Here are 36 books that The Lymond Chronicles fans have personally recommended once you finish the The Lymond Chronicles series.
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I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
This is the sixth book in a series that mostly does take place in Tudor England and even includes occasional glimpses of Elizabeth I and Will Shakespeare. But it mainly focuses on Christoval (Caterina, nicknamed Kit) Alvarez, the daughter of a Portuguese Jewish medical doctor who masquerades as a man so that she can practice medicine. In this adventure, set in 1590, Kit accompanies a group of English merchants to the court of Boris Godunov in Moscow and treats Prince Dmitry Ivanovich—the last son of Ivan the Terrible, who died suddenly at the age of nine, reputedly on Boris’s orders. I acted as historical consultant for this novel, and I can recommend it wholeheartedly as an engaging, well-written tale that can be enjoyed as a stand-alone.
An agent sent to Muscovy to investigate suspected treason amongst employees of the Muscovy Company has disappeared without trace on the way to Astrakhan. Sir Francis Walsingham, who began the investigation, is dead, but the directors of the Company know that the agent must be found, dead or alive.
The perfect opportunity comes when the Tsar, Emperor of All the Russias, asks for an English physician to treat his young half brother. Christoval Alvarez, physician and former Walsingham agent, is the obvious choice, but is loathe to travel to this violent and barbarous land. However, there is no withstanding some…
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
This novel, set in sixteenth-century Venice, reminds us that the Italian Renaissance was a great time to be a devotee of the pictorial arts. And it does so without getting caught up in the scandals surrounding the Borgias, who are almost as overdone as the Tudors. Luca Vianello is the heir to Venice’s premier gondola maker, until tragedy sends him off on a journey through poverty and hard work that ends when he becomes the personal boatman of the painter Trevisan. Morelli, who trained as an art historian, is intimately acquainted with the former Italian city-states, and like the other novels on my list, hers immerses you in Renaissance everyday life at a very personal level.
Award-winning historical fiction set in 16th-century Venice
Benjamin Franklin Digital Award
IPPY Award for Best Adult Fiction E-book
National Indie Excellence Award Finalist
Eric Hoffer Award Finalist
Shortlisted for the da Vinci Eye Prize
From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice.
Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city's most esteemed boatyards. But when…
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
If Eastern and Central Europe are often ignored in historical fiction in the sixteenth century, that’s even more true of lands east of the Ural Mountains. This gorgeous study of Mughal India in the reigns of Emperor Humayun and his son Akbar charts the story of Adhira, a temple dancer in Rajasthan. Born during one of her homeland’s rare rainstorms, Adhira bears the weight of her father’s expectation that she will carry on the kathaktradition to which he has devoted his life. Through the story of Adhira and her brother Mahendra, Duva—herself a practitioner of kathak—plunges us into the highs and lows of temple life and reveals a deep understanding of the religious dance she portrays.
Shortlisted for the 2016 William Saroyan International Prize for Writing
It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it.
Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s…
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
One lingering effect of the Cold War is that many people in Europe and North America have little sense of the close ties that linked all parts of Europe in the sixteenth century. This well-written mystery set during the Polish Renaissance begins with the wedding of Bona Sforza to King Zygmunt of Poland and is told by Lady Caterina Sanseverino, a widow from Bari charged with keeping Bona’s ladies-in-waiting in line. A courtier is murdered at the royal family’s Christmas feast in 1519, and as the bodies pile up, Caterina becomes increasingly drawn into the hunt for the perpetrator. The mystery is well handled, but what sets this novel apart is the author’s gift for recreating a long-ago and little-known world.
It is Christmas 1519 and the royal court in Kraków is in the midst of celebrating the joyous season. Less than two years earlier, Italian noblewoman Bona Sforza arrived in Poland’s capital from Bari as King Zygmunt’s new bride. She came from Italy accompanied by a splendid entourage, including Contessa Caterina Sanseverino who oversees the ladies of the Queen’s Chamber.
Caterina is still adjusting to the life in this northern kingdom of cold winters, unfamiliar customs, and an incomprehensible language when a shocking murder rocks the court on Christmas night. It is followed by another a few days later. The…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
This is a great introduction to Mary’s story for young readers. I love the clever way it centres the whole story of Mary’s life on her true, action-packed escape from Loch Leven Castle, helped by a young boy called Will Douglas. It’s beautifully illustrated and written. This is how to get ‘em interested in history at an early age!
The true story of the daring escape of Mary, Queen of Scots from the island castle in Lochleven is well-known throughout Scotland and the world.
Multi-award-winning author Theresa Breslin, who has carefully researched Mary's life, has adapted this famous adventure into a picture book for children.
Through stunning illustrations and a gripping story, both packed with historical detail, children will feel the tension of Mary's imprisonment and the excitement of her escape plans, gaining insight into this fascinating period of Scottish history.
A full and engaging historical tale for children from a fabulous Scottish storyteller.
