Here are 32 books that Parker Novels fans have personally recommended once you finish the Parker Novels series.
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It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
The protagonist of this book has to be based on the writer’s worst nightmare, and the version of NYC he inhabits is one of the blackest in all of crime fiction.
This protagonist is merciless, and so is Vachss—I once watched him tear a suburban mom to shreds at one of his book events for daring to suggest that all it takes to keep children safe in these times is to teach them about “stranger danger.” According to Vachss, it’s not strangers that children need to worry about—it’s the people closest to them.
Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner. She wants Burke to find a monster for her-so she can kill him with her bare hands.
In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements. Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I loved The Rockford Files TV show, and Sam Strait reminds me a little of Jim Rockford. I love how there’s a lightness to this book (and its sequels) but it still contains an edgy and compelling mystery.
The dialogue is fun, as are the “rules” Sam Strait lives by… the first of which is to never live anywhere you can’t wear flip-flops, thus the moniker of The Flip-Flop Detective series.
Of all five books I’ve chosen, this is the lightest fare and an excellent palate cleanser between Stark or Quinnell without entirely leaving the genre. Conway writes some darker books as well – PI and police procedurals – but Sam Strait is the most fun.
Former deputy Sam Strait lives his life by a particular set of rules. They provide him freedom to do the things he wants where he wants with whom he wants. For a single man in his mid-thirties, things couldn’t get any better. Then why isn’t he happier?
When Sam returns home for the summer, he discovers a stranger dead in his boat. With cops and reporters crawling over his property, gone are the usual plans of soaking up the sun and whiling away the days in the arms of a…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I saw the 1987 film adaptation of this novel starring Scott Glenn before I read the book, which is set decades earlier.
I loved the progression of this hard-bitten, psychologically damaged mercenary coming to love this little girl that he is charged with protecting. It’s such a pure emotion for him and the fact that she returns it so completely, as only a child can, is heart-wrenching.
Both the 1987 and the 2004 film adaptations do a good job capturing the magic of this drama, but as is usually the case, the novel does it best. If someone loves The Mandalorian, it is worth trying Man on Fire, which the former has many parallels with.
Creasy thought he had nothing left to lose. He was wrong.
An American soldier of fortune far from home -- alcoholic, burnt out, and broken down -- Creasy has accepted a job as a bodyguard just for something to do. An emotionally dead, one-time warrior, he knows that nothing can pierce the hard shell he's built around himself -- until the little girl he's been hired to protect somehow breaks through. But having something to care about again in making Creasy vulnerable. And when the unthinkable occurs, a man on fire won't just burn ... he'll explode.
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
Carroll is simply a great writer—more on the literature end of the book spectrum.
Nonetheless, this book gripped me as if it were a best-selling thriller. Sleeping in Flame confounded my expectations at every turn, and at times it seemed as though it couldn’t possibly end with any sort of resolution. But it does—in mind-expanding fashion.
I also try to take readers on the same sort of mysterious journey that Carroll’s protagonist hazards. Sometimes it’s challenging to imagine what would be a realistic reaction to a truly extraordinary event. Then I remember some of the stories I’ve heard in sessions as a psychotherapist.
Confused by his past, actor Walker Easterling falls in love with model Maris York, but his past lives threaten their safety and that of their unborn son
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
I found this book deeply disturbing, despite the seemingly normal content of the story.
Like the protagonist, I could never tell what was real, what was paranoia, and what the hell might happen next. We’re inside the head of a confused, scared man dealing with disturbed characters who hide in plain sight as mere neighbors.
I relate to this, as does the protagonist in my book.
Decades ago, I was seduced by a guru to become the first disciple of a small, relatively benign cult. Serving as an assistant guru of sorts—manning a branch office of our organization, so to speak, I experienced both sides of the coin—being manipulated by someone with confounding abilities, as well as manipulating others myself.
NEIGHBORS is a black comedy about Earl Keese, a regular suburbanite whose world is overturned when Harry and Ramona move into the house next door. Harry and Ramona instantly unsettle the staid Earl with their abrupt mannerisms, their disturbing wolfhound and their dangerous schemes. Earl's suspicions about the couple's lack of stability and normalcy are ignored by his wife, Enid, and his daughter, Elaine, even while he is concerned that they are all being negatively affected by their relationships with the neighbours. Ramona is by turns seductive and manipulative with Earl while Harry is threatening and confrontational, upending Earl's carefully…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
I love the way this book got me beneath the glossy veneer of our national capital and made me come to grips with the cold reality hiding there. And the perfectly imperfect guides who took me on that trip are unforgettable creations, which I ultimately discovered is par for the course for Pelecanos.
A fatal shooting that strikes too close to home leaves PI Derek Strange determined to find the killer - whatever the cost. From one of the award-winning writers of THE WIRE.
Set in darkest, downtown Washington, Hell to Pay begins with Quinn and Strange dealing with the usual detritus of the world's most violent city - a bent cop and a missing teenage-girl-turned-hooker - but then a senseless death on a sunny afternoon shakes even Derek Strange's existence.
A victim shot down by bullets meant for another; a tragic accident that strikes just too close to home. Strange's grief is…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book grabbed me by the throat and threw me into a world I could literally feel spinning around me—a world in which good intentions don’t mean squat and random chance frequently outperforms the most carefully crafted of plans. Block always hits his target, but this one broke my heart along the way.
Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This is another author I read religiously, and the connection between Spenser and Hawk is one of the primary reasons why. But this book has stayed with me in a way the others haven’t because of the dramatic way Parker clarified the difference between these two characters in one of the most impactful closing scenes in the entire series.
When Spenser is hired to protect a senatorial candidate and his promiscuous wife, he finds himself involved in blackmail and drug dealing in Washington, D.C
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
The first book in the Hap and Leonard series sees unlikely best friends Hap Collins and Leonard Pine mixed up in the hunt for some missing stolen loot.
Set in East Texas, it’s the friendship between the two main characters that is so brilliantly conveyed in this and the subsequent books in the series that make it really stand out.
Their dry humour, constant ribbing, and put-downs of each other ring so true of and really reminded me of my own close friendships.
This book got me to look at my own friendships as inspiration for the characters I write about – and they’re just great reads.
Here comes Trudy back into Hap's life, thirty-six but looking ten years younger, with long blonde hair and legs that begin under her chin, and the kind of walk that'll make a man run his car off the road. Here comes trouble, says Leonard, and he's right. She was always trouble, but she had this laugh when she was happy in bed that could win Hap over every time. Trudy has a proposition: an easy two hundred thousand dollars, tax-free. It's just a simple matter of digging it up ...Hap Collins and Leonard Pine, white and black, straight and gay,…
