Here are 8 books that The Trickster trilogy fans have personally recommended once you finish the The Trickster trilogy series.
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One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Julia Vanishes, Book One in the Witch’s Child series, is fantasy sprinkled liberally with strong female characters. One of those characters is most certainly Julia. She is deeply flawed, has a mysterious past, and makes a living as a thief, so she’s a bit of an anti-hero. Julia also has a talent for making herself unseen—but this talent is evolving and expanding in ways that are quite frightening. Although Egan’s world-building and plotting are brilliant, what I love most are Julia’s interactions with characters like her lover Wyn (the ultimate bad boy), the mysterious Mrs. Och, and most especially Pia the assassin. Dialogue fraught with tension and humor hurtled me from one chapter to the next.
"An exciting novel with magic and serial killers.... One of the hottest books coming out."—Hypable.com
Fans of Marie Lu, Leigh Bardugo, and Kristin Cashore will be captivated by this stunning first book in a must-have new fantasy trilogy about a spy who can vanish at will and who discovers that monsters, mystery, and magic are also lurking—just out of sight.
Julia has the unusual ability to be . . . unseen. Not invisible, exactly. Just beyond most people's senses.
It's a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
It might seem strange for me to recommend the Amber Fang series seeing as how the main character is a librarian/vampire/assassin. But remember, I am recommending teen books with snappy dialogue. Amber’s repartee with her victims—folks who generally deserve to be turned into Amber’s next meal—is witty and laced with librarianisms, like, “You’re so 900.” Arthur also knows how to walk that fine line between being gory enough for young horror fans and sedate enough for—you guessed it—high school librarians.
Amber Fang enjoys life's simple pleasures. A perfect evening for her includes a good book, a glass of wine and, of course, a great meal, preferably straight from the jugular.
Raised to eat ethically, Amber dines only on delicious cold-blooded killers. But confirming that her chosen victims deserve to die takes time. And patience. So it's a good thing Amber is studying to be a librarian. Her extraordinary research skills help her hunt down her prey, seek out other vampires and stay on the trail of her mother, who has been missing for over two years now. But one day…
Having grown up on S.E. Hinton, I love a good, gritty young adult novel that doesn’t pull any punches! In my book, Black Chuck, four misfit teens suddenly find themselves cast adrift after the very charismatic Shaun dies, leaving them to navigate their way to adulthood without their leader. All the books on this list are coming-of-age stories about kids growing up in tough circumstances, finding love, making mistakes, getting hurt, and ultimately finding joy in a world that at times seems set against them.
Author Melanie Florence draws together many contemporary issues faced by Indigenous kids in this gripping and sometimes harrowing novel about Lucky, a young girl thrown into the foster care system after losing her caregiver grandmother to Alzheimer’s disease. Lucky is of Cree ancestry, and the author is of mixed Cree and Scottish heritage. It’s a fast-paced and easy-to-read novel that will entertain and uplift, while it remains unflinching in its depiction of the realities faced by kids in foster care.
Lucky loves her grandparents, and they are all the family she really has. True, her grandma forgets things…like turning off the stove, or Lucky’s name. But her grandpa takes such good care of them that Lucky doesn’t realize how bad things are. That is until he’s gone. When her grandma accidentally sets the kitchen on fire, Lucky can’t hide what’s happening any longer, and she is sent into foster care. She quickly learns that some foster families are okay. Some aren’t. And some really, really aren’t. Is it possible to find a home again when the only one you’ve ever…
Having grown up on S.E. Hinton, I love a good, gritty young adult novel that doesn’t pull any punches! In my book, Black Chuck, four misfit teens suddenly find themselves cast adrift after the very charismatic Shaun dies, leaving them to navigate their way to adulthood without their leader. All the books on this list are coming-of-age stories about kids growing up in tough circumstances, finding love, making mistakes, getting hurt, and ultimately finding joy in a world that at times seems set against them.
This was one of my favourite books of 2018. This one deals with the impact of suicide on a tight-knit community, while quietly following Shane as he discovers his sexual identity and love for his best friend, David. The author, Adam Garnet Jones, is an Indigiqueer screenwriter, director, bead-worker, and novelist from Edmonton Alberta. While his Indigenous identity includes Cree, Métis, and Kahnawake
Mohawk, his traditional ancestry is complicated by the fact that his home reserve no longer exists. The land and community were forcibly enfranchised by the Canadian government in 1958.
How can Shane reconcile his feelings for David with his desire for a better life? Shane is still reeling from the suicide of his kid sister, Destiny. How could he have missed the fact that she was so sad? He tries to share his grief with his girlfriend, Tara, but she's too concerned with her own needs to offer him much comfort. What he really wants is to be able to turn to the one person on the rez whom he loves-his friend, David. Things go from bad to worse as Shane's dream of going to university is shattered and…
Having grown up on S.E. Hinton, I love a good, gritty young adult novel that doesn’t pull any punches! In my book, Black Chuck, four misfit teens suddenly find themselves cast adrift after the very charismatic Shaun dies, leaving them to navigate their way to adulthood without their leader. All the books on this list are coming-of-age stories about kids growing up in tough circumstances, finding love, making mistakes, getting hurt, and ultimately finding joy in a world that at times seems set against them.
This coming-of-age novel is beautifully written, tragic, and deeply poetic, following Tłı̨chǫ teenager Larry Sole as he befriends newcomer Johnny Beck, and falls for his crush, Juliet Hope. It’s gritty and real and heartbreaking, but full of love and hope. Van Camp is a Dogrib Tłı̨chǫ writer of the Dene Nation from Fort Smith, Northwest Territories, and he’s written 26 books. This is his debut novel, it's gorgeous and absolutely unflinching.
The 20th-anniversary edition of Richard Van Camp’s best-selling coming-of-age story, with a new introduction and story by the author
Larry is a Dogrib Indian growing up in the small northern town of Fort Simmer. His tongue, his hallucinations and his fantasies are hotter than the center of the sun. At sixteen, he loves Iron Maiden, the North and Juliet Hope, the high school “tramp.”
In this powerful and very funny first novel, Richard Van Camp gives us one of the most original teenage characters in Canadian fiction. Skinny as spaghetti, nervy and self-deprecating, Larry is an appealing mixture of bravado…
Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.
Although I love a book that takes you traveling to the past or to foreign lands, sometimes I want to jump into the shoes of a contemporary character and understand their world. This book does just that.
Starr Carter is a black teenager who lives in a poor, predominantly black neighborhood but attends an elite, mostly white private school. Starr manages to code-switch between her two lives until her childhood friend is shot by the police.
If you like books about social justice and characters who stand up for what they believe, this is a fantastic read.
Now a major motion picture, starring Amandla Stenberg
No. 1 New York Times bestseller
Winner of the Waterstones Children's Book Prize * Goodreads Choice Awards Best of the Best * National Book Award Longlist * British Book Awards Children's Book of the Year * Teen Vogue Best YA Book of the Year
Sixteen-year-old Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
