Here are 8 books that The Tears of Artamon fans have personally recommended once you finish the The Tears of Artamon series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
Greek tragedy is similar to fantasy except for matters of form (e.g. the chorus). Euripides was a startlingly modern playwright, especially when it comes to psychology.
Heracles can be portrayed as a monstrous monster-slayer (I’m looking at you, Sophocles), but in Euripides he’s noble, brave, and domestic. He performs his labors because he’s the kind of guy to use his powers for good.
Hera, being a jealous jerk, drives him mad; Madness herself is unenthusiastic about the whole affair, recognizing that Heracles has made the world a better place.
But insane Heracles knows that he’s murdering innocent people. Is that who he really is? Is it all Hera’s fault?
Or is Heracles a good, normal person who’s lost a bit of his decency after so much fighting?
Euripides' Heracles is an extraordinary play, innovative in its treatment of the myth, bold in its dramatic structure, and filled with effective human pathos. The play tells a tale of horror: Heracles, the greatest hero of the Greeks, is maddened by the gods to murder his wife and children. But this suffering and divine malevolence are leavened by the friendship between Heracles and Theseus, which allows the hero to survive this final and most painful labor. The Heracles raises profound questions about the gods and mortal values in a capricious and harsh world.
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
You’re soon going to notice that I like clever variations on a common theme.
This book is a really fun mishmash of possible ways for possession to happen: a person can be possessed by a friendly ghost, a malevolent demon—or both at once! The heroine travels back in time (unusual for fantasy) and possesses the ghost when she was still alive. Two good guys can occupy the same body without surrendering their autonomy; but one can also take over when the other’s strength fails.
I also like the interweaving of the protagonist’s adventures in both the past and the present with chapters from a thousand-year-old journal. The temporal complexity works well with the way the characters fold into each other.
Magic, danger, and adventure abound for messenger Karigan G'ladheon in the second book in Kristen Britain's New York Times-bestselling Green Rider fantasy series
Karigan G'ladheon was once a Green Rider, one of the king of Sacoridia's elite magical messengers. In the messenger service, she was caught up in a world of deadly danger, and though she defeated the rogue Eletian who cracked the magical D'Yer Wall-which had protected Sacoridia for a thousand years from the dark influence of Blackveil Forest, and Mornhavon the Black's evil spirit imprisoned within it-she had nonetheless been tainted by his wild magic.
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
This book features a sort of contest between “real-world” and “fantasy-world” accounts of the hero’s behavior.
Some warriors experience “the Thrill” when they fight: battle is invigorating (because it gets your blood, oxygen, and adrenaline flowing); this is the stuff of modern psychology or biology.
No, wait, the Thrill is basically a supernatural being. Naturally: Sanderson’s world incorporates creatures who appear when various strong emotions are in play. But his handling of psychology is realistic in other respects, so that explanation makes sense, too….
But why does the Thrill affect the hero more than others? Maybe he’s just a bloodthirsty barbarian. No, wait, he has a special relationship with the supernatural creature. But doesn’t that mean they’re kindred spirits, and maybe the hero is a bloodthirsty barbarian?
The #1 New York Times bestselling sequel to Words of Radiance, from epic fantasy author Brandon Sanderson at the top of his game.
In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.
Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The Bloodwrath is basically Berserkergang, not possession, right? It affects badgers almost exclusively. What a bummer to be a badger and bear a burden that no one else has!
But it’s a bit more like possession in this book. Lady Cregga has the Bloodwrath more strongly than anyone has ever observed before; her personality seems to reflect this, as she’s impatient, brusque, and aggressive (even for a badger). She’s wounded and loses her sight, and the Bloodwrath goes away.
Even though her personality appears to be tied up with her madness, the Bloodwrath must be something external, since it can leave her without destroying her. Is it an inborn quality or an effect brought about by her personal choices, an appetite that can be satiated, or something else?
The tenth book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie!
