Here are 12 books that Reapers fans have personally recommended once you finish the Reapers series.
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I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
When zombies meet the political thriller energy of 24 or Designated Survivor, I’m always going to be in. So it blows my mind that I’m late to the party when it comes to Mira Grant’s Newsflesh trilogy.
This means that I have to confess that I’m not quite finished reading Feed. I know, I know. Rather bold of me to go ahead and include it in a recommendation list, huh? But when you know, you know.
This book has far too many things I love not to include it. It’s got a survivable, post-zombie world. A scary-believable viral premise. Two reporters who are determined to break the story of a lifetime, no matter the risk. And a deadly, twisting political conspiracy. I mean, this is so much story candy all wrapped up in an undead bow.
'Gripping, thrilling and brutal . . . a masterpiece of suspense' Publishers Weekly
'The zombie novel Robert A. Heinlein might have written' Sci-Fi Magazine
The year was 2014. We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives -…
I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I loved that this book took me back to my fantasy roots and is epic fantasy at its best.
The post-apocalyptic theme in this book is not obvious at first and is only really explained as the trilogy progresses. I love that Kelsea is nothing like a normal protagonist, perhaps a result of this mysterious and uncertain history. I found it authentic that she was inexperienced, lacking in confidence, and had to labour hard to mature and find her place and role in the story.
I loved the dark, sinister, and mysterious nature of the antagonist, the Red Queen. And I loved the setting, the kingdoms, the threat of war, the chivalry of knights, and the threat of assassins.
Kelsea Glynn is the sole heir to the throne of Tearling but has been raised in secret after her mother - a monarch as vain as she was foolish - was murdered for ruining her kingdom. For 18 years, the Tearling has been ruled by Kelsea's uncle in the role of Regent however he is but the debauched puppet of the Red Queen, the sorceress-tyrant of neighbouring realm of Mortmesme. On Kelsea's nineteenth birthday, the tattered remnants of her mother's guard - each pledged to defend the queen to the death - arrive to bring this most un-regal young woman…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
As with the previous book recommendations, I find myself drawn to a resilient female protagonist who overcomes incredible odds in an empire crumbling under the weight of forces beyond any of the characters’ control.
In this book, Nona Grey, a young girl trained by the Sisters of Sweet Mercy convent as an assassin, has to contend with both political and existential threats as the powerful rulers of Abeth squabble over resources on their dying planet. I was also drawn to the intricacy of the storyline because I loved watching Nona navigate this complex world.
It's not until you're broken that you find your sharpest edge.
"I was born for killing - the gods made me to ruin."
At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.
But even the mistresses of sword and shadow don't truly understand what they have purchased when Nona Grey is brought…
Has anyone ever said that someday they would eat you? Well, I used to be able to say no to that question too… until the day someone did. The blood-thirsty declaration of a madman reawakened a game of “what if” that my brothers and I used to play when we were kids. What if the world was swallowed in a zombie outbreak? Who would survive? Were the creatures shufflers or runners? Did they only want brains or the whole body? Was the disease airborne or only transferrable through a bite? As mad as the man with the munchies had been, my writer’s mind couldn’t stop running with the question. What if zombies…
Stony Mayhall is not like other boys. Discovered as a baby with a still heart but a moving body he is, as you may have guessed, among the undead. Nevertheless, the introspective witty youth will win your heart in the end.
I personally love this zombie story’s deep dive into zombie politics and Stony’s anti-hero arc as he tries to discover the meaning of his own existence. And despite the heavy weight that puts on a zombie, Daryl Gergory still manages to have a lot of fun with the characters, the premise, and the plot.
From award-winning author Daryl Gregory, whom Library Journal called “[a] bright new voice of the twenty-first century,”comes a new breed of zombie novel—a surprisingly funny, vividly frightening, and ultimately deeply moving story of self-discovery and family love.
In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda—and he begins to move.
