Here are 13 books that The Greenhollow Duology fans have personally recommended once you finish the The Greenhollow Duology series.
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Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
This is a collection of short stories that mixes fairy tales and myths to create six spooky, atmospheric retellings.
A few of the short stories, like “The Witch of Duva” (which borrows from “Hansel and Gretel”) deal with some dark themes, and “When Water Sang Fire,” is a deeply tragic, sapphic work inspired by “The Little Mermaid.”
My favorite of the collection is “The Soldier Prince” which combines “The Nutcracker” and “The Velveteen Rabbit” to produce a story with a fascinating take on agency, love, and self-awareness.
It’s queer in a way I don’t think I can define; I was still thinking about that story weeks after I finished it, and I would—in a heartbeat—read a whole novel about that particular nutcracker.
Travel to a world of dark bargains struck by moonlight, of haunted towns and hungry woods, of talking beasts and gingerbread golems, where a young mermaid's voice can summon deadly storms and where a river might do a lovestruck boy's bidding but only for a terrible price.
Inspired by myth, fairy tale, and folklore, no. 1 New York Times-bestselling author Leigh Bardugo has crafted a deliciously atmospheric collection of short stories filled with betrayals, revenge, sacrifice, and love. Perfect for new readers and dedicated fans, these tales will transport you to lands both…
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
I teach and have written too many articles on these books as an English professor. There’s a time for tragic or difficult books (James Joyce, anyone?), but also a time for fun, and I believe it’s good for my students to giggle and enjoy reading while they learn. As a Canadian, I’m told my humor is dry but warmer, and accordingly, the books I prefer make me think—and some break my heart—but my favorites also make me laugh. If you want a quality read but aren’t above a fart joke, I hope you will check out my list.
How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.
I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.
First book of the original and best CITY WATCH series, now reinterpreted in BBC's The Watch
'This is one of Pratchett's best books. Hilarious and highly recommended' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . _________________
'It was the usual Ankh-Morpork mob in times of crisis; half of them were here to complain, a quarter of them were here to watch the other half, and the…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This novel caught my eye for one simple reason—the protagonist attempts to destroy her society with a spreadsheet. Although a fantasy in which the modern world (even office life) is divided between heroes and villains, this novel lands on some brutal truths—like the difference between good and evil is mostly marketing and that some people will do anything for the right job.
It’s a hilarious book that pokes fun at the most absurd bosses, the things we do for work, and the real harm a toxic workplace or system causes everyone. The supervillain/hero context provides food for thought without slowing the story down or causing work-related cold sweats.
"This book is fast, furious, compelling, and angry as hell." -Seanan McGuire, New York Times bestselling author
The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower-for good or ill-is a properly executed spreadsheet.
Includes a bonus story for the paperback.
Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn't glamorous. But…
Identity, agency, belonging, and transformation…these are the themes which drive me to write. I love historical fiction and historical fantasy because for female characters, the past was rife with oppression, which creates an even greater barrier to self-actualization and personal alchemy. There are still barriers for females in our present world, but setting a story in the past can more clearly call out those barriers and the ways females bust through them. We finally live in a world where historians and storytellers are unearthing the untold tales of the past. No longer are the narratives in the sole control of the victors and oppressors.
This is my favorite book of Donnelly’s, perhaps because I had the distinct pleasure of meeting her upon its release. This book was an inspiration to me as a writer. Not only is Isabelle considered “ugly,” but her spirit is so downtrodden at the beginning of the story because others don’t believe in her abilities. She must find her own agency and her own belief in her abilities to do great things and realize that real beauty shines from within.
'In an ancient city by the sea, three sisters - a maiden, a mother, and a crone - are drawing maps by candlelight. Sombre, with piercing grey eyes, they are the three Fates, and every map is a human life . . .'
Stepsister takes up where Cinderella's tale ends. We meet Isabelle, the younger of Cinderella's two stepsisters. Ella is considered beautiful; stepsister Isabelle is not. Isabelle is fearless, brave, and strong-willed. She fences better than any boy, and takes her stallion over jumps that grown men fear to attempt. It doesn't matter, though; these qualities are not valued…
I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.
I love books that are clever, imaginative, and portray a particular person or character as the main theme. This book does it for me.
The character is a murderer robot, but I came to like him and his weird but insightful perspective. I could see his world through his eyes. I felt sorry for him by the end of the book and was rooting for him. That was great.
I always like a bit of technology thrown in, but not have it be the main story or too complicated that it gets in the way of the characters. The writing was especially good, and I found myself turning page after page, engrossed in the story.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I loved the storyline of an adult returning to teach at the school where she’d gone and how this return surfaces a host of memories that she hasn’t fully come to terms with yet.
I connected so deeply with the care the teacher has for the place as it is, the confusion she has about the place as it was, and how she struggles to not repeat the mistakes of the past. Plus, the mystery is so well-paced.
Jane Hudson never thought she would return to Heart Lake. Her years there as a scholarship girl ended in a fatal and mysterious double tragedy.
Now she is back, struggling to adjust to her new life teaching Latin and as a single mother. But the events that haunted her memories for so many years begin to recur in front of her eyes. It seems she alone can see what is happening, and only she will be able to prevent a second catastrophe...
Surrounded by the lake that gives the school its name, steeped in history and overflowing with the emotions…
I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I love fantasy, and I love when fantasy meshes with reality in a way that comments on the real world through the fantasy. Emily Tesh nails that.
I also loved how evident it was that Tesh had worked at schools and made some of the drudgery of faculty meetings and admin work sparkle with humor in her novel. The characters are deeply and believably flawed.
'A searingly brilliant fantasy. This is magical school with teeth . . . an unmissable read' Tasha Suri, author of The Jasmine Throne
'Fans of Naomi Novik's Scholomance series won't want to miss this' Publishers Weekly
Dr Walden is the Director of Magic at Chetwood School and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings and securing the school's boundaries from demonic incursions.
Walden is good at her job - no, Walden is great at her job. But demons are masters of manipulation. It's…