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
Growing up in Scotland, the brutal murder of Mary Queen of Scots’ Italian favourite (some say lover) Rizzio by her husband Lord Darnley is one of those stories I’ve known since childhood. Love, jealousy, revenge, royalty: it has it all!
In this slim novella, Denise Mina retells this famous story for the 21st century, bringing the characters to life and packing the pages with drama, emotion, and suspense.
'a tour de force work of art' - The Wall Street Journal, Best Books of the Year
Longlisted for the 2022 CWA Ian Fleming Steel Dagger Award
It's Saturday evening, 9 March 1566, and Mary, Queen of Scots, is six months pregnant. She's hosting a supper party, secure in her private chambers. She doesn't know that her Palace is surrounded - that, right now, an army of men is creeping upstairs to her chamber. They're coming to murder David Rizzio, her friend and secretary, the handsome Italian man who is smiling across the table at her. Mary's husband, Lord Darnley,…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
I was never interested in History at school: it just seemed to be boring lists that didn’t involve relatable human beings. I can’t remember why I picked up this book in the library, but it opened history up to me as something completely different—and fascinating. These Queens and Kings and plague victims and soldiers were people like the people around me—and the story was as exciting as many of the plots in the non-fact-based fiction I read.
The haunting story of the beautiful—and tragic—Mary, Queen of Scots, as only legendary novelist Jean Plaidy could write it
Mary Stuart became Queen of Scotland at the tender age of six days old. Her French-born mother, the Queen Regent, knew immediately that the infant queen would be a vulnerable pawn in the power struggle between Scotland’s clans and nobles. So Mary was sent away from the land of her birth and raised in the sophisticated and glittering court of France. Unusually tall and slim, a writer of music and poetry, Mary was celebrated throughout Europe for her beauty and intellect.…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
I think it was the first biography I ever purchased. At age ten or eleven, I read in it, but now I’m reading it all the way through, and I’m pleased to say that even at that tender age, I gravitated to the best!
Fraser stops the narrative when she wants to discourse upon a particular issue or attribute and always considers her own take on events and characters worthy of elegant interjection.
She’s not afraid to discuss relevant but not strictly solemn issues, such as whether Mary was considered beautiful and the tragic queen’s love of dancing and cross-dressing.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
Ever since spending a year on a Fulbright teaching grant on the island of Cyprus, where Aphrodite arose from the seafoam, I’ve been enticed by the Greek mythic world, a fascination that began much earlier with reading Edith Hamilton’s Mythology. Subsequent trips to Greek islands, museums, and archeological sites enhanced those ancient resonances, as did Mother Goddess studies and Ovid’s Metamorphoses. Recent writing residencies at Cyprus College of Art and on Evia island immersed me in the Greek atmosphere and mythos as I edited Serpent Visions. My career was spent as a community college teacher, where my courses included ‘World Literature, Homer to Dante,’ and Shakespeare, another keen interest.
The ‘girls’ are the Trojan women, voiceless in Homer’s Iliad except, briefly, Andromache, Cassandra, and Hecuba.
Women drive the plot, from Helen, the Spartan queen abducted by the Trojan prince Paris, who is blamed for starting it, to Briseis, the Trojan captive Agamemnon takes from Achilles, but they say little.
Most of the chapters in Silence of the Girls are first-person in Briseis’ voice, with interspersed third-person chapters focusing on Achilles and Patroclus. We see the war from a broad, realistic perspective, but the tragedy in the center is of the women—as the Greek playwright Euripides recognizes in his play ‘The Trojan Women’ among others.
Pat Barker gives us the full, moving story in this novel and its sequels, The Women of Troy and The Voyage Home.
'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard
There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . .
Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive…
I’m Scott Drakeford, engineer, former corporate person, long-time reader of fantasy fiction, and current author of epic fantasy books that heavily feature a fight against an unjust empire. I’m also the co-host of the Publishing Rodeo podcast, which explores the business side of traditional publishing. I approve this message.
Speaking of books, I love The Saxon Tales, or as you TV plebs will know it, The Last Kingdom, which is absurdly good. I love the TV show (on Netflix), but the books are next-level.
Uhtred, son of Uhtred, raised by Danes but Saxon by blood fights to regain his blood right and the home that was stolen from him. Cornwell writes the best battle scenes in all of literature, and these books are full of them. I loved them so much that I styled the fighting in my own books after Cornwell’s battle scenes in this series.
The first book in the epic and bestselling series that has gripped millions.
A hero will be forged from this broken land.
As seen on Netflix and BBC around the world.
In a land torn apart by conflict, an orphan boy has come of age. Raised by the Vikings, deadly enemies of his own Saxon people, Uhtred is a fierce and skilled warrior who kneels to no-one.
Alfred - Saxon, king, man of god - fights to hold the throne of the only land still resisting the pagan northerners.
Uhtred and Alfred's fates are tangled, soaked in blood and blackened…
