Here are 5 books that The Hunger and the Dusk fans have personally recommended once you finish the The Hunger and the Dusk series.
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I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
There are lots of graphic novels and memoirs with medical themes, but I want to shine a light on this unique collaboration by brothers who capture their shared experience of schizophrenia, one diagnosed with the condition and the other who accompanies him through difficult navigation of an inadequate health care system and the struggle of managing a disease that isolates individuals and families from their communities.
Each brother works side-by-side to tell their interrelated stories: Olivier is a visual artist, and Clem is an author and playwright. Olivier’s drawings are on the verso, in simple black and white sketches, often unframed, of family holidays, from picnics to Christmas, with obscuring smudges, stiff figures, and unsmiling faces that belie the sun, picnic baskets, and decorated trees of the settings. He draws his world of meetings with doctors, attending group meetings, and struggling to get and hold jobs.
In 1976, Ben Martini was diagnosed with Schizophrenia. A decade later, his brother Olivier was told he had the same disease. The past thirty years have seen the Martini family struggle to understand and cope with a devastating illness, frustrated at turns by a health care system lacking in resources and empathy, the imperfect science of medication, and the strain of mental illness on familial relationships. Throughout it all, Olivier, an accomplished visual artist, drew - sketches, comic strips, portraits - documenting his own experience and capturing the essence of a very misunderstood disease. "Bitter Medicine" places Olivier's graphic narrative…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This 4-volume serialized graphic novel tells the story of an Indigenous family across centuries and generations, stretching from Indigenous history before colonialism to ongoing colonial violence in Residential Schools until the present world of a Cree youth in existential crisis as he attempts to take his own life. His mother then guides him on a path of personal healing from his intergenerational trauma through stories about their history and traditions; Edwin’s journey takes him into the heart of ceremony and connection with his culture and history. He discovers his own strength to heal and then offers his father the opportunity to find his own healing path.
In this graphic novel, we are educated about Indigenous history through stories of struggle, resilience, and resurgence across the centuries. As Edwin, guided by his mother, meets with Elders, embraces his Cree identity, and pursues a path of healing through traditional teachings and practices,…
Illustrated in vivid colour, 7 Generations: A Plains Cree Saga is an epic story that follows one Indigenous family over three centuries and seven generations. This compiled edition was originally published as a series of four graphic novels: Stone, Scars, Ends/Begins, and The Pact.
Stone introduces Edwin, a young man who must discover his family's past if he is to have any future. Edwin learns of his ancestor, Stone, a Plains Cree warrior who came of age in the early 19th century. When Stone's older brother is tragically killed during a Blackfoot raid, he must overcome his grief to avenge…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This compelling graphic novel adaptation captures Butler’s Afrofuturist science fiction in its dark-toned palette and relentless movements in and across panels, with pages crammed with characters traveling within and outside of an urban enclave surrounded by gangs and criminals. The red of apocalypse and the California desert saturate pages, signaling current and immanent violence and danger and a landscape in environmental crisis. Through it all, Lauren reflects on how a new vision is required to liberate the oppressed without reproducing the conditions that brought it about. Amidst the bleak and violent scenes, we read excerpts from her Earthseed journaling of an unfolding religion where God is Change.
A futuristic world portrays the ongoing struggles of Black Americans for equity, racial justice, and economic and cultural futures. Its spirituals and Black culture form a new platform for Lauren’s exodus to a new land, a journey fraught with danger and difficult decisions,…
The graphic-novel adaptation of Octavia E. Butler's groundbreaking dystopian novel, Parable of the Sower, the follow-up to Kindred, a #1 New York Times bestseller
In this graphic-novel adaptation of Octavia E. Butler's Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation,
the author portrays a searing vision of America's future. In the year
2024, the country is marred by unattended environmental and economic
crises that lead to social chaos. Lauren Olamina, a preacher's daughter
living in Los Angeles, is protected from danger by the walls of her
gated community. However,…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This is a great story about a Muslim Pakistani high school student in Jersey City who suddenly body-morphs as she develops superhero powers. As Kamala discovers, being Ms Marvel is about following her faith’s call to help others regardless of who they are. Ms. Marvel’s engaging story educates readers on immigrant culture, debates, and shared values within Muslim families and communities and how closely aligned Islam is with the central tenets of superhero life to address wrongs while at the same time challenging Islamophobic ideas.
Why is this comic important? It is a great way for teens, both inside and outside Islam, immigrants or not, to learn about this faith as one set of characters live it and to follow a character whose life is, in a variety of ways, not so different from their own. It’s also a series that invites readers to think about shared values and norms,…
Marvel Comics presents the new Ms. Marvel, the groundbreaking heroine that has become an international sensation! Kamala Khan is an ordinary girl from Jersey City - until she's suddenly empowered with extraordinary gifts. But who truly is the new Ms. Marvel? Teenager? Muslim? Inhuman? Find out as she takes the Marvel Universe by storm! When Kamala discovers the dangers of her newfound powers, she unlocks a secret behind them, as well. Is Kamala ready to wield these immense new gifts? Or will the weight of the legacy before her be too much to bear? Kamala has no idea, either. But…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This queer memoir takes us to New York City to explore the unfolding queer life of a child of Bengali immigrants in her difficult decision to divest from parents, colleagues, and friends’ expectations for her life. After taking up architecture as a career and attending Harvard to the delight of her parents, Anjali realizes that her real interest lies in creating graphic literature. This coincides with another journey away from the expected future marriage and family toward exploring and affirming her sexuality and attraction to women. In often spare and simple settings with clean lines that let readers fill in the gaps – for example, with picture frames containing blank canvasses rather than pictures – Anjali creates her own pictures, both as a graphic artist and in imagining her own life.
Love lies at the heart of this fictionalized memoir. A full recipe from Anjali’s father’s repertoire, a culinary interest…
The meticulous artwork of transgender artist Bishakh Som gives us the rare opportunity to see the world through another lens.
This exquisite graphic novel memoir by a transgender artist, explores the concept of identity by inviting the reader to view the author moving through life as she would have us see her, that is, as she sees herself. Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author's daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.
