Here are 4 books that Monk fans have personally recommended once you finish the Monk series.
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Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
This is a hugely ambitious and moving novel and one of my all-time favorite reads. The character, Owen Meany, is a tiny man with a shrill, piercing voice who believes he is God’s instrument.
For me as an author, one of the most striking and memorable aspects of this novel was the ingenious and perfectly executed plotting of the story’s grand finale—absolutely mind-boggling the way John Irving pulled it off.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
Tyler is reliably warm and witty, and here we get to see her apply her trademark abilities to the story of a family of kids who are largely raised by their young Uncle Ian, who cuts short his own college education when he feels responsible for them losing their parents. Ian seeks redemption in raising them within the embrace of the entertainingly funky Church of the Second Chance. Ian is such a good member, the minister eventually tries to recruit him as his successor, which of course, would mean yet more responsibility. I couldn’t help but root for these incredibly vivid characters. And in its treatment of churches and church folks, Saint Maybe manages to be extremely funny and yet not at all disparaging.
NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author brings us the story of Ian Bedloe, the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy.
Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: CHURCH OF THE SECOND CHANCE.
Ian has always viewed his penance as a burden. But through the…
I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
