Here are 16 books that The Lizzie Vogel fans have personally recommended once you finish the The Lizzie Vogel series.
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I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
A confession: Lissa Evans is one of my very favourite authors. I’ve greatly enjoyed all her books, and this one is a brilliant example. It’s crammed full of likeable and fallible characters–as well as some equally believable horrors–attempting to deal with the ridiculousness of life.
Reading it, I felt I was never far away from a good laugh, either a chuckle-worthy turn of phrase or a riotous set piece. Yet, along with escaped city pigs, procreating giant snails, and porno-mag chomping tortoises, I loved that there is poignancy and even tragedy. So much so I found myself late at night worrying for the fate of some of her characters.
Spencer, Fran and Iris have something in common: the feeling that life is passing them by. Spencer's lost his lover, who bequeathed him a list of things to do; Fran shares a run-down house with her oddball brother; whilst Iris spends her time cleaning up after her two teenage sons...
SPENCER'S LIST is a wonderfully funny tale of life lived on the edge - of reason, of failure and of (just possibly) a brighter future.
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’ll never understand why humorous writing is less respected than the more literary kind. Yet, I believe creating characters that are both convincing and amusing and steering them through a complicated plot–without letting the humour flag–takes great skill. For me, this is what the author Stevyn Colgan achieves in his South Herewardshire books, the first of which is A Murder to Die For.
I found the laughs just kept on coming as farce piled upon farce. As well as giving me a good chuckle, I relished the rural setting, a touching reminder of the splendors and eccentricities of English village life that I, for one, would be sad to lose.
When hordes of people descend on the picturesque village of Nasely for the annual celebration of its most famous resident, murder mystery writer Agnes Crabbe, events take a dark turn as the festival opens with a shocking death. Each year the residents are outnumbered by crowds dressed as Crabbe's best-known character, the lady detective Millicent Cutter.
The weekend is never a mild-mannered affair as fan club rivalries bubble below the surface, but tensions reach new heights when a second Crabbe devotee is found murdered. Though the police are quick to arrive on the scene, the facts are tricky to ascertain…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
This classic satire gripped me even though I only half-understood it.
Whatever disaster befell my family, my mother used to assert it was
surely for the best; so when, as an eye-rolling teenager, I found this
on the reading list—Mum’s philosophy, tested in the real world—I was hooked.
Voltaire
drags his dopey characters, led by the philosopher Pangloss, through
every type of horror, war, famine, and earthquake. World events now keep
driving me back to his conclusion: in an age of folly and random
misfortune, the best you can do is to dig your garden. Tend your own
patch.
OK, the eighteenth century was racist, sexist, and colonial… but
perspective is what Voltaire is all about. Didn’t quite cure me of
optimism, btw.
In Candide, Voltaire threw down an audacious challenge to the philosophical views of the Enlightenment to create one of the most glorious satires of the eighteenth century. His eponymous hero is an innocent young man whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the Baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own fortune. As he and his various companions roam over the world, an outrageous series of disasters - earthquakes, syphilis, the Inquisition - sorely test…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I love the delightful daftness, the sheer infantile silliness of this autobiography; it’s proof you can preserve your inner child well into maturity. Words are like Play-Doh to our Bob.
The comedian’s early years were marked by sadness, but he celebrates the power of having a laugh and hanging out with your mates. It made perfect sense to me to learn that the book came about because of a brush with heart failure.
It’s one of those books I dip into for a quick fix.
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
Believe me; I know how hard it is to write humour. To produce a successful comedic novel with laugh-out-loud lines as a debut novelist is no mean feat, but for me, Jane Ions has pulled it off with this book.
I found the voice of Sally Forth (I know!) engaging and hilarious from the off. There was so much for me to enjoy, from the wayward teenage son living in a lean-to in the garden to Sally’s long-suffering and respectable husband, who just happens to be an MP.
I love this kind of well-observed comedy that treats its characters, no matter how misguided, with kindness and compassion.
Sally's son Dan has come back home from college after completing his performing arts degree. He needs rent-free accommodation, friends, a love life, and somewhere to perform his arts. Sally herself is taking a career break from teaching English. She's tired of teaching year eleven pupils about the Mockingbird. She wants to kill the bird and stuff it with all the redundant apostrophe's' she's ever seen in twenty years of marking essays. She needs a rest. She does not need her adult son Dan, his current girlfriend, his previous girlfriend and his old school friend to move in and share…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’m a sucker for a good title, and this one had me hooked before I read a word. But the fun doesn’t stop there with this cosy spy thriller. Reading this book left me breathless.
The pace never lets up as the hapless Dawson travels to Australia where, confused, he is chased by a colourful collection of Germans, Russians, Brits, and Aussies, all intent on getting their hands on the eponymous teapot.
I love books where the underdog finds their inner hero, and Dawson–with some help from the resourceful Lucy–is such a character. I galloped through this witty, clever book, eager to discover the secret of that teapot. I wasn’t disappointed.
Praised by comedienne Helen Lederer, founder of Comedy Women in Print Prize, who called it "A curiously magical thriller with suburban subterfuge and sparkle."
