Here are 4 books that Prince of Cats fans have personally recommended once you finish the Prince of Cats series.
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I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This hefty collection of Ray Bradbury adaptations is also a great representation of a beloved era of American comic books. These 1950’s stories were first published by EC comics in their titles Tales from the Crypt,Weird Science, and more, which featured short (6-8 page) stories illustrated by some of the best cartoonists of the day: Wallace Wood, Jack Davis, B. Krigstein, among others. Many were written by Al Feldstein, who also adapted the Bradbury fantasy and science fiction stories reprinted here. They’re well-crafted stories with ornate art; you can see the loving care invested by the creators. The comic books were originally printed in garish color (which has its charms), but the black and white reproductions in this volume show off the meticulous brushwork and unique styles of the artists.
Between 1951 and 1954, EC Comics adapted 28 classic Ray Bradbury stories into comics form, scripted by Al Feldstein and interpreted and illustrated by all of EC's top artists: Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood. This special companion collection to our EC Comics Library series features all 28 stories with stunning art reproduced in generously oversized coffee table dimensions!Highlights in this singular volume include: "Home to Stay"— a clever combination of two Bradbury science fiction stories that…
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This is a great introduction to the Taoist philosophy of Zhuangzi, as rendered by Taiwanese cartoonist Tsai. These short comic strips are instantly inviting, and rendered in an animated, funny style that feels effortless. Tsai emphasizes the humor and subversive qualities of the original text, but his approach is reverent, too, as he lays out Zhuangzi’s deep lessons on each page.
During a period of political and social upheaval in China, the unconventional insights of the great Daoist Zhuangzi (369?-286? B.C.) pointed to a way of living naturally. Inspired by his fascination with the wisdom of this sage, the immensely popular Taiwanese cartoonist Tsai Chih Chung created a bestselling Chinese comic book. Tsai had his cartoon characters enact the key parables of Zhuangzi (pronounced jwawngdz), and he rendered Zhuangzi's most enlightening sayings into modern Chinese. Through Tsai's enthusiasm and skill, the earliest and core parts of the Zhuangzi were thus made accessible to millions of Chinese-speaking people with no other real…
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
A wild reimagining of Dante’s Purgartoriofeaturing Gary Panter’s character Jimbo, a punk everyman he created in the 1970s. Panter is known for drawings that are organic, energetic, and intense, and here his oversized page designs are especially concentrated, decorative, and hypnotic. His commitment and obsession are palpable, and there’s a lot to unpack and explore. While following the outlines of Dante’s story, Panter mixes in literary and pop culture references (from Aristophanes to Frank Zappa) to immerse you in his world.
In this spectacular graphic novel, Panter has transformed his protean punk hero Jimbo into the protagonist of a reinterpretation of Dante's Purgatorio. After years of comparing Dante and Boccaccio to find commonalities between the two, Panter developed a narrative of his own that includes literary and pop references regularly injected throughout the captions of the reinterpreted cantos.
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This satiric, beautifully drawn update of Gustave Flaubert’s novel Madame Bovary brings the story to the 1990s. Simmonds’ writing is witty and well-observed, with blocks of prose interspersed among the flowing panel sequences. It’s a rich, layered reading experience, deeper than those graphic novels which only emphasize the visuals. Simmonds writes as elegantly as she draws, with subtlety and style.
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the…