The family hides the child—whom they name Stony—rather than turn…
Has anyone ever said that someday they would eat you? Well, I used to be able to say no to that question too… until the day someone did. The blood-thirsty declaration of a madman reawakened a game of “what if” that my brothers and I used to play when we were kids. What if the world was swallowed in a zombie outbreak? Who would survive? Were the creatures shufflers or runners? Did they only want brains or the whole body? Was the disease airborne or only transferrable through a bite? As mad as the man with the munchies had been, my writer’s mind couldn’t stop running with the question. What if zombies…
Teens, monsters, mind control, conspiracies. Dashner’s YA book packs a punch and forms a fantastic conclusion to the Maze Runner trilogy. I personally loved that while the world’s biggest crisis is a zombie outbreak, the character’s struggle for survival began at a far more basic level – the teens’ need to know what lies beyond their clinical artificial reality.
Each character is faced with enemies from without – monster and man, but they also need to come to terms with themselves. Do they embrace the old shadow of their former selves? Or do they find out who they can become in a new more dangerous world? Each character is faced with a myriad of moral dilemmas that outweigh the threat of the monsters created by the flare, and it makes for a fantastic read.
The third book in the New York Times bestselling Maze Runner series - now a series of major movies starring Dylan O'Brien! SEE THE FILMS. READ THE BOOKS. ENTER THE MAZE ...
The Trials are over. WICKED have collected all the information they can. Now it's up to the Gladers to complete the blueprint for the cure to the Flare with a final voluntary test.
But something has happened that no-one at WICKED has foreseen: Thomas has remembered more than they think. And he knows WICKED can't be trusted ...
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
This book rose out of the grave and grabbed me by the ankles. I’ve always loved (and been completely terrified of) zombies. After 28 Days Later scarred me for life (that one scene with the crow and the blood ACK), zombies became somewhat of an obsession. But I always found myself wanting…more. Then this book shambled in my door, and suddenly, I had the twisted, funny, heartwarming zombie fairytale I never knew I needed in my life. It upended the undead genre, and I will love it forever for giving the mix of zombies and romance a big ole bear hug.
Now a major motion picture starring Nicholas Hoult, Teresa Palmer and John Malkovich, Warm Bodies is the ultimate zombie read this Halloween.
'R' is a zombie. He has no name, no memories, and no pulse, but he has dreams. He is a little different from his fellow Dead.
Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows - warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
The people in Sweet Mister are broken and derelict, strong and resilient, funny and terrifying. The book opens with overweight thirteen-year-old Shuggie (Sweet Mister) being forced to climb up a drain pipe to break into a building to steal drugs for Red, his mother’s treacherous, drug-addicted boyfriend. We follow through the eyes of Sweet Mister, who doesn’t know who his father is. It’s rumored to be the town’s wealthiest citizen. That rumor, more like fabrication, is told to him in the aftermath of Red’s rage, after he’s torn through the house like a tornado destroying everything in his wake, almost like a fairytale, spinning evermore intricately by Glenda, his adored mother, the most beautiful girl in Missouri. Shug is willing to believe it. Anyone besides Red.
Shug is in love with his mother, and he wants a better life for her. Better than a life of stealing from other people,…
Shug Akins is a lonely, overweight thirteen-year-old boy. His mother, Glenda, is the one person who loves him -- she calls him Sweet Mister and attempts to boost his confidence and give him hope for his future. Shuggie's purported father, Red, is a brutal man with a short fuse who mocks and despises the boy. Into this small-town Ozarks mix comes Jimmy Vin Pearce, with his shiny green T-bird and his smart city clothes. When he and Glenda begin a torrid affair, a series of violent events is inevitably set in motion. The outcome will break your heart.
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Franklin’s book is one of the key inspirations for my book, The Reapers Are the Angels. Combining a frontier western sensibility with Faulkner’s wicked gothic brutality, Franklin tells an engrossing tale of a young prostitute who finds herself mired in a world of outlaws, perverts, dandies, and murderers. Frantically running back and forth between high comedy and guttered grotesquerie, this story feels like it’s just barely clinging to its own rails—and that sense of dangerous tipping is what feels so thrilling about it. What Franklin inherits from Faulkner is a wide-eyed beguilement with degeneracy—or what Conrad would call a “fascination of the abomination.”
It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
