Picked by Riftwar Cycle: Legends of the Riftwar fans
Here are 60 books that Riftwar Cycle: Legends of the Riftwar fans have personally recommended once you finish the Riftwar Cycle: Legends of the Riftwar series.
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I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.
In the westernmost province of the Kingdom of the Isles, upon the world of Midkemia, an orphan kitchen boy named Pug was made apprentice to the magician Kulgan.
Here starts an adventure that will span lifetimes and worlds. Discover where the story begins.
The world had changed even before I discovered the foreign ship wrecked on the shore below Crydee Castle, but it was the harbinger of the chaos and death that was coming to our door.
War had come to the Kingdom of the Isles, and in the years that followed it would scatter my friends across the world.…
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.
The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.
Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.
The first part of a saga set against a history of 7000 years of struggles of gods and kings and men. Long ago, the evil god Torak sought dominion and drove men and gods to war. Belgarath the Sorcerer led a quest to reclaim the Orb of Aldur - but so long as it lay at Riva, men would be safe.
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
What moved me is how much it means to belong to the Acoma estate.
Nacoya with her sharp wisdom, Keyoke with his unyielding honor, Arakasi with his chosen allegiance, even the grey warriors—they all belong to something bigger than themselves. When danger hits, the fear ripples through everyone. When triumph comes, it lifts all of them.
A big draw of the book was seeing people pull together not because they’re supposed to, but because they genuinely care. The Acoma isn’t just a political house; it feels like a place where being needed gives everyone a kind of quiet dignity.
From the imagination of two of fantasy's greatest names comes a magnificent epic of heroic and dynastic struggle.
At age 17, Mara's ceremonial pledge of servantship to the goddess Lashima is interrupted by the news that her father and brother have been killed in battle on Trigia, the world through the rift.
Now Ruling Lady of the Acoma, Mara finds that not only are her family's ancient enemies, the Minwanabi, responsible for the deaths of her loved ones, but her military forces have been decimated by the betrayal and House Acoma is now vulnerable to complete destruction.
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
The medieval Polish backwoods community feels startlingly alive—crude, superstitious, and the rest of it.
The Okoits, and later Conrad’s people, are rough villagers who drink, farm, and then get up the next day and do it again. At the same time, their sense of being part of a genuine community is unmistakable.
Frankowski doesn’t just portray a functional medieval society in an alternate timeline; his engineer protagonist builds one, bolt by bolt. There’s this no-nonsense optimism coursing through the story: the conviction that one can literally make a better world equipped with nothing but grit, crudely smelted iron, and the guts to try.
What stuck with me is how this villager society absorbs innovation in a matter-of-fact manner. It’s messy, uneven, and wildly productive. You don’t have to co-sign every norm of its community to be impressed by how solidly it holds together.
Accidentally plunged back in time to Poland in the year 1231, Conrad Schwartz is determined to build up the country before the Mongol invasion that will come ten years later
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
Mammoths grazing outside the protagonist’s dwelling—yeah, that was love at first sight.
And the lived-in environment? Homes carved into colossal, cultivated trees, and people served by public, stackable electric vehicles—yes, please. The land thrives, and no species has been driven to oblivion.
Sawyer’s parallel-Earth Neanderthals truly appealed to me: the emotional restraint, the honesty, the structural elegance of their culture. Even their norms around maintaining a sustainable population are handled with startling clarity—seasonal, communal parenting.
No prisons, no poverty, no religion weaponized into hierarchy. Life runs on calm confidence, as if evolution took a gentler branch, and society—as it’d scaled up—managed to keep its soul.
Robert J. Sawyer, the award-winning and bestselling writer, hits the peak of his powers in Humans, the second book of The Neanderthal Parallax, his trilogy about our world and parallel one in which it was the Homo sapiens who died out and the Neanderthals who became the dominant intelligent species. This powerful idea allows Sawyer to examine some of the deeply rooted assumptions of contemporary human civilization dramatically, by confronting us with another civilization, just as morally valid, that has made other choices. In Humans, Neanderthal physicist Ponter Boddit, a character you will never forget, returns to our world and…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
I picked up The Last Wish after playing the Witcher games and listening to the soundtrack, but what surprised me is how funny it is.
