Picked by The Commissario Ricciardi Mysteries fans
Here are 19 books that The Commissario Ricciardi Mysteries fans have personally recommended once you finish the The Commissario Ricciardi Mysteries series.
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As a kid, Joseph D’Agnese did not feel quite normal unless he’d devoured at least two mystery novels in a weekend. Today he’s a journalist and author. His mystery fiction has appeared in Shotgun Honey, Plots with Guns, Beat to a Pulp,Ellery Queen’s Mystery Magazine, Mystery Weekly, and Alfred Hitchcock’s Mystery Magazine. He’s a past recipient of the Derringer Award for Short Mystery Fiction, and a contributor to the prestigious annual anthology, Best American Mystery Stories. D’Agnese lives in North Carolina with his wife, the New York Times Bestselling author Denise Kiernan.
If you diligently work your way down this list, you’ll travel to Sicily, Venice, Florence, and Naples. But none of these cities beat Rome. I’m biased, of course. My wife and I lived in Rome when we were first married. When I close my eyes, I swear I see Caravaggios and I can still smell the woodsmoke and simmering pasta sauce that perfume Rome’s air. All of which brings me to Hewson’s Nic Costa novels. I don’t think anyone nails Rome’s sinister criminal quality the way Hewson does, but he still manages to capture the Eternal City’s beauty, food, and art. (Hewson’s a Brit who travels to Italy often; it's totally worth checking out his Instagram account.) Currently 10 books in the series. If you like them, investigate his standalone novels, some of which are also set in Italy.
'No author has ever brought Rome so alive for me - nor made it seem so sinister' PETER JAMES
'David Hewson's Rome is dark and tantalizing, seductive and dangerous, a place where present-day crimes ring with the echoes of history' TESS GERRITSEN
'Hewson keeps the reader guessing . . . relentlessly tightening the suspense until the end' Daily Telegraph
There's no rest for the wicked . . .
While Rome is sweltering in the height of summer, a serial killer is on the loose. Sara Farnese is working in the Vatican library,…
I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
This delightful mystery set in Florence not only intrigues the reader with its clever, twist-filled plot but also with its insights into daily life and culture in Italy. The characters are enjoyable and show many humorous and unique facts of Italian life. Nabb knows her Florence and her Italians, and her ability to describe both make a reader wish to accompany her on her next trip!
Introducing Marshal Salvatore Guarnaccia of the Florentine carabinieri, a Sicilian stationed far from home. He wants to go south for Christmas to spend the holiday with his family, but he is laid up with the 'flu. At this awkward moment, the death of a retired Englishman is reported. A most inconvenient time for a murder case. Who has shot Mr Langley-Smythe in the back? And why has Scotland Yard felt it appropriate to send two detectives, one of whom speaks no Italian, to 'help' the marshal and his colleagues with their investigation? Most importantly for the marshal, ever the Italian,…
I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.
I have very romantic notions of Sicily, and I look to the Inspector Montalbano series of detective novels to show me the grit and corruption that Sicily is actually known for.
This is the first novel in the series and introduces Montalbano as an honest cop in a dishonest world, a Sicilian town where everyone hustles for work and murders are common. Even if everybody is corrupt in their own ways, they’re still very human, and Montalbano’s tolerance of human failings makes him one of the great detectives to read.
The Shape of Water is the first in Andrea Camilleri's wry, brilliantly compelling Sicilian crime series, featuring Inspector Montalbano. This edition with a stunning redesigned cover.
The goats of Vigata once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes…
This list reflects my focus as a writer about and researcher of cultures very different from my own. I grew up in the country of New Zealand and have been based in Australia for a long time–but I have worked and lived in places like India, Barbados, Malaysia, Canada, Jordan, Syria, Cambodia, and Laos. All of those experiences contribute to my evolution as a writer through academic works, biography, creative nonfiction, memoir, and, more lately, crime fiction and screenwriting. I would not be the writer I am without this curiosity for the “Other,” and it continues to drive me.
When I first visited Venice, I had the strange sense that I already “knew” the city because I had read this first and all the subsequent Leon novels set in the city and featuring Commissario Guido Brunetti. From those books, I recognized landmarks and hidden alleys, cafes and restaurants, how to take the Vaparetto, and where the main police stations and markets were.
I wanted to write like that, make the city a main character–and I love other series that do the same, like Andrea Camilleri’s Montalbano series set in Sicily. These books “take you there.”
'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph
Winner of the Suntory Mystery Fiction Grand Prize __________________________________
The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of…
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
Censored and despised as lascivious for a long time, only published thirty years after its writing, and ten after the author's death, this is a true masterpiece of feminist writing, embodying a genuine and refreshing rebellion against Italian society and its gender order throughout most of the 20th century.
Set in Sicily, the story follows the entire life of a woman born in 1900, living through the belle epoque, the fascist era, two world wars, and the post-war republic, until her elder age in the 1970s. Born a proletarian, she challenges all kinds of rules and constraints to become a noblewoman–though exercising nobility in a completely free and unconventional way.
With a simple but elegant writing style, Sapienza took me to unexplored territories again and again until I felt like I was not the person I was before anymore.
Goliarda Sapienza's The Art of Joy was written over a nine year span, from 1967 to 1976. At the time of her death in 1996, Sapienza had published nothing in a decade, having been unable to find a publisher for what was to become her most celebrated work, due to its perceived immorality. One publisher's rejection letter exclaimed: 'It's a pile of iniquity.' The manuscript lay for decades in a chest finally being proclaimed a "forgotten masterpiece" when it was eventually published in 2005.
