Here are 35 books that Paksenarrion Series fans have personally recommended once you finish the Paksenarrion Series series.
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I care about military SFF because it has the potential to contribute to a just and prosperous society by building bridges of understanding between military professionals and civilians. I've never served in the military, but I taught operations and strategy to US Army officers for six years, after which I went to Abu Dhabi as one of the founding faculty members of the UAE National Defense College. I wrote a book, How Militaries Learn, which is one of the few academic books on civil-military relations to use large-n statistical analysis. I’ve lived in ten countries and I speak four languages, including Arabic.
Mammay, who served multiple tours in Iraq, gives us a completely different kind of military SFF story. Planetsideis a murder mystery set in a (space) combat zone, but I love this book because Mammay captures the mannerisms and culture of the military so exquisitely. Every detail is spot on, matching everything I’ve experienced interacting with military officers and enlisted personnel from armed forces around the world. This book is also an absolute page-turner, and it comes together at the end in a way that readers will not expect. And readers need not worry—this murder mystery also has plenty of combat for warfare geeks. For readers that want a window into how the military really works (and not just how it fights), this story is perfect.
"Planetside is a smart and fast-paced blend of mystery and boots-in-the-dirt military SF that reads like a high-speed collision between Courage Under Fire and Heart of Darkness." - Marko Kloos, bestselling author of the Frontline series
A seasoned military officer uncovers a deadly conspiracy on a distant, war-torn planet...
War heroes aren't usually called out of semi-retirement and sent to the far reaches of the galaxy for a routine investigation. So when Colonel Carl Butler answers the call from an old and powerful friend, he knows it's something big-and he's not being told the whole story. A high councilor's son…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
I cheated on this one, no new strange world here. It’s more of an urban fantasy. I was swept up with the main character, though, as she learned she belonged in a secret society of witches. Her struggles are so real, I couldn’t help but bite my nails as I ripped through the pages. And again, treachery abounds. I’m a sucker for needing to overcome a traitor. This being book one of a short series, the ending left me gasping for more.
When a 200-year-old witch attacks her, sixteen-year-old bookworm Lainey Styles is determined to find a logical explanation. Even with the impossible staring her in the face, Lainey refuses to believe it—until she finds a photograph linking the witch to her dead mother.
After consulting a psychic, Lainey discovers that she, like her mother, is a Keeper: a witch with the exclusive ability to unlock and wield the Grimoire, a dangerous but powerful spell book. But there’s a problem. The Grimoire has been stolen by a malevolent warlock who is desperate for a spell locked inside it—a spell that would allow…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
This fantastic desert world where fire magic is common, but taboo, sucked me in right from the start. Although the main character is a young adult, I connected with her right off the bat. Her struggles as a possessor of fire magic and learning to control it, are daunting, but I couldn’t help rooting for her. Then, there are many strange and dangerous creatures to boot. I was left guessing and worrying if she’d succeed right to the end.
I’m tired of heroes, and I’ve forgotten what the good guys were fighting for, and if a dark lord wants to ravage the land in the name of Cthulu then they can get in line. I’m more interested in deadbeat losers. What is it really like to walk amongst the living but feel dead inside? How hard is it when you’re beaten before you’ve even begun? And in a world of losers, can one of them really change the world and make it a better place?
I am cheating here on two counts. Firstly, I’m not recommending a single book but actually TWENTY NINE books and counting! Secondly, it’s not strictly fantasy; however, when a lowly street orphan ends up featuring in every major battle from 1799 through to 1821 whilst also playing a pivotal role in each one, I reckon even Gandalf, after coming back from the dead and riding saddle-less for days on end would look at Lieutenant-Colonel Richard Sharpe and think “Hmm, bit far-fetched.”
But this is the reason why I love Bernard Cornwell’s Sharpe books. Richard Sharpe is an outcast in his own army, a victim of bullying and constantly underestimated, only to battle through dirt and smoke to prove all the posh snobs wrong every time. Here’s to the thirtieth!
Bernard Cornwell's action-packed series that captures the gritty texture of Napoleonic warfare--now beautifully repackaged
Captain Richard Sharpe prepares to lead his men against the army of Napoleon at Talavera in what will be the bloodiest battle of the war. After their cowardly loss of the regiment's colors, the men's resentment toward the upstart Sharpe turns to treachery, and Sharpe must fight to redeem the honor of his regiment.