Tammo dreams of joining the Long Patrol, the legendary army of fighting hares who serve Lady Cregga Rose Eyes, ruler of Salamandastron. And with Damug Warfang's mighty battalion of savage vermin on the rampage, young Tammo's dream is about to become a brutal reality . . .
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
The man that needs no introduction, the mastermind behind what all of us love most; the middle earth. Although his stories are not likely to have a happy ending, and are quite dark, this book is no exception. Well written and illustrated, by his most famous sketch artist, Alan Lee, the novel has every element that I love; mystery, a strong and solid fictional world, and dragons.
Painstakingly restored from Tolkien's manuscripts and presented for the first time as a fully continuous and standalone story, the epic tale of The Children of Hurin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, eagles and Orcs, and the rich landscape and characters unique to Tolkien.
There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which…
Fantasy has been at the heart of our friendship for as long as we can remember. We are Adelina Cortese Pons and Valentina Branca, co-authors of our book, listed below, and our journey as writers began when we were eleven, sharing a single copy of Harry Potter and the Chamber of Secrets, reading it aloud, taking turns with each chapter. That love for fantasy only grew stronger over the years—through travels, studies in International Relations, and countless late-night writing sessions. Today, despite living an ocean apart, we still meet every Friday to write together, crafting new worlds and unforgettable stories because, for us, fantasy is more than a genre—it’s home.
Reading this book feels like soaring through the skies on Dragonback, experiencing a world filled with magic, danger, and destiny. From the moment Eragon discovers Saphira’s egg, we’re thrown into an adventure that takes us across vast landscapes—towering mountains, ancient forests, and bustling cities full of secrets.
The bond between dragon and rider is at the heart of this story, and it’s impossible not to feel a sense of awe as they grow together. Christopher Paolini builds a world so rich and immersive that every battle, every piece of lore, and every new land explored feels like stepping into something legendary. It’s a book that makes us want to go on our own epic journey—if only we had a dragon to take us.
When poor farm boy Eragon finds a polished stone in the forest, he thinks it's a lucky discovery. Perhaps, he will be able to buy his family food for the winter.
But, when a baby dragon hatches out of the stone, Eragon realises he's stumbled upon a legacy nearly as old as the Empire itself.
His simple life is shattered, and he's thrust into a perilous new world of destiny, magic and power. To navigate this dark terrain, and survive his cruel king's evil ways, he must take up the mantle of the…
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
The Dwarves series (especially the first two books) bring the readers back in time and sets them up, straight from the beginning, on a simpler way of seeing things and also a simpler way of writing, while also being able to convey the true values of the fantasy genre with class.
For countless millennia, no man or beast has ever succeeded in breaching the stone gateway into Girdlegard. Until now . . .
Abandoned as a child, Tungdil the blacksmith is the only dwarf in a kingdom of men. But when he is sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained. Not only his own safety, but the life of every man, woman and child in Girdlegard depends upon his ability to embrace his heritage.
Ever since childhood, I have been enthralled by dragons. The stories of these mythical creatures can be told in so many ways, from dragons as pets to bonding with them or even shapeshifting into them. I chose these books because they are memorable, they have stuck with me, and they have fascinated and inspired me for years. All of these writers have influenced my own work, and they are sure to resonate with you, too.
This is a four-book series, and once I read the first one, I had to read the rest! Robin Hobb’s version of dragons is unique and imaginative, unlike the dragons in any other book I’ve read.
I immersed myself in her detailed, creative world. This series offered me an escape unlike any other.
Return to the world of the Liveships Traders and journey along the Rain Wild River in this standalone adventure from the author of the internationally acclaimed Farseer trilogy.
Guided by the great blue dragon Tintaglia, they came from the sea: a tangle of serpents fighting their way up the Rain Wilds River, the first to make the perilous journey to the cocooning grounds in generations. Many have died along the way. With its acid waters and impenetrable forest, it is a hard place for any to survive.
People are changed by the Rain Wilds, subtly or otherwise. One such is…