This epic Sicilian novel, which begins in the year 1900 and follows its main character, Modesta,…
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
The latest work by one of the most inspirational and debated figures in women's politics across the 20th and 21st centuries, this book has given me enormous inspiration by showing what a truly internationalist and grassroots feminist politics looks like and how it is relevant to climate politics today.
I have discovered that the 'wages for housework' campaign, initiated by James and others in 1972, has continued throughout fifty years on the international level, evolving into today's 'care income' demand, which emerged out of the Green New Deal for Europe campaign in 2019. This is where I met James and several other life-long members of the movement and realized that their perspective is one of ecofeminist, antiracist working-class politics.
For over sixty years, Selma James has been organizing from the perspective of unwaged women who, with their biological and caring work, reproduce the whole human race—whatever else they do. This work goes on almost unnoticed everywhere, in every culture. It is not prioritized economically, politically, or socially, and women are discriminated against and impoverished for doing it.
This much-anticipated follow-up to her first anthology, Sex, Race, and Class, compiles several decades of James’s work with a focus on more recent writings, including a groundbreaking analysis of two of CLR James’s masterpieces, The Black Jacobins and Beyond a Boundary, and…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
One of my favorite Italian figures of the twentieth century is the writer, painter, and anti-fascist Carlo Levi.
This collection of his essays, evoking the complexities of Rome and its people, sums up what it means to come to terms with the Eternal City:
“Here, everything has already existed: and existence has not vanished into memory, rather it has remained present... The virtues are not the moral and ideological values (which the passage of too long a time has gradually flattened out), but simpler and more visible values: health, physical strength, knowing how to eat and drink, knowing how to speak with a certain humor and brevity, knowing how to command respect, sincerity, friendship.”
May all roads lead to this understanding of the world.
Only a renaissance man could have described this glorious city in its heyday. And only Carlo Levi, writer, painter, politician and one of the last centurya s most celebrated talents, could depict Rome at the height of its optimism and vitality after World War II. In Fleeting Rome, the era of post war a La Dolce Vitaa is brought magnificently to life in the daily bustle of Romea s street traders, housewives and students at work and play, the colourful festivities of Ferragosto and San Giovanni, the little theatre of Pulcinella al Pincio; all vibrant sights and sounds of this…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
Even folks who aren’t into poetry are likely to know a line from the ancient poet Horace: carpe diem.
When one of my friends was dying of cancer, I saw the real meaning of that injunction in the beautiful way he lived out his last days.
What my friend came to understand is just what Horace shows us in this collection of his essay-like letters—minimize distractions, avoid what’s popular, cultivate relationships, be moderate but not uptight, do the work we’re meant to do, accept what we can’t control, and chase off the remainder of our worries with laughter.
One more piece of Horatian advice: read old books.
This volume comprises an edition with introduction and commentary of the first book of Horace's Epistles. These imaginary letters in verse represent the poet's most original contribution to Latin literature. The introduction discusses fully the invention of the new poetic form and the carefully devised style in which the letters are composed. There is also discussion of the addressees and of the main topics, as well as of the lay-out of the poems and the organisation of the book as a whole. The common view that the poems mark a conversion of Horace to philosophy is reassessed. The commentary offers…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
All the easily-portable volumes in Princeton University Press’s “Ancient Wisdom for Modern Readers” can be read in the time it takes to drink two glasses of wine (along with this book, one of my other favorites is How to Drink by the Renaissance humanist Vincent Obsopoeus).
For all their quarrels, ancient philosophers agree that the art of life is the preparation for death. Nobody expresses that wisdom with more panache than Seneca, a philosopher, financier, tutor to Nero, and playwright.
This selection from his works teaches us how to face the death and destruction that we see everywhere in Rome—and everywhere else too.
I turn to Seneca’s essays and letters for a good reminder to live with a minimum of regret and resentment.
Timeless wisdom on death and dying from the celebrated Stoic philosopher Seneca
"It takes an entire lifetime to learn how to die," wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always," and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker and dazzling writer who…
After learning Latin in college and studying Italian philosophy in graduate school, I stumbled into Rome for the first time over a decade ago as faculty on a study-abroad trip. In two weeks, I learned more about history and life than I had in two decades of study. I’ve been lucky enough to go back every summer since, with the sad exception of the pandemic years. I adore Rome. It didn’t help that a few years ago, in the Basilica of San Clemente, I fell head over heels for a Renaissance art historian and tried her patience with poetry until she married me.
As someone who spent part of the pandemic trying to keep sane by translating ancient Roman poems, I’m definitely part of this book’s target audience.
But Long Live Latin is much more than a spirited ode to the pricelessness of a useless language. In swift and insightful chapters, the Italian writer Nicola Gardini takes us—regardless of how much or little we know about Latin—on a tour of the greatest ancient Roman poets and philosophers—Catullus, Cicero, Lucretius, Virgil, and Seneca, among others.
Likela bella figura, so characteristic of Romans throughout history, these essays are a celebration of how style is inseparable from the good life.
A lively exploration of the joys of a not-so-dead language
From the acclaimed novelist and Oxford professor Nicola Gardini, a personal and passionate look at the Latin language: its history, its authors, its essential role in education, and its enduring impact on modern life―whether we call it “dead” or not.
What use is Latin? It’s a question we’re often asked by those who see the language of Cicero as no more than a cumbersome heap of ruins, something to remove from the curriculum. In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the…
