Here are 17 books that The Dalziel and Pascoe Mysteries fans have personally recommended once you finish the The Dalziel and Pascoe Mysteries series.
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I have a confession to make. I’m a collector of book boyfriends (BBFs). Alpha males, to be precise. The more confident, successful, and assertive they are, the harder they fall for their heroine. It’s the “fall” that gets me every time. There is nothing more satisfying than falling in love right alongside the heroine. As not only a writer of romance but also an avid reader, I can go on and on about all the books I love, so it was hard to choose only five. This list is a small taste of some of my favorites. If you’re looking for a swoon-worthy BBF, reading these books is a must.
Though last on this list, Roarke is by no means “last” in anything. Powerful, confident, insanely wealthy, and oh-so-sexy, Roarke is the epitome of the swoon-worthy alpha male.
Seeing his love for his lieutenant, Eve, I fell in love—and fell hard. I was hooked after book one, and 60 books later, I still can’t get enough.
Crime and punishment is Lieutenant Eve Dallas's business. Murder her speciality. Named by the social worker who found her when she was a mere child roaming that city's streets, Eve Dallas is a New York police detective who lives for her job. In over ten years on the force, she's seen it all - and knows her survival depends on her instincts. But she's going against every warning telling her not to get involved with Roarke, a charismatic Irish billionaire - and a suspect in Eve's latest murder investigation. But passion and seduction have rules of their own, and it's…
I write the NYPD Detective Chiara Corelli Mystery series featuring Corelli and her partner Detective P.J. Parker. Most mysteries have a single main character so I’m passionate about finding other authors who write mysteries with two professional investigators as main characters. It’s fascinating to see how authors writing the same type of characters handle them and what they do about character growth over the course of the series. To me, watching two characters react to each other, seeing their relationship change over the course of a book or a series is much more interesting than reading about a single detective.
As a writer I look to Crombie’s Constable Duncan Kincaid/Sergeant Gemma James series for guidance on how to have your characters grow professionally and personally, to age and experience the kind of changes people go through in real life. I recommend book one of the nineteen in the series, A Share in Death, because it sets up the relationship between the two detectives.
In this “thoroughly entertaining mystery with a cleverly conceived and well-executed plot” (Booklist), Edgar Award-nominated author Deborah Crombie introduces us to Duncan Kincaid of Scotland Yard and his partner, Gemma James.
A week's holiday in a luxurious Yorkshire time-share is just what Scotland Yard's Superintendent Duncan Kincaid needs. But the discovery of a body floating in the whirlpool bath ends Kincaid's vacation before it's begun. One of his new acquaintances at Followdale House is dead; another is a killer. Despite a distinct lack of cooperation from the local constabulary, Kincaid's keen sense of duty won't allow him to ignore the…
I write the NYPD Detective Chiara Corelli Mystery series featuring Corelli and her partner Detective P.J. Parker. Most mysteries have a single main character so I’m passionate about finding other authors who write mysteries with two professional investigators as main characters. It’s fascinating to see how authors writing the same type of characters handle them and what they do about character growth over the course of the series. To me, watching two characters react to each other, seeing their relationship change over the course of a book or a series is much more interesting than reading about a single detective.
This is the first book in George’s twenty-one book series featuring Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton, and Detective Sergeant Barbara Havers, a commoner.
When I read A Great Deliverance, I fell in love with George’s beautiful writing, found her two characters fascinating, and adored the cast of characters supporting the detectives. Plus, the book is unusual because the reader knows from the start who the killer is and the investigation focuses on why she killed him.
When I sat down to write my first ever fiction, Linley and Havers were the inspiration for my two detectives, NYPD Detectives Chiara Corelli and P.J. Parker. And I learned from George that the characters are as important, if not more important, than the plot. She inspired my writing.
Fat, unlovely Roberta Teys is found beside her father's headless corpse, wearing her best dress and with an axe in her lap. Her first words are: 'I did it. And I am not sorry' and she refuses to say more. Inspector Thomas Lynley and DS Barbara Havers are sent by Scotland Yard to solve this particularly gruesome murder. And as they navigate their way around a dark labyrinth of secret scandals and appalling crimes, they uncover a series of shocking revelations that shatter the facade of the peaceful Yorkshire village.
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
Finally, a story that’s M/M and has an asexual character. It isn’t easy to write ace M/M protagonists. For obvious reasons, some of the tropes are excluded. However, TJ Klune gets around this, perhaps because the man who wants to be a movie star, Josiah (Josy) Erickson, is probably demisexual and demiromantic. That is, sex and romance aren’t impossible for Josy, but he needs a lengthy emotional connection with another man before he desires either. The story is funny, charming, touching, and validates people who don’t see enough of themselves in print.
Josiah Erickson wants to be a movie star. The problem with that is so does half of Los Angeles. But he's on his way, what with memorable roles as a TV show background cadaver and a guy in a commercial for herpes medication. All he needs is his big break. And that break may come in the form of a novelist who goes by the enigmatic name of Q-Bert. Q-Bert, who is ready to make his directorial debut in a film Josy would be perfect for. Q-Bert, who Josy may or may not have a friend-crush on, and potentially something…
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
Another crime story. It’s a lengthy tale that, because so many men and partnerships are involved, made me work hard, but the intriguing plot is character-driven, which I like. The setting is fifties Australia. I’m English and I admit that I tend to forget about the huge part played in the Second World War by Australian, New Zealand, and Canadian troops, aka ANZAC. What links Jones’ gay protagonists is their military background. I felt that I learnt something and that pleased me. Nothing on the page to worry aces.
"I'm sorry I have to tell you this, Harry, but Daley Morrison was murdered. It was no heart attack. He was stabbed through the heart and then staked out, naked, in the middle of the Sydney Cricket Ground as some sort of warning to someone."
