Here are 71 books that Strait Over Tackle fans have personally recommended if you like
Strait Over Tackle.
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I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
This is the spy thriller that started it all! I was a huge fan of the Matt Damon trilogy and had always been an avid reader, so naturally, I gravitated toward the original novel, which was far better than the film.
Popular action thrillers tend to suffer from one of two diseases: “soldier syndrome,”—meaning the author knows what he or she is writing about but isn’t a master of the language—or from “poser-itis,” which is when the writer is good with a pen but would be too scared to use it to gauge out an eye if he or she had to.
So it’s a rare wordsmith who can understand the deepest, most primal parts of the human psyche and then put it into a literary form that delights the eyes and ears. Ludlum is one such writer.
Jason Bourne is back in the forthcoming major motion picture starring Matt Damon and Alicia Vikander. Go back to where it all began for Bourne in his first adventure - The Bourne Identity
He was dragged from the sea, his body riddled with bullets. There are a few clues: a frame of microfilm surgically implanted beneath the skin of his hip; evidence that plastic surgery has altered his face; strange things he says in his delirium, which could be code words. And a number on the film negative that leads to a bank account in Zurich, four million dollars, and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I love this book because, like all of the Parker novels, it starts in the middle of the action, with Parker and his associates spilling out of a car, on the run. Parker hides in an off-season theme park and what follows is a story that is better than Die Hard (and pre-dates it by a decade).
I love the Parker novels for this sort of action and the way that Parker adheres to his particular code. It is not one most heroes abide by but you have to admire this tough thief who lives by the words he speaks – there’s something honorable in that.
By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire -…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I saw the 1987 film adaptation of this novel starring Scott Glenn before I read the book, which is set decades earlier.
I loved the progression of this hard-bitten, psychologically damaged mercenary coming to love this little girl that he is charged with protecting. It’s such a pure emotion for him and the fact that she returns it so completely, as only a child can, is heart-wrenching.
Both the 1987 and the 2004 film adaptations do a good job capturing the magic of this drama, but as is usually the case, the novel does it best. If someone loves The Mandalorian, it is worth trying Man on Fire, which the former has many parallels with.
Creasy thought he had nothing left to lose. He was wrong.
An American soldier of fortune far from home -- alcoholic, burnt out, and broken down -- Creasy has accepted a job as a bodyguard just for something to do. An emotionally dead, one-time warrior, he knows that nothing can pierce the hard shell he's built around himself -- until the little girl he's been hired to protect somehow breaks through. But having something to care about again in making Creasy vulnerable. And when the unthinkable occurs, a man on fire won't just burn ... he'll explode.
I have written seven novels to date that have at their heart the idea that there is a wider, unseen game afoot that is being played out in realms about which normal humans are unaware. Six of them form the Allie St Clair ‘Black’ series, and the seventh is a stand-alone novel called The Unforgiver. Why do I write about these things? Very probably my teenage reading of Stephen King’s early work, HP Lovecraft’s collection, and my personal connection to Satan. Just kidding. I’ve never read any Lovecraft. To be serious, how can you not gaze into the infinite cosmos above and not wonder if there’s a lot more going on than we comprehend?
U.K. author Stephen Leather has written so many books and in a variety of genres. His supernatural Detective Jack Nightingale series is of interest to me here. In Nightfall and subsequent Jack Nightingale novels, our hero is struggling against demonic forces brought into his orbit courtesy of his now-dead father. Unusual, certainly. Many readers, I suspect, enjoy the injection of a new element into the now-crowded police procedural genre.
'You're going to hell, Jack Nightingale': They are words that ended his career as a police negotiator. Now Jack's a struggling private detective -- and the chilling words come back to haunt him. Nightingale's life is turned upside down the day that he inherits a mansion with a priceless library; it comes from a man who claims to be his father, and it comes with a warning. That Nightingale's soul was sold at birth and a devil will come to claim it on his thirty-third birthday -- just three weeks away. Jack doesn't believe in Hell, probably doesn't believe in…
I write the NYPD Detective Chiara Corelli Mystery series featuring Corelli and her partner Detective P.J. Parker. Most mysteries have a single main character so I’m passionate about finding other authors who write mysteries with two professional investigators as main characters. It’s fascinating to see how authors writing the same type of characters handle them and what they do about character growth over the course of the series. To me, watching two characters react to each other, seeing their relationship change over the course of a book or a series is much more interesting than reading about a single detective.
I seem to be addicted to long-running series with British detectives, though not all written by British authors, and A Clubbable Woman is the first book in this twenty-one-book series by Reginald Hill.
When I began to write fiction and worked on creating Corelli and Parker, Hill was one of the authors I looked to for inspiration. Although his Yorkshire detectives, the abrupt and rude Detective Superintendent Andrew "Andy" Dalziel and the educated, calm, and well-mannered Detective Sergeant Peter Pascoe, did not fit my vision for my own characters, I enjoyed their antics and read the entire series. The books are fun and challenging and this is a great beginning.
