186 books like Secret Projects

This particular book/series by Sanderson is a quickly-paced fantasy heist with a very cool magic system involving different metals. The main character, Vin, is a lowly commoner who ends up navigating the complex social web of nobility. It’s a fascinating progression with a fascinating and satisfying result.

This book has loosely inspired some aspects of action, nobility, and the gem-based magic system found in my Heroes of Time series. One review of my book Murdoch’s Choice called it “Mistborn on a Boat.”

This was my first introduction to Sanderson’s work, and I knew within a few pages that we were going to be a good fit. I’d just gotten off of reading through Martin’s A Song of Ice and Fire, and the “multiple POVs” angle of the book was a big pull for me.

The frankly bizarre world of the book (and the series of which this is book 1, The Stormlight Archive) was so full of strange creatures and patterns–so studded with interesting, resourceful characters–that I couldn’t put it down over the course of days to finish it.

I’m not the biggest Sanderson fan. I like his books, but I don’t have a wing of my library dedicated to him. But Skyward in particular stands out to me. It’s a much more personal story.

Spensa is socially inept, misunderstood, and hot-headed. I loved that because I got to see her grow through struggle and failure like a regular person.

I’m not usually a fan of stories told in the first person either, but seeing the world through her eyes as she learned what courage actually means made the story impossible to put down. It reminded me that growth doesn’t come from destiny; it comes from persistence and the willingness to change, often at great cost.

This book made me cheer for someone who felt real in all the best and most frustrating ways.

It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.

Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!

I’ve read The Name of the Wind twice, and each time it feels like sitting down to hear a bard weave his life into song.

Kvothe isn’t perfect—he’s brilliant, arrogant, reckless—but that’s why I believe him. Rothfuss’s prose has a rhythm that lingers in my head like music. What struck me most wasn’t the magic or mystery, but the small human moments: playing the lute for coins, hungering for knowledge, fumbling through mistakes.

For me, it was less about answers and more about the act of telling one’s story, flaws and all.

I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.

The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.

I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.

It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.

What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

I love this book because Tolkien took the fantasy genre to a new, unprecedented level, resurrecting ancient legends of old, with countless mythical creatures.

His magnificent characters defined their races, occupations, and even their languages, later inspiring the game, Dungeons and Dragons, of which I was once a Dungeon Master. Many of The Fellowship serve messianic roles. Gandalf, for example, conquers death following his battle with a demon, and Stryder, an obscure ranger, turns out to be Aragorn, heir of the fallen kingdom.

Tolkien captures keen insight into the human condition regarding the struggle against sin. He also whispers a mystery; while an evil wizard created the One Ring to rule them all, a hidden, even more powerful force is clearly behind the ring’s eventual destruction.

There’s nothing childish about this rip-roaring fantasy adventure. I loved it long before Brandon Sanderson became a household name. While the book is steeped in whimsy, it sidesteps the pitfalls that render most Middle-Grade books inaccessible to adults. With realistic character motivations, a (strangely plausible) explanation for how all librarians could be secretly evil, and a cohesive magic system that could stand right beside any of Sanderson’s adult offerings.

I especially loved the way the book sucks the reader in with its deftly executed frame story. There are layers upon layers of storytelling here. I loved that, and I am not embarrassed to say it.