Harry Jones almost fell into his chair, such was his shock.
Clyde Smith is brought into the investigation by his former colleague, Sam Telford, after a note is found in the evidence bags with Clyde's initials on it. Someone wants ex-Detective Sergeant Smith to investigate the crime from outside the police force. It can only…
I came out as a gay man later in life (at age 24) just as the AIDS crisis was beginning, and the deaths and societal backlash during that time almost pushed me back in the closet. The books I listed here were instrumental in helping me find my author’s “voice” while I struggled to fully accept my identity. I feel passionate about the list because the books contain elements essential for every decent fiction author: humour, pathos, grief, joy, empathy, love, and understanding of the human condition. In developing this list of books, I’m reminded of how crucial it is for writers to read and often study the work and style of other authors.
I am long overdue in re-visiting this book, which was first read several years before I understood my sexual identity as a gay man.
It is a love story, a romance between a coach and his star athlete, and at the time I initially read it, it validated for me that two men could fall in love and be unashamed.
I grew up in a time when homosexuality was not even discussed in “polite” company, and this novel aided my journey to self-acceptance.
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
This final book in the Jas Anderson trilogy sees Jas investigating a murder and a case of police corruption, but there is so much more: sectarian rivalry, harsh city life, a grieving mother, a revengeful wife, suffering children, and my two favourite gay protagonists, Jas himself and the ever-unstable Stevie. There’s a lot of testosterone on show. Explicit sex abounds, but it is never included for effect. It’s born of need and, sometimes, love. It never repels me. The conversation is in Glasgow dialect. Please don’t let that deter you: this story is powerful. Last pages count, and Some Kind of Love has a perfect ending.
Former Detective Sergeant Jas Anderson, the violent anti-hero of Freeform and Banged-Up, becomes enmeshed in a dangerous web of intrigue and double-dealing. Working as a private investigator on a routine case, he soon finds himself stirring an explosive cocktail of police corruption, sectarianism and murder.
"A weaver of intricate plots which combine elements of the hard-boiled and the intensely erotic".
I’ve been writing novels for more than three decades, and when I started out, I sucked. Truly! I had never even heard of structure. Really, it’s about getting to the heart of your story and reaching the heart of your reader. My first novels went nowhere. But once I dug into these very books (among many others), I learned how to write commercial best sellers. I’ve sold more than 250,000 copies of my self-published books. As a writing coach and copyeditor, I work with thousands of writers, and I have published about twelve writing craft books. I also teach online courses, which have been taken by more than 6,000 writers.
You may be wondering why I’ve listed this 20-year-old book as my top recommendation if you want to write a terrific commercial novel. This was my go-to “bible” when I penned my first few novels. I religiously followed all her advice, as I was and still am an avid fan of her Inspector Lynley detective novels.
Listen: you don’t have to be a crime or thriller writer to learn the best skills for writing a best seller from this book. She shares personal routines and techniques, an overview of the craft, and covers the plot, characters, and scene structure. It’s not extensive but will give any fiction writer new eyes and skills in the art of writing.
Elizabeth George is one of the most successful writers of crime fiction in the world. Her twelve novels have appeared on bestseller lists in the UK, USA and Australia, and several of them have been dramatised by BBC Television as the Inspector Lynley Mysteries. She has also written a collection of short stories and edited a crime anthology.
Now she shares this wealth of experience with would-be novelists, and with crime fiction fans. Drawing extensively on her own work, and that of other bestselling writers including Stephen King, Harper Lee, Dennis Lehane and many others, she illustrates her points about…
As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
To be honest, I could have completed this list with just Mary Stewart titles alone!
No one does lush, atmospheric suspense like she does. I discovered her books as a lonely teenager dreaming of escape, and her rich, immersive writing has inspired me not only to follow in her footsteps as an author but also to travel on “book pilgrimages” to find the settings of her wonderful stories.
And I don’t just mean ticking off a tourist spot with an Instagram selfie—I mean hours building an itinerary with guidebooks, Google Maps, and her novels to find the exact beach in southern Crete or the exact village in Provence that her heroines visited.
What I love the most is the settings woven into the plot, so that the stories couldn’t have happened anywhere else, and so vivid that they are a character in their own right. In The Moonspinners, for…
Impetuous and attractive, Nicola Ferris has just arrived in Crete for a holiday when she sees an egret fly out of a lemon grove. On impulse, she follows the bird’s path into the White Mountains. There she discovers a young Englishman who, hiding out in the hills and less than pleased to have been discovered, sends Nicola packing with the order to keep out of his affairs. This, of course, Nicola is unable to do, and before long events lead to a stunning climax among the fishing boats of Agios Georgios Bay.
In this bestselling novel, first published in 1963…
As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
I picked up this book for the setting alone as the Scottish Highlands is one of my favourite destinations and the idea of a suspenseful mystery set there was just too good to resist.
The story takes place over a snowy New Year’s Eve in a hunting lodge surrounded by the mist and mountains of Scotland. While I didn’t find any of the characters particularly sympathetic (which was possibly the point!), the atmospheric setting more than made up for that, and I enjoyed imagining what I might have done had I been one of the members of this party, trapped in this isolated place.
EVERYONE'S INVITED.
EVERYONE'S A SUSPECT.
AND EVERYONE'S TALKING ABOUT IT.
'Ripping, riveting' A. J. Finn 'Clever, twisty and sleek' Daily Mail 'Unputdownable' John Boyne 'Foley is superb' The Times 'Chilling' Adele Parks 'Terrific, riveting' Dinah Jefferies
In a remote hunting lodge, deep in the Scottish wilderness, old friends gather for New Year.
The beautiful one The golden couple The volatile one The new parents The quiet one The city boy The outsider