Yes, it is epic fantasy in every sense of the word, but Geralt’s dry humor cuts through the blood and curses, and his conversations with Dandelion had me laughing out loud. What makes it great, though, is how Sapkowski flips fairy tales upside-down, twisting familiar stories into something darker and sharper.
I enjoyed the way morality blurs—there are monsters, sure, but the humans are often MUCH worse. It’s a book that asks hard questions about society under the guise of swords and spells.
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
I felt awe-struck stepping into Gaea’s hollow world—where zeppelin-sized blimps glide through a sky inside the giant, planet-like being, and forests and rivers hang overhead. Gaea feels both grand and intimate: cathedral-scale biology paired with tavern-table camaraderie.
And then there are the titanides. Their society feels hand-tooled—full of music and unpretentious sensuality. No posturing, no greed, just beings who live in balance. The centaur-like titanides dwell beneath a colossal tree hung with lanterns… and it all feels alien and warm and cozy and wonderful.
I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This urban fantasy about angels blew me away. I liked it so much I had to read everything in the series as soon as it was available. It was completely different to anything I had read before in regard to the storyline. It is so well written you can easily picture the characters and the scenes and you feel you are part of the story as you read. Each character is unique and you just want to keep finding out more and more about them.
"I loved this book so incredibly much, beyond my wildest expectations. I cried and cried, and read the entire book in one night." ★★★★★
"This book is life!" ★★★★★
"This book had it all for me and I absolutely loved it. I laughed out loud, I nearly cried (twice), and I was gripping my phone because of action or a tense scene. If you like paranormal romances this is a must read!" ★★★★★
He'd follow her into hell, but will she lead him there?
When the Archangel Michael captures a demon he can’t bring himself to kill he must decide…
I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This is the first in the Blood Jewels series, all of which you will want to read again and again. The characters are so addictive you just want to keep reading about them. The story draws you into a world you can lose yourself in and the way magic works doesn’t rely on spells, but on the strength of the person wielding it. You won’t be able to stop yourself from reading every book in the series. For me, the sign of a good book is it contains a character to fall in love with. This has a few.
In the first novel in New York Times bestselling author Anne Bishop’s beloved Black Jewels Trilogy, a race of witches and warlocks whose power is channeled through magical jewels will meet their once and future queen…
Seven hundred years ago, a Black Widow witch saw an ancient prophecy come to life in her web of dreams and visions. Now the Dark Kingdom readies itself for the arrival of its Queen, a Witch who will wield more power than even the High Lord of Hell himself. But she is still young, still open to…
Every new book I picked up in my teens was about going from this world to another. I didn’t seek them out, they found me. And then I began exploring the possibility of portals in the real world, studying the history and mythology of such things. As I grew, so did the science of quantum physics, which added to my interest on top of the mystery of magic doorways. This has been a passion of mine since I was a child, and I love reading about it and writing about it.
Straight up, Dungeons and Dragons players pulled into the fantasy world they were playing the game in! Considering I was playing D&D multiple times a week when I found these books (and this book includes the first three of the series, The Sleeping Dragon, The Sword and Chain, and The Silver Crown), I was entranced! Then the author did a few things I’d never thought of. He brought in a guy in a wheelchair who entered a body of his character who could walk. He also later introduced gunpowder, and guns that used magic to fire bullets. The ideas were new and fresh to my teenage mind, and I was fascinated!
Seven college students meet for another night of role-playing games, where they will be cast as wizard, warrior, cleric, or thief. However, their conniving gamemaster has something entirely new planned for them. The seven gamers are cast into an alternate world of magic, fire-breathing dragons – and a quasi-medieval culture with slavery. The only way back to Earth is through a dragon-guarded Gate Between Worlds, about which little is known.
The five men and two women face tough challenges – simple survival in a harsh environment as well as finding the mysterious Gate to bring them home. Publishers Weekly praised…