Here are 34 books that Masks and Shadows fans have personally recommended once you finish the Masks and Shadows series.
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It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
More music-and-magic—this one is an alternate history, part of a series set in the invented European country of Alpennia that explores the lives of a community of queer women in the early 19th century. While not exactly a romance, Mother of Souls focuses on the relationship between Serafina, who can see magic, and Luzie, who has musical powers that only Serafina can perceive. Both women are struggling in different ways, and I loved seeing the way their relationship and their musical connection helped them both to move forward. I also loved the depth of the worldbuilding—the city of Rotenek feels as real as any place I’ve been to.
At last! Return to the enchanted realm of Alpennia for the eagerly awaited sequel to Daughter of Mystery and The Mystic Marriage.
All her life, Serafina Talarico has searched in vain for a place where she and her mystical talents belong. She never found it in Rome—the city of her birth—where her family’s Ethiopian origins marked them as immigrants. After traveling halfway across Europe to study with Alpennia’s Royal Thaumaturgist, her hopes of finding a home among Margerit Sovitre’s circle of scholars are dashed, for Serafina can perceive, but not evoke, the mystical forces of the Mysteries of the Saints…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
I love fantasy stories where music and magic intertwine, and this novel combines that with one of my other favourite tropes—characters going on a shared journey. It’s the perfect way to throw characters together, force them to get close, and make them jointly deal with all kinds of situations. Annice is a bard whose flute playing has magical powers. Finding herself pregnant after a one-night stand, she ends up on the run with the baby’s father, a man she never expected to see again. They’re drawn together initially by Annice’s music, and I love the way music helps them come to understand each other better.
The Bards of Shkoder hold the country together. They, and the elemental spirits they Sing – earth, air, fire, and water - bring the news of the sea to the mountains, news of the mountains to the plains. They give their people, from peasant to king, a song in common.
Annice is a rare talent, able to Sing all four quarters, but her brother, the newly enthroned King Theron, sees her request to study at the Bardic Hall as a betrayal. To his surprise, Annice accepts his conditions, renouncing her royal blood and swearing to remain childless so as not…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This romance novel takes the classic “opposites attract” trope and spins it into a heartfelt exploration of loneliness and connection, turning points and second chances. Indie rock guitarist Ali knows she should quit dreaming about her brother’s band hitting the big time and commit to her future career in engineering, but it hurts to let go. Kristen has been a country pop star since she was a kid, and the grueling lifestyle has already taken its toll on her. I loved seeing them gradually come to trust one another through their shared passion for music, and the scenes where they write songs together are as intense and charged as the romantic scenes.
Alison has been in her brother's indie rock band, Right Turn, since she was a teenager. Right as she's about to graduate college and will have to start making real decisions about her future, there comes an offer for them to go on a small tour with pop-country sensation Kristen Nichols, who is looking to make serious changes to her sound and image and believes touring with indie darlings Right Turn will give the new 'her' credibility.
Kristen Nichols is the embodiment of everything about the music industry that Ali scoffs at, but she's offering them an affordable, real tour,…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This Young Adult romance takes place over the course of a single weekend, and it captures the urgency of young love perfectly. Sure Olivia and Toni fall hard and fast, but it’s no wonder—a great music festival can pull you far enough from your day-to-day that you feel as though you’ve been there a lifetime, even as an adult. And this book captures that so clearly, bringing you right into both girls’ perspectives, letting you feel every triumph and every moment of despair as they chase their dreams, musical and otherwise, and figure out who they are.
A stunning novel about being brave enough to be true to yourself, and learning to find joy even when times are unimaginably dark. Three days.
Two girls.
One life-changing music festival.
Toni is grieving the loss of her roadie father and needing to figure out where her life will go from here - and she's desperate to get back to loving music. Olivia is a hopeless romantic whose heart has just taken a beating (again) and is beginning to feel like she'll always be a square peg in a round hole - but the Farmland Music and Arts Festival is…
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This series is set in a magical land that’s hidden and protected from the rest of the world. It’s filled with delightful villages that have festivals and games, where the locals work at their craft and then drink beer at the tavern in the evening—basically, the exact place I would design to live in.
In Brewed in Magic, Lilia is a brewer who travels the countryside with her mobile tavern. On the way to a festival, she camps out with another traveler and they hit it off—until he disappears in the morning. Turns out he has rushed to beat her to the festival and steal her spot with his own mobile tavern. They continue to spar but must team up when all the beer disappears.
That’s right: the level of conflict in this story is “if we can’t find the beer, the festival will be ruined.”
Lilia has always had a wanderer's heart. She spends her days on the road with her famous Traveling Tavern and only a dragon to keep her company. Despite longing for a deeper connection, she knows she's destined to wander the world alone.
When she meets a handsome stranger on her journey to the winter festival, she finally feels she's found a kindred spirit...until he vanishes in the early morning without so much as a goodbye.
Turns out, he rushed ahead to reach the festival first with his own traveling tavern. One he never mentioned. Now her would-be companion is her…
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This is an adorable love story between a nerdy queen with magical powers who wants to be left alone in her laboratory to work on spells to protect her people, and a passive archduke who’s been used as a pawn by his in-laws.
The queen hides behind a persona of being evil, such that even the archduke’s in-laws won’t mess with her. When the archduke finally escapes his home, he decides to go to her castle and beg for help—only she mistakes him for the dark wizard she advertised for and hires him to organize her library.
Most of the book is a comforting time spent in the castle as the couple try to keep their secrets and prepare for a final showdown. The story has enough action to be interesting without any stress.
