Here are 94 books that The Masks of God™ fans have personally recommended once you finish the The Masks of God™ series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
My journey with mental health started young and has colored my life for as long as I can remember. So, I have a fascination with storytelling and time. Time is the container for stories. But for a long time, I didn’t understand the depth of what ‘story’ really is and how much it shapes everything. When I started to write my book and unravel how inseparable the story is from the mental health journey I’d been on, my appetite for writing that could help me understand that connection became and remains voracious. I hope these books are as impactful for you as they have been for me. Enjoy!
Point blank, this book changed the way I see the world. While on its surface, it might not seem like a mental health book, it is a powerful testament that story is the bedrock of consciousness. In reading it, I was asked to reevaluate many of my ideas and truths.
It illustrated how much of what I think makes us different is a shared story and a place where I can connect to others if I’m willing to rattle the cage of the stories I “know” to be “immutable.” This translates into every story I tell about myself and my world. I’ve read it repeatedly, and every time, I pull something new from it.
It has helped me grow by expanding my worldview and has led me to a more comprehensive understanding of the mind, humanity, and the stories we share.
NATIONAL BESTSELLER • An extraordinary book that reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war.
The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people—including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from…
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Cognitive neuroscientist Merlin Donald posited that, at the most fundamental level, humans have a hybrid mind, one that consists of a gene-based mammalian, analogue brain, onto which is grafted a culture-based, symbolic brain. The former, the primitive mammalian brain, is a space where “the lines between consciousness and the mind’s inaccessible unconscious modules are drawn very deep in the sand” (p. 286).
As to myth, Donald noted that virtually all hunter-gatherer societies observed in the modern era have or had elaborate mythological systems, all structured along the same lines, in which myth informs every aspect of life: “myth permeates and regulates daily life, channels perceptions, determines the significance of every object and event in life. Clothing, food, shelter, family – all receive their ‘meaning’ from myth” (p. 215).
This bold and brilliant book asks the ultimate question of the life sciences: How did the human mind acquire its incomparable power? In seeking the answer, Merlin Donald traces the evolution of human culture and cognition from primitive apes to artificial intelligence, presenting an enterprising and original theory of how the human mind evolved from its presymbolic form.
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
At about 10,000 BC, there appeared in Mesopotamia female statuettes, clearly privileging fertility. They came to be associated with the bucranium – the head and horns of the wild bull aurochs, and, over time, the pair took on the unmistakable stamp of a goddess and her consort, a bull.
Jacques Cauvin, who conducted their excavation, was able to link the pair with the birth of agriculture, and in so doing he found that the individual came, for the first time, to stand in a worshipful posture toward an other-worldly existent – bringing about for humanity thereby an entirely new cultural orientation. Indeed, the pair bore “all the traits of the Mother-Goddess who dominated the oriental pantheon, “right up to the time of the male-dominated monotheism of Israel” (p. 31).
Jacques Cauvin has spent many years researching the beginnings of the Neolithic in the Near East, excavating key sites and developing new ideas to explain the hugely significant cultural, social and economic changes which transformed mobile hunter-gatherers into the first village societies and farmers in the world. In this book, first published in 2000, the synthesis of his mature understanding of the process beginning around 14,000 years ago challenges ecological and materialist interpretations, arguing for a quite different kind of understanding influenced by ideas of structuralist archaeologists and members of the French Annales school of historians. Defining the Neolithic Revolution…
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Of seminal importance to an understanding of the world is the conception of a collective unconscious grounded in inheritable archetypes. These evolve: how could it be otherwise—everything in nature evolves. And that means that our consciousness, too, evolves. Its evolution is, in a sense, teleological: from the less conscious to the more consciousness. This is to say that the evolution of the archetypes permits the increasing distillation of consciousness from the vastness of the collective unconscious. I believe that language, which is indivisible from consciousness, did not begin to materialize until about 10,000 BC. I may have been virtually alone in this view, but computerized models of evolutionary linguists today suggest that the key to language capability may have been enfolded in our make-up from our earliest beginnings.
