Here are 13 books that Persons Non Grata fans have personally recommended once you finish the Persons Non Grata series.
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My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
As a reader, I am drawn to both noir and science fiction because they are both puzzles. They present a mystery seeking an answer, whether it is a question about the rules of a strange new world, or the question of who killed who and how. In Far from the Light of Heaven, we start with a locked room murder mystery set on an interstellar vessel. The seemingly impossible crime is enough to keep one reading to the end, but then the book provides other, more enticing mysteries that grow in scale and scope the deeper the story goes.
'Gripping and skilfully told, with an economy and freshness of approach that is all Tade Thompson's own. The setting is interstellar, but it feels as real, immediate and lethal as today's headlines' Alastair Reynolds
Arthur C. Clarke Award winner Tade Thompson makes a triumphant return to science fiction with this unforgettable vision of humanity's future in the chilling emptiness of space.
The colony ship Ragtime docks in the Lagos system, having travelled light years from home to bring one thousand sleeping souls to safety among the stars.
Some of the sleepers, however, will never wake - and a profound and…
Growing up, I devoured books from two authors, the grande dame of mystery, Agatha Christie, and the science fiction great, Isaac Asimov. Luckily for me, both were prolific. That combination explains what I write, best described as the sleuth story meets speculative fiction. As a reader, when it comes to mysteries I’m always on the lookout for the out of this world. Which doesn't necessarily mean murder on a spaceship, though it can! What breaks the mold could be an unlikely detective, an inventive premise, an unusual setting, a narrative that surprises… Here are five such tales.
Rob Hart’sThe Paradox Hotel is bursting at the seams with interesting characters. The hotel of the title serves the needs of wealthy time tourists on their way to and from the nearby Einstein port. Working security is one January Cole. Her only friend an AI drone, January is grieving a lost love and fast succumbing to a time-travel illness that has her becoming unmoored from the present. Things go from bad to worse when she stumbles on a dead body that only she can see—turns out, it’s quite tricky to solve a murder that hasn’t happened yet. Surprisingly poignant, with moments that made me laugh out loud, and some inventive time travel shenanigans.
“Time travel, murder, corruption, restless baby dinosaurs, and a snarky robot named Ruby collide in this excellent, noir-inflected, humor-infused, science-fiction thriller.”—The Boston Globe
An impossible crime. A detective on the edge of madness. The future of time travel at stake. From the author of The Warehouse . . .
ONE OF THE BEST BOOKS OF THE YEAR: NPR, Kirkus Reviews
January Cole’s job just got a whole lot harder.
Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting…
I’m primarily a science fiction writer and reader, but mystery is my first literary love, and I was the editor-in-chief of the mystery magazine, Plan B. So, I doubly love it when a mystery story takes place in a science fictional world. In my own work, certain themes keep showing up even when I don’t intend them to because I love them as much as I love a juicy mystery: using technology to change our bodies and environments, the struggle that wealth and corporate greed create, how we can learn to understand someone who is radically different from ourselves. These five books hit all those marks for me.
I don’t care about baseball at all, but I love stories with cybernetic implants, reluctant detectives, and corporate machinations and this book has all of those… plus cyborg baseball. I loved Kobo, the down-on-his-luck baseball scout barely scraping by on his implant maintenance fees, and the mystery he’s sucked into when his childhood best friend (and major league baseball star) dies in the middle of a game. This is the best kind of onion mystery, with layers upon layers of twists and turns, and it’s full of the brain-busting science fictional ideas I love—biological and technological augmentation and their consequences.
Hong Kong society is often regarded as politically apathetic. Yet throughout its history, Hong Kong experienced periodic waves of social movement activity. In part, the perception of an apathetic populace stems from the colonial government's laissez-faire policies, the society's concentration on economic development, the maintenance of traditional Chinese culture, and a consensus that Hong Kong would revert to Chinese sovereignty. Since Hong Kong was a colony, instead of evolving into a democratic government, Great Britain instituted a system of elite consultation and absorption of the masses' political problems through indirect participation. Butenhoff addresses the question of why social movements emerged…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
Just when I thought I was done with vampires, Silvia Moreno-Garcia’sCertain Dark Things came along.
I was burned out on the genre. Most of the characters in vampire stories are rich, privileged, and frankly, not that interesting. Atl, the main character in Certain Dark Things, is the exception.
A descendant of Aztec blood drinkers, she finds herself caught between the rival vampire clans that dominate Mexico City. When she develops an unexpected attachment to a street kid named Domingo, her life gets even more complicated.
Domingo could have been nothing but a Renfield, a plaything for her vampire lead. But Moreno-Garcia explores the tender bond that develops between them, a connection that puts both in jeopardy. An engrossing new spin on the vampire tale.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood-drinkers, is smart and beautiful - and very dangerous. Domingo is mesmerised.
Atl needs to escape the city quickly, to get far away from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, she finds herself warming up to the scrappy young man and his undeniable charm. As the trail of…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
I vote that this novella by Cassandra Khaw be made into an animated limited series, opening on a mermaid who leaves her two children after they’ve devoured what is left of the city that had to be burned to the ground to prevent the spread of the plague.
They devoured because they have teeth, as mermaids do. The children also have “supple lips”, as their father had, a prince who abducted and forced the mermaid to marry him then cut her tongue out.
She leaves them and their destruction behind to wander the countryside with a plague doctor who wears a vulture mask. It was the plague doctor who insisted they burn everything to the ground. The unusual pair soon find their way to a village where saints decide which people can be brought back from the dead in (on theme) Frankenstein-ian ways. A perfect animation.
A sensuous and strange horror novella full of creeping dread and delicious gore, twisting mermaid myths into something sharp, dangerous, and hungry, for fans of Christina Henry, Carmen Maria Machado and Eric LaRocca.
After the murder of her husband and the fall of his empire, a mermaid and her plague doctor companion escape into the wilderness. Deep in the woods, they stumble across a village where children hunt each other for sport, sacrificing one of their own at the behest of three surgeons they call "the saints." These saints play god with their magic, harvesting the best bits of the…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
