Here are 79 books that The First Law Trilogy fans have personally recommended once you finish the The First Law Trilogy series.
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Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.
Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.
'One of my top ten books ever. Maybe top five. If you haven't read it, you should' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
'Fresh, original and engrossing' George R.R. Martin, the phenomenon behind A Game of Thrones
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the…
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.
Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.
What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
I was reading from a young age, but I didn’t start devouring books until I found the fantasy genre. I firmly believe that there is a set of books out there that every person can love, even if they don’t consider themselves a capital-R, serious Reader. It would be a great waste for someone not to know that fantasy literature might be their special thing. If someone is searching for a genre of fiction that they could fall in love with, I sincerely hope that these books can open the doors to other worlds.
This was my first introduction to Sanderson’s work, and I knew within a few pages that we were going to be a good fit. I’d just gotten off of reading through Martin’s A Song of Ice and Fire, and the “multiple POVs” angle of the book was a big pull for me.
The frankly bizarre world of the book (and the series of which this is book 1, The Stormlight Archive) was so full of strange creatures and patterns–so studded with interesting, resourceful characters–that I couldn’t put it down over the course of days to finish it.
From #1 New York Times bestselling author Brandon Sanderson, The Way of Kings, Book One of the Stormlight Archive begins an incredible new saga of epic proportion.
Roshar is a world of stone and storms. Uncanny tempests of incredible power sweep across the rocky terrain so frequently that they have shaped ecology and civilization alike. Animals hide in shells, trees pull in branches, and grass retracts into the soilless ground. Cities are built only where the topography offers shelter.
It has been centuries since the fall of the ten consecrated orders known as the Knights Radiant, but their Shardblades and…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
In reading The Black Company, I felt like I was stumbling onto soldiers’ private journals.
No shining heroes, no noble speeches—just tired men doing dirty jobs for dirtier employers. What hooked me wasn’t the battles but the banter, the sense of weary camaraderie. Croaker’s perspective makes war almost intimate, showing us the quiet boredom between bursts of chaos. I loved how Cook doesn’t romanticize anything. Instead, he captures the confusion, cruelty, and humor of being part of something too big to fully grasp.
It’s fantasy that smells like mud, sweat, and campfire smoke.
Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hard-bitten men of the Black Company take their pay and do what they must, burying their doubts with their dead.
Until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her...
So begins one of the greatest fantasy epics of our age―Glen Cook's Chronicles of the Black Company.
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
Not only am I a cyberpunk writer, I’m officially a Doctor of Cyberpunk. My Ph.D. thesis, The Dark Century: 1946–2046, looked at hardboiled fiction, film noir, and tech-noir (AKA cyberpunk) traditions across the past, the present, and an imagined future. It was a radical break from my previous career as an aid worker, where I ran poverty alleviation programs throughout Southeast Asia. And yet, I’ve drawn on that experience in my prose, using the experience of the cultures that I lived and worked in to breathe life into the settings for my short stories and novels.
This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.
As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.
Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.
They say Black Dow's killed more men than winter, and clawed his way to the throne of the North up a hill of skulls. The King of the Union, ever a jealous neighbor, is not about to stand smiling by while he claws his way any higher. The orders have been given and the armies are toiling through the northern mud. Thousands of men are converging on a forgotten ring of stones, on a worthless hill, in an unimportant valley, and they've brought a lot of sharpened metal with them.
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
This one is the lighter of the bunch. It felt like stepping into familiar territory: A classic fantasy trilogy with echoes of Sanderson, and maybe even a serving of Orson Scott Card(?).
The magic system is layered, but nowhere near as intricate as something Sanderson would write, and that’s okay. What stood out to me was how it handled memory and moral complexity without leaning into grimdark or soul-crushing despair.
It struck a good middle ground. Not too light. Not too bleak. Just a well-written, accessible epic that still has emotional weight without overwhelming you.
A young man with forbidden magic finds himself drawn into an ancient war against a dangerous enemy in book one of the Licanius Trilogy, the series that fans are heralding as the next Wheel of Time.
As destiny calls, a journey begins.
It has been twenty years since the godlike Augurs were overthrown and killed. Now, those who once served them -- the Gifted -- are spared only because they have accepted the rebellion's Four Tenets, vastly limiting their powers.
As a Gifted, Davian suffers the consequences of a war lost before he was even born. He and others like…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
I picked up The Last Wish after playing the Witcher games and listening to the soundtrack, but what surprised me is how funny it is.
Yes, it is epic fantasy in every sense of the word, but Geralt’s dry humor cuts through the blood and curses, and his conversations with Dandelion had me laughing out loud. What makes it great, though, is how Sapkowski flips fairy tales upside-down, twisting familiar stories into something darker and sharper.
I enjoyed the way morality blurs—there are monsters, sure, but the humans are often MUCH worse. It’s a book that asks hard questions about society under the guise of swords and spells.
We’ve all read them: the girl who is unknowingly of royal blood but was sequestered to an ordinary family to protect her identity. The detective with the broken home and a drink problem is driven to solve the crime. The action hero who can shoot their way out of any encounter. While these tropes are the bread and butter of genre fiction, they get overused. I found that my favorite and most engaging characters were those with complicated lives whose pasts might catch up with them at an inconvenient moment. Here are some of my favorite stories with unconventional characters that shine through the narrative.
These were an early read for me, and at 14 years old, I consumed every Flashman book I could find. Harry Flashman was the bully responsible for the abusive treatment of Tom in Tom Brown’s Schooldays, and I so wanted to see him get the fate he deserved.
Flashman is a cad, a bully, a coward, and the worst sort of officer, but he always seems to turn up trumps—a phrase with strange resonance today. These meticulously researched novels—this one is set amidst the Charge of the Light Brigade - put Flashman in the worst of situations, only for him to cheat, lie, and bluff his way out. They taught me that heroes don’t always have to be noble or nice.
Coward, scoundrel, lover and cheat, but there is no better man to go into the jungle with. Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.
As the Light Brigade prepare to charge the Russian guns at Balaclava, Flashman assumes his characteristic battle position: sabre rattling, teeth chattering, bowels rumbling in terror and about to bolt.
