are fully rounded keep within the social boundaries of the time. The setting was one that I recognized and peopled with familiar historical figures yet it was still full of pleasant surprises. Tony Riches has written several books set just before and after this period and I’ve read them all. I enjoy the underlying wit and humour with which he writes.
Mary Tudor watches her elder brother become King of England and wonders what the future holds for her. Henry plans to use her marriage to build a powerful alliance against his enemies....
Will she risk his anger by marrying for love?
How far will Mary’s loyalty to Henry be tested by the ambitious Boleyn family?
Based on actual events of courage, passion and adventure in the turbulent and dangerous world of the Tudor court.
If you like the human stories behind medieval history, this is the book for you.
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.
"One of the Best Books of 2016" - Open Letters Monthly; Finalist, 2016 Novel of the Year - Underground Book Reviews; Semi-Finalist - 2017 M.M. Bennetts Award
All Jane Seymour wants is a husband; but when she catches the eye of a volatile king, she is pulled deep into the Tudor court's realm of plot and intrigue....
England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise…
I grew up in Zambia, a small, landlocked country where travel was prohibitively expensive, but through books, I could travel to any place and across time without ever leaving my bedroom. Now, I’m fortunate that I get to travel for work and leisure and have been to over thirty countries and counting. Before I go to a new country, I try to read historical fiction as a fun way to educate myself and better understand that country’s history, culture, food, and family life. I hope you also enjoy traveling worldwide and across time through this selection.
I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!
I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I worked as a paralegal for many years and know how little justice there is in this world. Passion is a requirement if you toil in that legal arena of wit and woe. Even if you lose your case, you must go on. That’s when I had the epiphany that there are other forms of justice. I also realized that the occult does not necessarily mean bad or evil. If I’m losing faith, I pick up a novel about the delicious and refreshing possibilities of justice with a twist. This is a kind of justice where there is not necessarily a courtroom; there are no judges, no lawyers, and no jury.
Seldom do battered women get true justice. In this book, justice is served on a very cold plate.
Two sisters, Sally and Gillian, are witches by heritage. After their parent’s deaths, they grew up with their two aunts, also witches.
Sally was a happily married woman until her husband suddenly died. Gillian has lived a life of independence or what some might consider a wild life style. When Gillian’s boyfriend becomes a mortal threat, she gives him a potion, accidentally killing him. He comes back to haunt her from the grave. That’s when everyone in their family comes together to banish his evil spirit.
*25th Anniversary Edition*-with an Introduction by the Author!
The Owens sisters confront the challenges of life and love in this bewitching novel from the New York Times bestselling author of The Rules of Magic, Magic Lessons, and The Book of Magic.
For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in their Massachusetts town. Gillian and Sally have endured that fate as well: as children, the sisters were forever outsiders, taunted, talked about, pointed at. Their elderly aunts almost seemed to encourage the whispers of witchery, with their musty house and…
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.
As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book!
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
The writing itself is so stunning that I could get lost in the words themselves. But at its heart, the novel captures something about mistakes and ego and lifelong consequences that makes me want to cry. The progression over the course of the protagonist Briony’s life is painfully beautiful.
It’s one of those books that are so great that it’s hard for me to even describe how it makes me feel.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