Detective Superintendent Andy Dalziel investigates a murder close to home in this first crime novel featuring the much-loved detective team of Dalziel and Pascoe.
'So far out in front that he need not bother looking over his shoulder' Sunday Telegraph
Home from the rugby club after taking a nasty knock in a match, Sam Connon finds his wife more uncommunicative than usual. After passing out on his bed for a few hours, he comes downstairs to discover communication has been cut off forever - by a hole in the middle of her forehead.
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
I first read Wambaugh long before I was a police detective and, truth to be told, linking policing to crime writing left my mind for many years.
What drew me to Wambaugh and to this book in particular is the way in which the characters are gritty and flawed. Unlike the Larger-Than-Life characters that were the norm back in the day, Spermwhale Wallen, Calvin Potts, and the rest of the night watch platoon are damaged souls.
The Choirboys is an excellent (fictionalized) account of how the daily trauma of police work can impact a person.
They are the Choirboys - the patrol squad of the LA Police attempting to stay sane in an insane world.
The Choirboys are five sets of partners on the night-watch, all men of varying temperaments and backgrounds, but they are joined together by the job, and they have elected to spend their pre-dawn hours in MacArthur Park in relaxing drink and sex sessions they call "choir practice". This is the story of men endangered ultimately not by the violence of their jobs but by their choice of off-duty entertainment.
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
I really enjoyed the entire 87th Precinct series, wherein Ed McBain creates the American police procedural genre.
Cop Hater, the first in the series, is hard-hitting, fast-paced, filled with complex characters, and captures the essence of a cop’s soul while giving the reader a wonderful glimpse into the world of criminal investigations.
The murder of three detectives in quick succession in the 87th Precinct leads Detective Steve Carella on a search through the city's underside and ultimately into the murderer's sights
I am a British crime writer with a love of American crime fiction, particularly books with dark plots and quirky, unique characters. I am the author of the Sunday Times bestselling, multiple award-winning, Washington Poe series and the new Ben Koenig series but am first a reader—I read over a hundred books a year. I love discovering a new-to-me series that has a back catalogue for me to work through, and I appreciate recommendations. I’ve been a full-time author since 2015 and, as I suspected, it’s my dream job.
Windsor Horne Lockwood III, otherwise known as Win, is Myron Bolitar’s psychotic sidekick in Coben’s long-running series. Win is pure antihero.
He and Myron have been best friends since they roomed together at college. Win is from ‘old money’ and doesn’t try to hide it, he runs Lock-Horne Investments & Security, and is an expert in martial arts and weapons. Other than Myron and Myron’s business partner, Esperanza, and maybe half a dozen others, he has no emotional attachment to humans.
Despite his psychopathy, Win is a very funny character, and his loyalty to his few friends is absolute. Win is the second book on the list in which the sidekick has gotten a book all to themselves and it was a joy to read.
____________________________ From the #1 bestselling author and creator of the hit Netflix series The Stranger, Gone For Good and The Innocent comes a riveting new thriller, starring the new hero Windsor Horne Lockwood III - or Win, as he is known to his (few) friends ... ____________________________ Over twenty years ago, heiress Patricia Lockwood was abducted during a robbery of her family's estate, then locked inside an isolated cabin for months. Patricia escaped, but so did her captors, and the items stolen from her family were never recovered.
Until now.
On New York's Upper West Side, a recluse is found…
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll…
I’ve been writing my DCI Warren Jones series for more than ten years now. In addition to trying my best to craft a compelling story, with relatable characters, I love the challenge of balancing this with authentic police procedure. All the books and authors recommended here are excellent exponents of this craft. I thoroughly enjoyed reading all of them, and believe that they have helped me improve as a writer. I deliberately chose the first in each series, in the hope that you will continue reading to see how the characters evolve.
This series has a character seen too rarely in this genre.
DI Isobel Blood is a middle-aged woman with a teenage daughter. We see her trying to juggle her often emotionally draining work with parenting duties. This is a really good introduction to DI Blood and a strong cast of supporting characters.
Set in Derbyshire, it has a really strong sense of place. The story is tightly plotted, with deeply satisfying reveals and reversals, and the author balances the investigation with Blood’s personal challenges.
The mystery itself is imaginative and original and difficult issues are dealt with sensitively and compassionately.
'I read this in one sitting and loved every minute of it. The detective story reads like an episode of Vera.' 5 stars, NetGalley reviewer
No secret can stay buried forever...
As the Whitworth family begin renovations on their new home, their plans are brought to an abrupt end when they discover a body buried in the back garden.
DI Isabel Blood and her team are called to investigate, but as she approaches Ecclesdale Drive, a feeling of unease settles in her gut.
The property cordoned off is number 23. The house she used to live in…