Here are 4 books that The Faeblood Chronicles fans have personally recommended once you finish the The Faeblood Chronicles series.
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As an own voice author, it is incredibly important for me to write characters that look like me, but it is exceptionally healing to find novels where I feel represented. My inner child yearns for more books that remind me of my adolescent wish to be a main character, to have a fleshed-out story, to be the hero or overpowered creature of the night. Being a main character means being seen and being heard, and I think now is the time to branch into every genre I can to know that any story, no matter how big or small the pages, can be done and can be Black. Happy reading!
Very rarely are we given the voice of a Black woman unraveling the depths of the genre that is horror. Jean Nicole Rivers gives us exactly that with Black Water Tales: To the Moon and Back, a riveting thriller that follows Simone Parker, a protagonist that wants to break generational curses while protecting her family from a haunting town legend. This novel left me wanting more as soon as I put it down, and I was incredibly happy to know that this Jean Nicole Rivers is anything but finished in terms of making sure that Black women can be seen and written into horror stories. The Black Water Tales has become a favorite series of mine, and I look forward to what’s to come…
As Simone Parker’s belly swells with baby number three, she is anxious to move her husband and two daughters to her childhood home in the picturesque town of Black Water, even if it was the site of her family’s massacre twenty-three years ago. Resettling there won’t be easy, but she is determined to break generational curses and reclaim her good memories. While dismissing the adolescent, town legend that her family was murdered by the Sandman, Simone cannot deny that some unsettling haunt remains. As the evil builds to a peak marked by the brutal birth of her son, Simone is…
As an own voice author, it is incredibly important for me to write characters that look like me, but it is exceptionally healing to find novels where I feel represented. My inner child yearns for more books that remind me of my adolescent wish to be a main character, to have a fleshed-out story, to be the hero or overpowered creature of the night. Being a main character means being seen and being heard, and I think now is the time to branch into every genre I can to know that any story, no matter how big or small the pages, can be done and can be Black. Happy reading!
C.M. Lockhart did an incredible job with We Are the Origin. With this book, we get to navigate a world full of gods, vessels, assassins—there are several moments where I would forget the time while I read this novel, because the world building and character arcs are just that interwoven and well executed. In terms of diversity, it’s refreshing for our main character, Brandi, to be around people that look like her while also being unapologetically herself. This story is original, the characters are well-fleshed out, and I am patiently awaiting the sequel.
Forced into a life of serving the queendom before she was old enough to deny them, Brandi was a cultivator of death and the queen’s own blade, reserved only for the disloyal and the blasphemous. Crafted by the queendom and forged in blood, she was nothing more than a tool. She was never meant to have an opinion on whose blood she shed — never meant to question whose back she was pressed into or whose throat she was slipped across.
She was destruction.
But when Freya, the goddess of life and judger of souls, demands…
I rediscovered my love of romantic fantasies when my mother went into the hospital, and I needed a place to go to escape the horror of watching a parent’s health fail. I not only buried myself in reading fantasies filled with magical love stories, I started writing them again. Throughout my life, I’ve reached for fantasy novels whenever life got tough. As a child, I would read nearly every fantasy I could find. As an adult, my tastes have changed, and I’m looking for fantasy novels with a romantic twist. But still, it’s the heroine overcoming adversity despite the worst odds that gives me hope and comfort exactly when I need it.
Legendborn is a King Arthur tale set in modern-day Georgia. With that description, how could I not love this book?
Tracy Deonn is a master at blending Southern folk traditions and African lore with Arthurian legends. I fell in love with Bree, the typical Southern teenager starting out at UNC-Chapel Hill. She has magic, but it’s not the same magic as the mages who are gearing up for a magical war.
The tale is a clash of magical cultures topped off with a Romeo and Juliet romance. It grabbed me from the first page, and I haven’t stopped thinking about it since.
An Instant New York Times Bestseller! Winner of the Coretta Scott King - John Steptoe for New Talent Author Award
Filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy reinvents the King Arthur legend and “braids together Southern folk traditions and Black Girl Magic into a searing modern tale of grief, power, and self-discovery” (Dhonielle Clayton, New York Times bestselling author of The Belles).
After her mother dies in an accident, sixteen-year-old Bree Matthews wants nothing to do with her family memories or childhood home. A residential program for bright high schoolers at UNC–Chapel Hill…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
