Here are 100 books that The Death of Sweet Mister fans have personally recommended if you like
The Death of Sweet Mister.
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I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
In Augusta, Maine, a historic nor’easter unearths sins and secrets buried deep in the town’s past. With time running out, three lives collide in a desperate fight for survival.
Billy Stevens, a quarry worker haunted by loss, is drawn into a web of betrayal when a brutal crime pins him…
I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I love Toni Morrison's works and consider her one of my favorite authors. I would argue, as others have, that Morrison is one of the greatest American writers ever. I appreciate that the characters in all of her books, including this one, are always dynamic. I also appreciate how Morrison shares the main characters' traumas, tragedies, and triumphs.
'Extravagantly beautiful... Enormously, achingly alive... A howl of love and rage, playful and funny as well as hard and bitter' New York Times
As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married.
Ten years later Sula returns and no one, least of all Nel, trusts her. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend. Cast as a witch by the people who resent her strength, Sula…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
In Augusta, Maine, a historic nor’easter unearths sins and secrets buried deep in the town’s past. With time running out, three lives collide in a desperate fight for survival.
Billy Stevens, a quarry worker haunted by loss, is drawn into a web of betrayal when a brutal crime pins him…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Franklin’s book is one of the key inspirations for my book, The Reapers Are the Angels. Combining a frontier western sensibility with Faulkner’s wicked gothic brutality, Franklin tells an engrossing tale of a young prostitute who finds herself mired in a world of outlaws, perverts, dandies, and murderers. Frantically running back and forth between high comedy and guttered grotesquerie, this story feels like it’s just barely clinging to its own rails—and that sense of dangerous tipping is what feels so thrilling about it. What Franklin inherits from Faulkner is a wide-eyed beguilement with degeneracy—or what Conrad would call a “fascination of the abomination.”
It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
This one’s the fastest read of the bunch; in fact, you may find yourself rebooting for a second savory read without putting it down. Sixteen-year-old Steve Harmon faces a life sentence for his alleged participation in a robbery that killed a convenience store owner. To cope with the horrors of his cell block, where the spirited African American teen is housed until his trial ends, Steve recounts events before and after the crime in the form of a screenplay; this enthralling courtroom drama deep-dives into the racial and economic forces responsible for overcrowding our flawed criminal justice system. Steve’s perseverance against odds is truly inspiring.
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial.
Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives.
Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.
Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison,…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
This book is slim as a Hanzo knife and its sentences cut just as precisely.
It comes in at a scant 72-page read, so those of us trying to fit in a great read between all our other obligations should take a look at this scathing look at the microaggressions endured in a male-dominated corporate environment.
This book gets into the mind of a Black British woman; overqualified, impeccably educated, and yet still somehow made to feel inadequate through multiple tiny attacks on her character and her competence. Her white, well-to-do fiancé wants to marry her, and this marriage could be a way to lessen the impact of the toxic masculine environment surrounding her, but our nameless protagonist can’t be sure if there is true love in the union or if it is just a rebellious addition to her fiancé’s heretofore bland pedigree.
SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021
SHORTLISTED FOR THE BETTY TRASK PRIZE 2022
LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2022
'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021
'Subtle, elegant, scorching' Vogue
'Virtuosic, exquisite, achingly unique' Guardian
'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith
'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine Evaristo
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
This book takes us on various modes of public transportation through Seattle, following an overweight, diabetic grocery store cashier struggling to make ends meet after losing his boyfriend to mob violence during a BLM rally. I love the way this book mirrors the moments of hilarity and the moments of sleaze that anyone who has ridden a bus in a metropolitan area will immediately recognize. It took me back to my own trips on the New York City subways, reading a book while a homeless man sang "Sexual Healing" in the aisles, lol. This book is totally of our moment, as the passengers argue about wearing masks vs. not wearing masks, or ride the light rail to the latest rally advertised on Facebook.
The book is broken into short little vignettes, moving us (seemingly) randomly through unconnected encounters with a rag-tag group of fellow passengers. The joy is that the…
Todd Tillotson is struggling to move on after his husband is killed in a hit and run attack a year earlier during a Black Lives Matter protest in Seattle.
In this novel set entirely on public transportation, we watch as Todd, isolated throughout the pandemic, battles desperation in his attempt to safely reconnect with the world.
Will he find love again, even casual friendship, or will he simply end up another crazy old man on the bus?
Things don’t look good until a man whose face he can’t even see sits down beside him despite the raging variants.
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
In all honesty, what I liked most about this book is out of all the books I’ve read about mental illness, this one comes closest to my own book.
It looks at the ramifications of mental illness through the gaze of a person that loves the main character. In the case of this book, it is two Asian American sisters: Lucia and Miranda.
Lucia, like many people with a mental health diagnosis, like the character Bowie in my novel, suffers from anosognosia - a lack of insight about having a mental illness; making her oppositional to any treatment that would help level off her symptoms. Mira T. Lee compellingly describes the arrogance of ‘experts’ who know nothing about Lucia, ignoring the well-informed input from Miranda, prescribing meds that Miranda already knows from experience will have adverse effects.
The book also examines how people with severe mental illness endure shifting diagnoses:…
I’ve always loved dark, thought-provoking tear-jerkers, the way they challenge my mind and elicit powerful emotions. Maybe it’s because I grew up in an age when men couldn’t cry or show emotions. Maybe it’s because I lived such a happy-go-lucky childhood, hiking through woods and catching lizards and turtles, that I grew curious about the darker aspects of life. It could be how I cope with having fought for two years on the front lines of combat and why I found myself in a philosopher’s classroom, studying ethics. All I know is that my heart craves powerful, dark stories that make my eyes leak.
I read it in the 5th grade, and it set the bar for the type of story I yearn to read. It’s such a heartwarming story up until it rips open the heart. It helped me through a difficult loss in my youth.
I found myself walking beside the main character and his two dogs, enduring their cold hunts and sobbing over his loss.
Read the beloved classic that captures the powerful bond between man and man’s best friend. This edition also includes a special note to readers from Newbery Medal winner and Printz Honor winner Clare Vanderpool.
Billy has long dreamt of owning not one, but two, dogs. So when he’s finally able to save up enough money for two pups to call his own—Old Dan and Little Ann—he’s ecstatic. It doesn’t matter that times are tough; together they’ll roam the hills of the Ozarks.
Soon Billy and his hounds become the finest hunting team in the valley. Stories of their great achievements…
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
It is doubtful that anyone has been more associated with an American region than Vance Randolph is with the Ozarks. Ornery and darkly romantic, Randolph was always attracted to people on the margins. Few were more marginal than the Ozarkers in the early twentieth century. While we must take a lot of Randolph’s “nonfiction” with a dose of salt, The Ozarks, originally published in 1931, was the first book-length documentary take on the region and its people. It set the stage for generations of Ozarks observations to come.
Vance Randolph was perfectly constituted for his role as the chronicler of Ozark folkways. As a self-described "hack writer," he was as much a figure of the margins as his chosen subjects, even as his essentially romantic identification with the region he first visited as the vacationing child of mainstream parents was encouraged by editors and tempered by his scientific training. In The Ozarks, originally published in 1931, we have Randolph's first book-length portrait of the people he would spend the next half-century studying. The full range of Randolph's interests - in language, in hunting and fishing, in folksongs and…