Like so many boys, I grew up playing soldiers with my friends. Now I’m a trained historian and running around waving a stick as a pretend rifle yelling rat-a-tat, or sword fighting with fallen branches, just isn’t a good look for me. But I can still appreciate the heroism of soldiers that drew me to play those games in the first place. These books scratch that itch, as well as meeting the standard of truthfulness that the historian in me needs. Believable settings with heroes you can root for and stakes that feel real. That’s what I like to read and that’s what I write.
This is a masterpiece of the New Wave fantasy novels of the 1960s and 1970s. The hero, Dorian Hawkmoon, is a nobleman in the far future where science has become so advanced it is indistinguishable from magic. Hawkmoon is forced to work for his enemies by a magical jewel they embed in his forehead. Hawkmoon’s world is Europe, but hardly recognisable, and a vast empire with impossible super-technology is conquering the whole continent. It’s a story of heroism vs magic in a war where the technological wonders feel alien and familiar all at once. The evil empire of Granbretan, where everyone is continuously masked, is one of the most original of the trope that has ever been written.
“Those who dare swear by the Runestaff must then benefit or suffer from the consequences of the fixed pattern of destiny that they set in motion. Several such oaths have been sworn in the history of the Runestaff’s existence...”—The High History of the Runestaff Dorian Hawkmoon, late the Duke of Koln, fell under the power of the Runestaff, a mysterious artifact more ancient than time itself. His destiny, shaped by a vengeful oath sworn by the maddened Baron Meliadus of the Dark Empire, pitted Hawkmoon in battle against his own allies and forced him, by the Black Jewel embedded in…
Like so many boys, I grew up playing soldiers with my friends. Now I’m a trained historian and running around waving a stick as a pretend rifle yelling rat-a-tat, or sword fighting with fallen branches, just isn’t a good look for me. But I can still appreciate the heroism of soldiers that drew me to play those games in the first place. These books scratch that itch, as well as meeting the standard of truthfulness that the historian in me needs. Believable settings with heroes you can root for and stakes that feel real. That’s what I like to read and that’s what I write.
This is C.S. Forester’s famous naval hero Horatio Hornblower at his best. Captain Hornblower is in command of his first ship of the line. Forester knows ships from bowsprit to sternchasers and you can feel it in every word. There's a truth to the writing that puts you right down in the thick of it. Duty, skill and courage are on display throughout and the climax, when Captain Hornblower accepts an impossible task to protect his allies, and turns his ship to face three to one odds, knowing he cannot win? It’s a masterclass in writing a battle scene, sailors facing certain death with iron will. Nerve wracking doesn’t begin to cover it.
May, 1810 - and thirty-nine-year-old Captain Horatio Hornblower has been handed his first ship of the line . . .
Though the seventy-four-gun HMS Sutherland is 'the ugliest and least desirable two-decker in the Navy' and a crew shortage means he must recruit two hundred and fifty landlubbers, Hornblower knows that by the time Sutherland and her squadron reach the blockaded Catalonian coast every seaman will do his duty. But with daring raids against the French army and navy to be made, it will take all Hornblower's seamanship - and stewardship - to steer a steady course to victory and…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.
Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.
In 2075, the Moon is no longer a penal colony. But it is still a prison...
Life isn't easy for the political dissidents and convicts who live in the scattered colonies that make up lunar civilisation. Everything is regulated strictly, efficiently and cheaply by a central supercomputer, HOLMES IV.
When humble technician Mannie O'Kelly-Davis discovers that HOLMES IV has quietly achieved consciousness (and developed a sense of humour), the choice is clear: either report the problem to the authorities... or become friends.
And perhaps overthrow the government while they're at it.
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.
David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.
I care about military SFF because it has the potential to contribute to a just and prosperous society by building bridges of understanding between military professionals and civilians. I've never served in the military, but I taught operations and strategy to US Army officers for six years, after which I went to Abu Dhabi as one of the founding faculty members of the UAE National Defense College. I wrote a book, How Militaries Learn, which is one of the few academic books on civil-military relations to use large-n statistical analysis. I’ve lived in ten countries and I speak four languages, including Arabic.
Drake served in an armor unit in Southeast Asia in the 1970s, so it’s no coincidence that Hammer’s Slammers, a collection of short stories, revolves around a tank unit. So many military SFF stories focus on knuckle-dragging ground-pounders, so it’s refreshing to see war from a tank turret. Drake has been accused of writing gun porn, but I find a lot of nuance in his writing, especially on combat motivation and small-unit leadership. He was one of the first military SFF authors to write an openly gay character, and women fight right alongside men without the misogynistic or objectifying undertones that sometimes afflict the subgenre. To get a sense for Drake’s writing, “But Loyal to His Own” and “Caught in the Crossfire” are two of my favorite stories.