Wooing the Witch Queen by Stephanie Burgis is the start of a delightful, funny and seductive romantasy trilogy, set in a gaslamp-lit world where hags and ogres lurk in thick pine forests and genteel court intrigues can turn deadly . . .
'This is a warm and lovely story with a big heart' - Sangu Mandanna, bestselling author of The Very Secret Society of Irregular Witches
Queen Saskia is the wicked sorceress everyone fears. After successfully wrestling the throne from her evil uncle, she only wants one thing: to keep her people safe from the empire next door. For that,…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Alexis Hall is the most well-known author on this list, and this sapphic Regency fantasy will not disappoint readers who like a Byronic love interest.
I loved the way the novel is narrated by the very opinionated Robin Goodfellow (aka “Puck”), who has been kicked out of the fairy court. Robin describes how Maelys Mitchelmore’s social life becomes complicated when an unknown ill-wisher curses her.
A chance encounter introduces her to the dark, brooding, and attractive Lady Georgianna Landrake, who helps Maelys discover and defeat her adversary. But Lady Georgianna suffers from her own family curse, and magical forces nearly tear the two lovers apart.
It takes courage, wisdom, and the help of Maelys’ friends to free Lady Georgianna and allow love to triumph.
'A lovely, pitch-perfect romance, with an alternate Regency setting that is well developed and has tremendous charm... Part historical, part fantasy, all top-notch queer romance' KIRKUS REVIEWS (starred review)
'A fresh and delightful addition to the queer romance canon... All the interpersonal drama of Jane Austen meets all the complex treachery of Greek mythology' PUBLISHERS WEEKLY (starred review)
'Whimsically wonderful, witty writing that evokes Jane Austen and Oscar Wilde... An effervescent, genre-blurring romantic confection' BOOKLIST
It is the year 1814 and Miss Maelys Mitchelmore finds her entry into the highest society of Bath hindered by an irritating curse. It begins…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Fans of monster romance should check out this low-heat novella, which begins when protagonist Mary Clegg runs away from home to escape an unwanted marriage.
A detour through the forest gets her thoroughly lost, but not to worry: she conveniently encounters a handsome young centaur. He’s supposed to be surveying the land, but he’s just as lost as Mary, and the forest seems to be working magic of some sort to keep them together overnight. In addition to the forced proximity trope, there’s a bit of class difference at play, because centaurs are not considered genteel.
Quenby Olson’s gift for a witty turn-of-phrase is on point here, and I loved that the book was short enough to enjoy in a single setting.
No, correction: Miss Mary Clegg does not want to marry someone who lacks such important features as wit, intelligence, and a fine jawline. So what other option is there for her but to run away from home?
It's a simple enough plan, to begin with. But a shortcut through a magic forest (well, she didn't know it was magic at the time) and a chance meeting with an exasperating centaur provide a plethora of complications.
And what about love? Well, that might be the most challenging complication of all.
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
This is the second of Stephanie Burgis’s Regency Dragons books, but in my opinion, it can stand on its own.
The protagonist and viewpoint character, Rose Tregarth, is slowly emerging out of a fog of depression caused by the loss of her parents. She now lives with loving and somewhat eccentric cousins in Wales. Part of the charm of the book comes from the diverse cast of secondary characters, which includes a sapphic couple, a young girl with an anxiety disorder, and a young woman of color.
As an autistic reader, I very much appreciate that Rose’s love interest, a renowned dragon scholar, is coded as autistic, because it’s difficult to find good autistic representation in historical romance. Dragon fans take note: the book abounds with adorable miniature dragons with magical powers!
A madcap Regency-era romantic comedy involving a most determined heroine, a baffled scholarly hero, and a surprising number of dragons.
Rose Tregarth may have been invited into her uncle's remote home in the heart of Wales as an act of kindness to a poor relation, but it doesn't take her long to realise that her newly-met family members are in need of all the help they can get. Between mysteriously appearing little dragons and a threatening new neighbour, Rose is soon up to her ears in plots and schemes to save the people and beasts she's come to love...with the…
I have always loved writing, receiving, and reading letters—slips of paper that hold one person’s thoughts in order to transfer them to another person. One of my prized possessions is a short stack of letters I wrote to my parents from summer camp when I was 10 years old. Each one relays some catastrophe—a fall from a horse, a motorcycle crash, a waterskiing incident—with the relish of a wartime correspondent. Epistolary novels, diaries, and journal entries will always fascinate me. I love their immediacy. I begin reading and am immediately captivated by words that are ostensibly written for someone else but which speak directly to me.
I love the verve and charm of this story, told through a series of letters between two young Regency women who are best friends. Though the magical elements add mystery and keep the plot moving, I especially enjoyed experiencing the narrative through their correspondence with each other.
The letters add nuance to the characters, making me imagine that I am involved in the events of their lives—even though it takes days for the post to carry the letters to their destination. A side note that makes me love the book even more is the story of how it came to be: a fan met an author, and they collaborated to create this project.
A great deal is happening in London this season. For starters, there's the witch who tried to poison Kate at Sir Hilary's induction into the Royal College of Wizards. (Since when does hot chocolate burn a hole straight through one's dress?!) Then there's Dorothea. Is it a spell that's made her the toast of the town--or could it possibly have something to do with the charm-bag under Oliver's bed? And speaking of Oliver, just how long can Cecelia and Kate make excuses for him? Ever since he was turned into a tree, he hasn't bothered to tell anyone where he…