A Very Important Teapot is a comedy thriller revolving around the hunt for a lost cache of Nazi diamonds in Australia.
Dawson's life is going nowhere. Out of work and nearly out of money, he is forlornly pursuing the love of Rachel Whyte. But Rachel is engaged to Pat Bootle, an apparently successful local solicitor who has appeared from nowhere.
Then, out of the blue, Dawson receives a job offer from his best friend, Alan Flannery,…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I was hungry for a great piece of comic writing when a friend handed me this book, and it delivered so much more than laughter.
Once I’d tuned in to the language, I ended up shambling through 30s London alongside impecunious painter Gulley Jimson. A humble man, driven by a holy need to make the sort of art which, it turns out, nobody wants, he encounters a world of squalor and beauty, both physical and moral.
I grew to love him and his daily observations on the play of weather and light on the Thames, which form a sort of sketchbook. As Jimson’s physical health declines, he grips beauty wherever he finds it. Theroux, Lessing, and Updike all rated this author.
The Horse's Mouth, famously filmed with Alec Guinness in the central role, is a searing portrait of the artistic temperament.
Gulley Jimson is the charming, impoverished painter who cares little about the conventional values of his day. His unfailing belief that he must live and paint according to his intuition without regard for the cost to himself or to others, makes him a man of great, if sometimes flawed, vision.
But with an admirable drive for creation comes an astonishing hunger for destruction. Is he a great artist? A has-been? Or an exhausted, drunken ne'er-do-well?
My interest in healing and nature stems from a very particular source—my own search for answers in the wake of my wife’s premature death in 2007. I’d read somewhere that loss often either engulfs someone or propels them forward, and I didn’t want to end up in the former category, particularly as I had a young daughter to look after. So this list represents an urgent personal quest that started years ago and still continues to this day. The books have been a touchstone, a vital support, and a revelation—pieces in the jigsaw of a recovery still incomplete. I hope they help others as they’ve helped me.
I adore this book because it is so unique—I’ve never read anything quite this specific or niche which seems so all-encompassing.
It is the story of a life lost, and a life found. Of a father that dies and how the recovery of his daughter is tied up with the start of a new relationship—with a goshawk.
At the outset, the author is so wonderfully eloquent on all aspects of loss; the sudden jarring sense of confusion when a person dies and you have their possessions still in your hands; the struggle to keep in touch with reality (“for weeks I felt like I was made of dully burning metal”); the desperation to see the back of grief when new relationships are desperately grasped at, and fail of course, because of that desperation.
The goshawk saves her (and us) from the darkness, as she becomes gripped with the…
One of the New York Times Book Review's 10 Best Books of the Year
ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20)
The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of…
I grew up reading the kind of books I could relate to, and 24 years ago, I felt ready to write my own book. I tried for a literary style at first but then soon realized that my natural voice suited novels that are warm, funny, and all about the ups and downs of ordinary people’s lives. These are the kind of books I still read–for inspiration and escape. They inspire me, lift me up, and stay with me long after I’ve read the last page. For me, nothing is more fascinating than human emotions and the way we relate to each other and navigate our lives.
This isn’t a novel but a collection of Nina’s letters back home to her sister in Leicester when she was thrown into the thick of literary north London in the 1980s. Young Nina has taken a job as a nanny and is suddenly expected to create edible meals (there’s a lot of turkey mince) and fit into a very different household to the one she grew up in.
Ilove how Nina is shocked and delighted by how much garlic they use while cooking, and her relationship with the two boys she looks after had me chuckling throughout. The fact that Alan Bennett lives over the road, and is forever popping in, is the icing on the cake of this fabulous memoir.
* * * WINNER OF THE 2014 NATIONAL BOOK AWARDS POPULAR NON-FICTION BOOK OF THE YEAR * * *
'I adored this book, and I could quote from it forever. It's real, odd, life-affirming, sharp, loving, and contains more than one reference to Arsenal FC' Nick Hornby,The Believer
'Adrian Mole meets Mary Poppins mashed up in literary north London . . . Enormous fun' Bookseller
'What a beady eye she has for domestic life, and how deliciously fresh and funny she is' Deborah Moggach, author of The Best Exotic Marigold Hotel
Nina Stibbe's Love, Nina: Despatches from Family Life is…
As a writer, wife, and mom, I love reading novels and memoirs about women who are navigating parenting, relationships, and careers simultaneously. My favorites are those that make me laugh out loud while presenting a relatable picture of all this juggling act entails. Smart and witty heroines who approach life with a can-do spirit and the ability to laugh at themselves as the world tosses one curveball after another their way capture my heart every time.
Who can resist a diary? It’s hard not to fall in love with the title character, who’s on a perpetual quest for self-improvement. As Bridget, a lovable thirty-something singleton, finds herself in dozens of entertaining and embarrassing situations, she navigates them with her trademark pluck.
Very loosely based on Pride and Prejudice and complete with its own Mr. Darcy, I adored this novel and yearned for Bridget to realize she’s a catch exactly as she is. I read this at a time in my life when I, too, was a work in progress, and finding Bridget felt like connecting with a funny friend.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…