Here are 36 books that The Golem and the Jinni fans have personally recommended once you finish the The Golem and the Jinni series.
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I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
The myth of Medusa as told by her and her two Gorgon sisters. I’ve read many versions of Medusa’s story but I particularly like this one.
She’s typically treated just as an obstacle for the hero Perseus but in this book, she’s a given a voice—as an assault survivor, as the unjust victim of a god’s anger, as the baby sister of two immortal “monsters.”
The Gorgons completely rearrange their lives to accommodate the needs of their mortal sister who they love more than anything in the world. And Medusa, though she’s called a monster, makes the conscious decision to live in solitude rather than endanger others with her deadly gaze.
The definition of “monster” gets so blurry it becomes meaningless after reading this book.
** Longlisted for the Women's Prize for Fiction 2023 **
In Stone Blind, the instant Sunday Times bestseller, Natalie Haynes brings the infamous Medusa to life as you have never seen her before.
'Witty, gripping, ruthless' - Margaret Atwood via Twitter 'Beautiful and moving' - Neil Gaiman via Twitter
'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.'
Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the…
I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.
Strong female voices guide the main character through a fantastic journey of self-discovery amidst the push and pull of power.
This series had me hooked after the first page. The power plays, the steady hand of the female characters, the drama, and discovering how you fit into a world when you think you do not belong. The family was everything—even if it was not blood.
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
In Kolkata, India, a college professor agrees to transcribe a stranger’s collection of notebooks, old parchments, and scribbles on human skins.
Through his translations, the reader learns about a race of werewolf-like creatures that eat humans and absorb their memories and souls in the process. One such creature, Fenrir, fathers a child by a human woman out of a desire to create life instead of destroying it.
This book contains a lot of violence but through the eyes of the shapeshifters, the reader gets a sharp look at gender fluidity and relationships between sexes. What I remember most from the book is Fenrir’s point of view being both unnerving and thought-provoking. He’s devoured the knowledge of many humans yet he can’t differentiate between love and hate.
The cold day never ends. With nothing but time on his hands, Jake was on a simple drive to visit his brother until he was attacked by a strange convict. Now, he doubts his sanity at every turn as he finds himself decades off course and caged in, with an ancient American evil.
I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.
The humanity! I could not imagine being trapped in a body that I no longer had control over. To make a decision about purposely ending your life and then finding the love of your life is awful.
From the care takers point of view, I felt every feeling of letting myself go just to have to remind myself of the reality of the situation. There was no arguing with a brick wall. Only acceptance. The grief was real.
THE MAJOR FILM AND THE NEW YORK TIMES NO.1 BESTSELLING NOVEL THAT IS LOVED AROUND THE WORLD, ME BEFORE YOU . . .
Will needed Lou as much as she needed him, but will her love be enough to save his life?
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun teashop and she knows she might not love her boyfriend Patrick.
What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps…
With a professional background in medicine and psychiatry, I enjoy the kind of mystery novels that involve personal relationships and family secrets, such as unexplained deaths, disputed parentage, and concealed crimes. They may deal with some dark material, but I like it to be explored subtly, without explicit descriptions of violence towards people or animals. I have lived in New Zealand for many years but grew up in the south of England, so books set in places that I remember from my early life have an added appeal.
A haunting, erotic, somewhat mystical story of sexual obsession. Set near Newbury sometime during the last century, it has an old-fashioned air, portraying English provincial life as it used to be.
The narrator is a sensitive, naive young man who deals in fine ceramics. He falls passionately in love with a Danish woman, and they marry, but she has a dreadful secret that leads to tragedy. The book's title refers to an antique figurine that plays a part in the plot.
Alan Desland, who feels himself to be an ordinary and unremarkable man, falls passionately in love with the beautiful but mysterious German stenographer, Karin, who is sent to assist him during a business trip to Denmark. To his astounded joy, she returns his love - but their courtship and marriage will shake his life to its very foundations and test him to the limits of sanity.
About the Author Richard George Adams (born 9 May, 1920) is an English novelist, author of Watership Down, Shardik, Maia, The Plague Dogs, Traveller, Tales from Watership Down and many other books.
In 1998, I met H.P. Lovecraft's corpse-reanimating doctor, Herbert West. I found him intriguing, but HPL's story didn't tell me enough about what lay behind his bizarre interests. Why did his friend help and support him? To answer those questions, I wrote four genre-blending novels, of whichThe Friendship of Mortals is the first. Through West's librarian friend, Charles Milburn, I explore their friendship, the choices they make, and how they deal with the consequences of those choices. The setting is a college town in early 20th century New England, but with a supernatural twist.
At first, I thought this was a historical mystery similar to the Sherlock Holmes stories. Nineteenth-century city, maybe in Russia? But what about the weird Bone Forest and the house on stilts? The detective, Konrad Savast, carries out his investigations in distinctly unorthodox ways. Then there are his spirit-serpent helpers, Eetapi and Ootapi. Sherlock never had anything like them! And in addition to the four mysteries to be solved in this book, there's the question of Konrad's relationship with apothecary Irinanda Falenia. Will it ever develop into something more than friendship?
