Here are 53 books that The Liars' Club fans have personally recommended once you finish the The Liars' Club series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
Throughout my childhood and young adulthood, I escaped an abusive real life by reading stories that transported me away. They were written by female authors who seemed to speak directly to me. By their example, they told me to be brave and strong. To keep learning. They taught that if I rose to the challenges that presented themselves, I too would end up triumphant like them.
Walls’ recounts her unconventional childhood marked by poverty, instability, and the eccentric choices of her parents.
The memoir offers an unflinching but often tender portrait of a deeply flawed family and the complicated bonds of love and loyalty. Walls’s voice is both clear-eyed and compassionate as she revisits her past.
Wanting to make sense of my own dysfunctional family, I reread this book several times.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
My version of a gutsy life journey was to find work abroad, buy a one-way ticket, and not look back - one place after the next. Long ago, girls didn’t do this, but I did. A struggle and worth it. Great memoirs have a geographical and an inner journey. They make me laugh and cry, both. This is what I love to read, and it’s my aim as a writer. My books are love letters to these adventures, plus some joking around in order not to scream or weep at some of what’s out there. I’ve been a teacher, a film editor, a comedian, a librarian, and now a writer.
I was deeply affected by this, like she was confiding in me.
Whether her memories were tragic, ugly, hilarious, witty, classy, silly, poignant, or just plain practical, it was like we were sharing a glass of wine and she was telling me everything.
I loved that she sent me every feeling of the rainbow, and each was felt deeply. I love when a story makes me laugh and cry. It was inspiring and beautiful to spend some time with this poet, reminiscing about her early years, before she was the Maya we know now.
Also, I feel schooled in what it was like to be black in America at that time, and what a gutsy journey she was on. It was an important eye-opener, as well as a warm invitation.
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.
I have been writing and publishing memoirs since I was in my twenties and working at The New York Times, where I learned the power of sharing what it is we know after what we’ve been through. What I now know is that memoir is the single greatest portal to self-discovery. I do not know how I feel about anything until I write it down. Teaching memoir for thirty years has allowed me to witness people reoccupy themselves after they take back the power of their stories from oppressors, abusers, medical trauma, and the other deep influences of life. Getting one’s story in one’s hands is the road to change. Memoir allows for that change, both for the reader and the writer.
This is the only book I put in the hands of new memoir writers who want to understand the difference between memoir and autobiography, who are endeavoring to learn structure and who need to understand how to write a book that takes on one single aspect of their lives at a time.
Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as "liquid armor," a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it.
It was love at first sight. The beads of moisture on a chilled bottle. The way the glasses clinked and the conversation flowed. Then it became obsession. The…
Throughout my childhood and young adulthood, I escaped an abusive real life by reading stories that transported me away. They were written by female authors who seemed to speak directly to me. By their example, they told me to be brave and strong. To keep learning. They taught that if I rose to the challenges that presented themselves, I too would end up triumphant like them.
Raised in a survivalist family that rejected formal education and medical care, Westover never entered a classroom until age 17.
Her journey from rural Idaho to earning a PhD from Cambridge is a remarkable story of transformation through self-education, resilience, and the pursuit of truth, even when it means questioning your origins.
Like Westover’s father, my father held very strong beliefs separating us from others. But we both instinctively know there was more to life.
Selected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE
'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times
Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate…
Who can really claim that they know everything about the human heart, the mind, the soul? The infinite mysteries and complexities of what makes someone who we can call “human.” I'm betting no one. Certainly not me. But what's important is the passion to keep exploring, to keep digging through the mind in an effort to understand myself. That effort, along with what I discover, is one of the most tangible things that not only enriches my living life, but also gives me comfort facing the inevitable end. These books were passionate companions, inspiring me, for however long, to further my efforts in self-discovery.
This book resonated with me because it’s the story of a journey. A journey of personal discovery and resilience.
I know what it’s like to lose loved ones. My whole family is gone. I know what’s it’s like to have the life you’ve led, the life you’ve believed in, be dismantled. And I know what it’s like to go on an expedition to find yourself again.
It doesn’t matter how that expedition takes form; the journey to find yourself again is powerful, and I’m still on that road.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
As a writer, I love watching people, imagining their worlds and lives. Aside from the outdoor cafés of Paris (which are hard to get to), one of the best places for people-watching is a good bar. All five of the characters I’ve listed would make wonderful conversation companions for a bar evening, because of their energy, quirkiness, intelligence, and/or observational skills. (Also, I’d just want to get to know them better.) And as a recovering alcoholic with enough sobriety that sitting at a bar all night, sipping seltzer would not be a problem, I could watch what these characters reveal about themselves once alcohol lowers their ordinary defenses.
I aspire to be like Charlotte A. Cavatica, the highly intelligent spider and creative artist here. When she weaves the words “Some Pig” into her web to help save her friend Wilbur the pig from slaughter, and the farmer tells his wife, “[W]e have no ordinary pig,” the wife quite rightly corrects him: “It seems to me we have no ordinary spider.” I love Charlotte not only for her extraordinary loyalty as a friend (working all night and sacrificing meals by devoting her web to messages about Wilbur), but for her devotion to words (“terrific” and “radiant” are impressive vocabulary for a spider, and highly suitable adjectives for a pig-rescuing project).
Above all, I applaud Charlotte’s humility. After tirelessly creating her spun language masterpieces, she backs into a corner of the barn, allowing Wilbur to take the spotlight for her efforts. Even as she succeeds in garnering wide attention…
A gorgeous full-colour large format edition of Charlotte's Web, one of the best-loved animal stories of our time.
