Here are 46 books that Platserna Series fans have personally recommended once you finish the Platserna Series series.
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I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.
Even the darkest things are not wholly dark, and that makes a story about vampires seem far more real than many books set in the "real world." It uses the supernatural to tell a story about the human condition, in all its stark, bleak, beautiful loneliness.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You.
If small-town creepy mystery is your thing, then the setting of this book´s setting is the mother of all such premises. The book takes place in a small, remote fishing village with only a handful of inhabitants. None of which are exactly warm or welcoming to newcomers. We witness odd goings-on through the eyes of a young teacher, hired to teach the two children residing in the minuscule community. To add to the claustrophobic atmosphere of the situation, the attic room the protagonist is provided is haunted by the ghost of a young girl. This book is atmospheric and best enjoyed in a solitary environment, read by candlelight. Highly recommended for those in need of a creepy, ghostly fix.
THE NAIL-BITING SUNDAY TIMES BESTSELLER FROM THE MILLION COPY BESTSELLING AUTHOR
'Is this the best crime writer in the world today?' The Times
'A world-class crime writer . . . One of the most astonishing plots of modern crime fiction' Sunday Times
'It is nothing less than a landmark in modern crime fiction' The Times ________
'TEACHER WANTED AT THE EDGE OF THE WORLD . . .'
After the loss of her father, Una sees a chance to escape Reykjavik to tutor two girls in the tiny village of Skalar - population just ten - on Iceland's storm-battered north coast.…
I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You.
Johan Theorin has received so much praise and accolades for this book that it feels a bit repetitive to heap more on. But here goes anyway. Like most of the books recommended here this one couples a mystery and a ghost story, never leaning completely to one side. The family moving into and restoring an old house is not exactly trailblazing in the ghostly realm but that does not matter at all. There is never too much of a good thing in my opinion. But make no mistake that a haunted house is not all that is being dealt with here, enter lighthouses, past shipwrecks, and drownings. Throw in present-day drug-addicted burglars, a tragedy, and excerpts from an old manuscript and the outcome is a master class in eeriness, drawing from an incredible sense of place and great storytelling.
'The dead are our neighbours everywhere on the island, and you have to get used to it.'
It is bitter mid-winter on the Swedish island of Oland, and Katrine and Joakim Westin have moved with their children to the boarded-up manor house at Eel Point. But their remote idyll is soon shattered when Katrine is found drowned off the rocks nearby. As Joakim struggles to keep his sanity in the wake of the tragedy, the old house begins to exert a strange hold over him.
Joakim has never been in the least superstitious, but from where are those whispering noises…
I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You.
Anyone obsessing over the disappearance of the Roanoke settlers will enjoy this book. As will those that have never heard of the incident or couldn’t care less. It actually has nothing to do with Roanoke but at its core is the same type of mystery, the disappearance of the inhabitants of a whole town in the past. The pacing of the book is great and the creepiness is all-encompassing while you alternate between two timelines, accompanying a documentary crew in the present trying to make heads of what happened and the past events leading up to the mystery. To be corny, it is unputdownable.
Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed "The Lost Village," since she was a little girl. Her grandmother's entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the dead woman and abandoned baby have plagued her. She's gathered a small crew of filmmaking friends to spend a few days in the quiet village and make a film about what really happened.
There will be no turning back for them.
Not long after they've set up camp, mysterious things begin to happen. Equipment is destroyed. People…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
Alright, so a theme seems to be developing here, but in this case, ‘Don’t mess with nature’ gets a Canadian island treatment (those poor Boy Scouts). And, of course, a storm is coming. And, of course, the communications go out. I was gripped and frankly grossed out by this Stephen King-esque tale.
There are also shades of Frankenstein and Lord of the Flies, and I love a horror novel that asks the question of which monsters are worse—the ones we create or the ones that lurk inside.
'THE TROOP scared the hell out of me, and I couldn't put it down. Not for the faint-hearted' STEPHEN KING
He felt something touch his hand. Which is when he looked down.
For the scouts of Troop 52, three days of camping, hiking and survival lessons on Falstaff Island is as close as they'll get to a proper holiday.
Which was when he saw it.
But when an emaciated figure stumbles into their camp asking for food, the trip takes a horrifying turn. The man is not just hungry, he's sick. Sick in a way they have never seen before.…
I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.
I love dark humour, and this book is the grittiest, darkest, funny book you could wish for.
I love the whole Sandman Slim series, but I read this one first – I had no idea it was a series when I picked it up.
What I think stood out for me in this was that it told of a hell that was a lot closer than we could imagine. But I have to confess, I especially loved the monster-bashing that goes on in this.
All hail Sandman Slim, author Richard Kadrey's ultra-extreme anti-hero and recent escapee from Hell.
Legendary author William Gibson (Neuromancer) called Kadrey's first deliciously twisted Slim adventure 'an addictively satisfying, deeply amusing, dirty-ass masterpiece', and in number three, Aloha from Hell, the ruthless avenger, a.k.a. Stark, finds himself trapped in the middle of a war between Heaven and Hell.
With God on vacation, the Devil nosing around in Paradise, and an insane serial killer doing serious damage on Earth, Stark/Slim is ready to unleash some more adrenaline-surging, edgy and violent supernatural mayhem - and even pay another visit to Hell if…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
This is one of the few novels that genuinely scared me. I was so tense during the first half of the book when the friends were hiking in a remote Swedish wilderness and being hunted by… something. Nevill does an amazing job of keeping the tension through this part of the book pulled so taut that I was mesmerized.
Then I was completely caught out by the turn the novel takes around the middle and it started to appeal to everything I love about folk horror and the supernatural, and it appealed to my love of heavy music. One of my all-time favourite books, I didn’t want it to end.
The Ritual is Adam Nevill's horror novel depicting a group of friends lost in a remote wilderness in Sweden where something supernatural lurks.
When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect with one another. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. With limited experience between them, a shortcut meant to ease their hike turns into a nightmare…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
I’m often not a huge fan of vampire fiction as it’s been done so much, but occasionally something really different comes along. I love fiction that deals with family, especially when it explores working class people and addresses issues of existential angst and social isolation.
This kind of thing is one of the horrors I enjoy the most, and I loved the way those themes were woven into this novel set in a working-class suburb of Stockholm, Sweden. I found this novel truly disturbing and particularly enjoyed the varied and unpleasant cast of characters.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
While Martin is understandably best known for his brilliant A Song of Ice and Fire series (or Game of Thrones, as it’s more colloquially known), this lesser-known gem is a testament to his versatility as a storyteller.
Not only did he craft one of the greatest fantasy sagas of all time, but he also wrote one of the most original vampire novels I’ve ever read. I love how unconventional Fevre Dream is—particularly the vivid historical details about riverboating along the great American rivers in the 1800s. But it’s the unexpected friendship at the heart of the story that gives it real power.
I’m a sucker for stories where human characters form bonds with supernatural entities, and the relationship in Fevre Dream is one of the most affecting I’ve ever read.
When struggling riverboat captain Abner Marsh receives an offer of partnership from a wealthy aristocrat, he suspects something’s amiss. But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove.
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
Another vampire one I’m afraid. But trust me this is so worth your time.
I read this for the first time when I was in college and well into my Goth phase, this book became my aesthetic afterwards. It’s a different take on vampires, explored through a few different groups of vampires. The characters are wonderfully portrayed and unique but what really hooked me into this book was the setting. It's got depth and feels like you could walk through the book and be in Missing Mile.
Abandoned as an infant, Nothing reads his true name on the handwritten note that was pinned to his baby blanket eighteen years earlier, and discovers that he is the son of a vampire