There's a realm. Wreathed in ice and snow, drowning in the dark, Assevan needs a different kind of hero.
There's a god. Merciless and cold, and quick to anger, the Lord of the Dead insists upon one thing only: vengeance for a murdered soul.
And there's a man. A ruthless killer, Konrad is detective, judge and executioner in one. Dauntless, relentless, monstrous, he stands alone against the dark.
Meet the Malykant. Justice will be served.
Four cases. Four killers. Four executions. Dark fantasy and murder mystery collide in this first collection of the…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.
The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…
The award-winning author of the Hexslinger Series "explores the world of film and horror in a way that will leave you reeling" (Jeff VanderMeer, author of the Southern Reach Trilogy).
Former film teacher Lois Cairns is struggling to raise her autistic son while freelancing as a critic when, at a screening, she happens upon a sampled piece of silver nitrate silent footage. She is able to connect it to the early work of Mrs. Iris Dunlopp Whitcomb, the spiritualist and collector of fairy tales who mysteriously disappeared from a train compartment in 1918.
I started writing urban fantasy because that’s what I wanted to read more of, and at the time there wasn’t much on offer. I started the Kit Melbourne series with the aim of creating a world in which magic was real, but most people don’t believe in it. I aim for believable, realistic characters with plausible relationships. I’m not a fan of prophets, noble bloodlines, or destiny; magic in my worlds are much more egalitarian. Vampires are not sexy superheroes. Faeries are more like aliens than pinup girls. My inspirations are mystery, true crime, anthropology, psychology, history, natural sciences, ecology, and neo-Paganism—and books like those on this list!
Molly Tanzer came up with one of the cleverest “magic” tropes ever and I wish I’d thought of it myself. Her Victorian London “diabolists” engage with demons in a way that felt so logical that it seemed 100% plausible. It involves specific plants, for example, ginger. These demons are more like sentient aliens that enter into a (permanent) symbiotic relationship with a human host, upon which they confer benefits.
It made me go, “I mean, getting into devil worship like this may not be my thing, but yeah, I get why people could be into it.” It’s not all gushing balls and gaslit concerts either, since our protagonists are much more middle class. There’s danger here, because not all of these diabolists are harmless. I craved ginger for months after this book.
Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siecle wonders ... and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she's sent to London to chaperone her younger sister, aspiring art critic Dorina. Unfortunately for Evadne, she soon learns too much about all of it when Dorina meets their uncle's friend, Lady Henrietta "Henry" Wotton. A semi-respectable aristocrat in public, in private she is secretly in the thrall of a demon obsessed with beauty and pleasure. When Lady Henry and Dorina immediately hit it…
I started writing urban fantasy because that’s what I wanted to read more of, and at the time there wasn’t much on offer. I started the Kit Melbourne series with the aim of creating a world in which magic was real, but most people don’t believe in it. I aim for believable, realistic characters with plausible relationships. I’m not a fan of prophets, noble bloodlines, or destiny; magic in my worlds are much more egalitarian. Vampires are not sexy superheroes. Faeries are more like aliens than pinup girls. My inspirations are mystery, true crime, anthropology, psychology, history, natural sciences, ecology, and neo-Paganism—and books like those on this list!
Emma Bull wrote urban fantasy before that was really a thing, and this one is set in a shared world which straddles the human world and the world of the fey. Two unlikely friends are misfits in their own life. The titular character was kicked out of his family because his magic power made him seem too “weird” in the human realm, and his elven friend never felt at home in her fey family because her skill as a mechanic made her an outcast among the magic users. The fragile peace of their community is damaged when a new drug promises to turn humans fey.
This book is about making a home when you didn’t fit in with your family of origin, and the lengths people will go through to find a new identity. It may not feel as fresh as it did in the 1980s, but it will probably…
Death and dark magic hang like a shadow over the city called Bordertown. Orient has a magical gift—or maybe a curse—for finding lost objects. But can he find a way to save the people he loves?
I’ve been fascinated by the power of place since I was tiny. I grew up as the child of British parents in New England, then lived several places before settling a few miles from where I started. As a writer, I come back again and again to how we relate to the land around us, and especially to the magic, lore, and traditions of our homes. We choose some of these, but others surprise us or are part of chance discoveries. I hope you enjoy these books that explore the power and magic of place as much as I have!
Much of Windling’s work as an editor has revolved around fairy tales and the power of story. The Wood Wifecombines those with poetry and a tremendous love for the American Southwest (near Tucson, Arizona).
I love this book for the way it brings all those threads together and weaves them into something new, but something with long sturdy roots that anchor it in place, in time and history, and in both the personal and the mythical.
Leaving behind her fashionable West Coast life, Maggie Black comes to the Southwestern desert to pursue her passion and her dream. Her mentor, the acclaimed poet Davis Cooper, has mysteriously died in the canyons east of Tucson, bequeathing her his estate and the mystery of his life--and death.
Maggie is astonish by the power of this harsh but beautiful land and captivated by the uncommon people who call it home--especially Fox, a man unlike any she has ever known, who understands the desert's special power.
As she reads Cooper's letters and learns the secrets of his life, Maggie comes face-to-face…