The unforgettable story of a girl called Fern who loves a little pig called Wilbur. It tells how Charlotte A. Cavatica, a beautiful grey spider, saves Wilbur from the usual fate of nice fat pigs, by a wonderfully clever plan - a plan so original that no one else could possibly have thought of it!
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
In the beginning, I found Dolly shallow and ridiculous. I reminded myself that she was in her late teens and twenties. I am so glad I withheld my judgment. I loved watching her grow as a human. It was like seeing my own daughter learn from her mistakes.
Her honest and authentic storytelling had me in hysterics. When she experienced her first and subsequent heartbreak, I cried. Her loneliness broke my heart. Any single woman, regardless of age, can relate. I loved her female friendships and the importance and value she gave them. I related to every bit of her story.
Winner of Autobiography of the Year at the National Book Awards 2018 Shortlisted for the Waterstones Book of the Year 2018
'This is the book we will thrust into our friends' hands, the book that will help heal a broken heart. Her pages wrap around you like a warm hug' Evening Standard
***********************
When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. She vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house…
I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
Of this set of books, the first two are my faves. Who needs horror when it’s right here in St. Aubyn’s horrific childhood with his creepy father?
It becomes perfectly understandable why the young Edward dove into a life of utter self-destruction. When he becomes a drug addict, his sheer self-obliteration reaches epic proportions. I have to admit, I was awed. It’s not so much the stories of his sick father and oblivious mother or his gleeful romp through degradation that compelled me to keep reading. It’s the writing. These are the best descriptions of drug use that I’ve ever come across.
The writing reminded me of my favorite movie, Trainspotting, which managed to visually convey the effects of heroin addiction in a similar way.
Filmed for Sky Atlantic, starring Benedict Cumberbatch, The Patrick Melrose Novels is the complete collection of Edward St Aubyn's award-winning novels of childhood trauma and aristocratic decandence. This Picador Classics edition features an introduction by Zadie Smith.
Patrick slid back down in his chair and sprawled in front of the view. He noticed how his tears cooled as they ran down his cheeks. Washed eyes and a tired and empty feeling. Was that what other people meant by peaceful?
Collected here together in a single volume are the complete Patrick Melrose Novels by Edward St Aubyn, Never Mind, Bad News,…
As a young social worker, I left the world I knew and moved into violent urban centers and traveled the developing world. The suffering and beauty entranced me. Questions reverberated in me: What does it mean to be part of the vast human community? How can I live most fully? When I adopted children, violence and difference confronted me not “out there” but at home. I wrestled, shocked by my own judgment and narrowness—until I accepted in my bones the myriad ways to live a remarkable life. Curiosity became my superpower. Tinderbox, my unflinching memoir, invites readers into my family’s brutal and beautiful transformation through embracing neurodiversity.
Iyer invited me into his two-room flat in the neighborhood of Deer’s Slope, a suburb of Nara in Japan, in the dying days of autumn following his father-in-law’s death.
His descriptions painted scenes of nuanced colors and textures, juxtaposing old and new, thick with metaphor and simile—the only way to talk about the impermanence he explores. His question: “How to hold on to things we love even though we know that we and they are dying?” My question as well.
I watched him play ping pong with quirky Japanese elders at the local health club and wandered through his thoughts on family, spirituality, endings, love, and timelessness. The book has the gentleness, purposefulness, and peace of a slow walk through a Japanese garden.
For decades now, Pico Iyer has been based for much of the year in Nara, Japan, where he and his Japanese wife, Hiroko, share a two-room apartment. But when his father-in-law dies suddenly, calling him back to Japan earlier than expected, Iyer begins to grapple with the question we all have to live with: how to hold on to the things we love, even though we know that we and they are dying.
In a country whose calendar is marked with occasions honouring the dead, this question has a special urgency and currency. Iyer leads us through the autumn following…
As a young social worker, I left the world I knew and moved into violent urban centers and traveled the developing world. The suffering and beauty entranced me. Questions reverberated in me: What does it mean to be part of the vast human community? How can I live most fully? When I adopted children, violence and difference confronted me not “out there” but at home. I wrestled, shocked by my own judgment and narrowness—until I accepted in my bones the myriad ways to live a remarkable life. Curiosity became my superpower. Tinderbox, my unflinching memoir, invites readers into my family’s brutal and beautiful transformation through embracing neurodiversity.
Starr infuses her language with lyricism and in-your-face honesty. She opened a window for me into the counterculture of the 1970s as a bright young daughter of nomadic parents, landing in Taos among intellectuals and spiritual seekers.
Death crashes into the story in the opening pages with her child’s death and pervades it throughout. It offered me courage to write my own parenting story: fear, mistakes, devastation included. Starr doesn’t hold taboos, facing death, drugs, abuse, and despair as she unveils her story of unfolding adolescence to motherhood.
I felt like I’d kicked off my shoes and tucked my legs under myself to listen to a new friend’s life story, gaining a wise, quirky, compassionate companion.
On the day her first book came out-a new translation of Dark Night of the Soul by Saint John of the Cross-Mirabai Starr's daughter, Jenny, was killed in a car accident. "My spiritual life began the day my daughter died," writes Mirabai. Even with decades of spiritual practice and a deep immersion in the greatest mystical texts, she found herself utterly unprepared for "my most powerful catalyst for transformation, my fiercest and most compassionate teacher."
With Caravan of No Despair, Mirabai shares an irreverent, uplifting, and intimate memoir of her extraordinary life journey. Through the many twists and turns of…
