Here are 4 books that The Old Maids' Club fans have personally recommended once you finish the The Old Maids' Club series.
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I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Although I can’t say much about the book’s cover, this is a wonderful sequel to Jane Austen’s Pride and Prejudice. It answers the question many readers have about life at Pemberly after Elizabeth and Darcy marry. Set at the end of the Regency period in England in 1814, it follows the courtship of Darcy’s younger sister, Georgiana, and deals with the issues faced by women of that day. I must confess, I have an attraction for strong female characters who must battle the norms of their society in order to find true happiness. If you have the same attraction, you’ll like this book.
Mr. Darcy's younger sister searches for her own happily-ever-after...
The year is 1814, and it is springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love.
Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Set at the end of the Georgian period in England (1790s), ‘Bet’ or Elizabeth is a reluctant rebel. Although she is fifty years before the suffragette movement, she resists the norms of her day, even disguising herself as a man to avoid an unwanted marriage. Although she is an anachronism, I found her character believable, a mixture of practicality and altruism. Her devoted friend, William, shows an understanding that many men of our day would do well to have. And it is no wonder they grow in affection for each other as she faces one hurdle after another in a “Man’s” world. This is a feel-good read.
Lady Elizabeth Randolph had always been a rebellious young woman, but when her scheming guardian threatens to marry her off to a grotesque stranger, she finds her gumption truly tested. Escaping to London disguised as a young man, Elizabeth discovers a new world of gambling, duels, cruelty and love. Railing against the limitations of her gender and with her best friend, William, by her side, Elizabeth sets out to win her freedom.
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
It has been many years since I first read this book yet I still remember how successful the author was in recreating the atmosphere presented by the movie, Gone with the Wind. She was so successful that this book is advertised as a sequel to Margaret Mitchell’s original work. If you want to know how civilian life was in the South during the American Civil War, you won’t be disappointed with this work. And of course, there is the tumultous relationship between Scarlett and Rhett Butler.
Discover the phenomenal #1 bestselling sequel to Gone With the Wind: "true to Scarlett's spirit," this inventive novel beautifully continues Margaret Mitchell's timeless tale (Chicago Tribune). The most popular and beloved American historical novel ever written, Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward,…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Terry Laster, who translated this work from the German original, does a masterful job of expressing the situation in 14th-century Heidelberg when a female secretly heals patients and for her success, is accused of performing works of the devil. In their ignorance, the town council appoints her husband, a lawyer, to discover her identity. How this story resolves is a testament to the power of good works and encourages me when I face opposition from ignorant people.
In the fourteenth century, opportunities for women are limited to the home. But spirited young Madlen finds her calling as assistant to the city's trusted midwife, Clara. Working alongside Clara, Madlen develops a surprisingly soothing technique and quickly becomes a talented healer.
After Clara's tragic death, Madlen alone rushes to assist the birth of a local nobleman's child. But rather than the joy of birth, Madlen walks into an accusation of murder and witchcraft because of her extraordinary gifts. Forced to flee her own town, she establishes a new identity in the home of her aunt. Yet even though it…