The Origins and History of Consciousness draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
This is the second of four books of the collected interviews of famous authors from the Paris Review. Hemingway, Moore, Porter, Ellison, and Huxley are among the fourteen included in this book. Other books in the series include Forster, Faulkner, Warren, Bellow, Welty, Dinesen, Steinbeck, and many others. You may be amazed at how different successful writers are in their thinking about writing and success in their careers. In my studies in over a hundred workshops and many lectures and seminars, I was fortunate to meet and know teachers and students who knew, or studied, with many of these authors. Experiences that make me think you’d value most of Plimpton’s work in this series.
TWO BOOK OFFER. "Writers at Work -- The Paris Review Interviews: First Series and Second Series". Viking Press Paperbacks, copyrights 1957 and 1963; Compass Books Editions issued in1961 and 1965. First Series (Compass No. C52) 3rd printing Nov 1961, 309 pp. Second Series (Compass No. C175) 3rd printing July 1966, 368 pp. Both books size 7 3/4" by 5" by about 3/4". Bindings intact; no loose or missing pages; spines not creased. First Series volume is in only GOOD condition: covers and pages are clean and unmarked EXCEPT the covers show moderate shelf wear, the front cover opens wide, and…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
It’s fair to say Henry James not only wrote from a stilted, often arcane, time, and that he was verbose to the extreme, and arrogant beyond most contemporary readers’ tolerances. Yet, he created stories that have lasted and served as resources for some of the greatest films of our time: The Golden Bowl, The Wings of the Dove, and Washington Square, for example. The notebooks, in general, are tough reading, and are meant only for reference. But there is insight galore in the thinking of James about writing and the novel that can aid any writer’s career.
James's biographer and a leading James scholar provide the definitive edition of the writer's notebooks, which were discovered among his papers by Edel in 1937. Of the material here assembled, much was previously unpublished, including pocket diaries and dictated notes.
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
Almost without argument, the most in-depth and illuminating text on narration in fiction writing. This book is essential to the library of any serious author of fiction. Written from the perception of a successful academic career, it has credible detail explained with creative insights into the writing process. A worthy addition to a library for reference throughout a writing career.
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms-such as "the implied author," "the postulated reader," and "the unreliable narrator"-have become part of the standard critical lexicon.
For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
Well-chosen stories with commentary that makes sense. A classic. Both authors were founders with others of The Fugitives, who published for a short time a literary magazine at Vanderbilt University, in Nashville, Tennessee. Both were giants in the expanding popularity of fiction writing. As a teacher of creative writing and creating great fiction stories, I have found the wisdom of these writers essential in nurturing writers to elevate their work and careers.
I love people who are totally lost because they are on the brink of their greatest discovery–their true nature. Even as a little boy I remember seeing that everyone has a purpose in life, but that is hidden to them. I have always felt that every step of the way, life seems to be a little off-track. But through authentic stories, I came to an understanding that right now, everyone is doing great things with their lives, even if they can’t see it.
I love Carl Jung’s ability to see into the nature of consciousness and make the connection between the experience of being a being on Earth and the true nature of our being. He is one of the first scientists to describe the near-death experience and to see it as another trick of the dualistic world.
Jung explains how, during his heart attack, he died and was transported above the earth to a doorway guarded by a cosmically dangerous spike. Jung’s observations as a scientist and doctor about what makes us tick are a foundation for people realizing their true nature through people like David Bingham today.
'I can understand myself only in the light of inner happenings. It is these that make up the singularity of my life, and with these my autobiography deals' Carl Jung
An eye-opening biography of one of the most influential psychiatrists of the modern age, drawing from his lectures, conversations, and own writings.
In the spring of 1957, when he was eighty-one years old, Carl Gustav Jung undertook the telling of his life story. Memories, Dreams, Reflections is that book, composed of conversations with his colleague and friend Aniela Jaffe, as well as chapters written in his own hand, and other…