100 Books Like The Art of Joy

As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.

I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.  

As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.

As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in people’s lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.

I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.

Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!

I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.

I am grateful to my maternal grandparents, immigrants from southern Italy, who instilled in me a love for the Bel Paese that has inspired me all my life. I began to travel to Italy 45 years ago, and after writing for television—on the staff of Everybody Loves Raymond—I turned to travel writing. I’ve written 4 books about Italian travel, along with many stories for magazines. I also design and host Golden Weeks in Italy: For Women Only tours, to give female travelers an insider’s experience of this extraordinary country.

Often, historians choose their field or specialty, but sometimes, the field chooses the historian. Being a historian of southern Italy, the land of my ancestors reflects far more than a merely academic interest. As a personal pursuit, it isn’t just what I am but who I am. I write the kind of books that I wish had existed when I wrote my first peer-reviewed article in 1984. This has come to include everything from general histories to specialised studies to translations of medieval chronicles. Through the website Best of Sicily, online since 1999, my work has reached a readership of millions over the course of two decades.

I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.