28 books like Lew Archer Series

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.

His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.

Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it. 

Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”

This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming. 

Cynicism and fatalism drank heavily together in the hardboiled genre of the private detective novel, but no more so than in this mid-40s book. 

I think they even take refuge in the novel’s title: Build My Gallows High. It tells the embittered tale of Red Bailey, a guy in hiding from private detective work after being exploited by a powerful client and betrayed by the beautiful and manipulative woman Bailey loved. 

Bailey would never go back to those days—until he would. His ex-client finds him and blackmails him into searching for that woman, who was also once that powerful man’s lover.  

I love the way each of the three of them harbor conflicting ideas of how this story will end. That’s perfect—the book’s conflict and bile inspired the creation of what has long been one of the darkest and most celebrated of films noir, Out of the Past.

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

In the ninth book featuring Connelly’s iconic character, (now retired) LAPD detective Harry Bosch, the quintessential modern knight errant is working a case that’s haunted him for years – the murder of Angella Benton.

Her death might be linked to a bold and bloody robbery of 2 million dollars from a movie set where she worked as a production assistant, but neither crime was ever solved. Now Harry is intent on finding Angella’s killer.

The story is set against the backdrop of the movie industry and the celebrity-obsessed culture of Hollywood. Unimpressed by the trappings of power, Harry follows his instincts, led only by his guiding principle, “Everybody counts or nobody counts.”

But this time, he’s on his own without a badge or backup, and when his investigation hits very close to home, Harry finds himself facing brutal enemies determined to strike him down. 

Charlie Waldo, the reluctant hero of this debut novel by a former TV writer, lives in self-imposed exile in the San Jacinto Mountains with a flock of chickens and the one hundred things he allows himself to own – a conundrum he continually struggles with (is a pair of socks one thing or two?).

Waldo is doing penance for his former life as a hotshot LAPD detective when his aggressive tactics put an innocent man in prison for life.

But Charlie’s world is upended when his ex-girlfriend, private investigator Lorena Nascimento, embroils him in a murder investigation involving TV star Alastair Pinch who may or may not have killed his wife. Alastair, a blackout drunk, can’t remember.

Charlie is complicated, funny, empathetic, and (it turns out) still a dogged and skillful investigator. The story is entertaining and unexpected – well worth a read!

Not a detective story, but one that will get your heart racing and blood boiling. Set in New York City a rich family hires a babysitter who goes off the deep end. Women authors give a different point of view to crime stories and this one is proof of that.

Mickey Spillane created Mike Hammer, a hard-boiled detective who was (according to the books) quite the lady’s man. This detective story involves millionaires, organized crime, and revenge, which makes for a great read. Hammer is depicted as a hard-drinking, hard-fighting guy that has acted as a prototype for many imitators.

Socialite Nora Charles helps guide her husband to discovering the truth about the eponymous “thin man” via artful suggestions, one-liner putdowns, and plenty of cocktails, and that’s why I love this book. Although Nick Charles is the main detective in this 1934 romp by Dashiell Hammett, Nora is instrumental in helping him make decisions of all sorts. The biting dialogue elevates this book above the genre norms of the time.

Nora’s comment on an impending Christmas gift from her husband:

“Whatever you’re giving me,” she said, “I hope I don’t like it.”

This one single novel sparked all those great movies with William Powell and Myrna Loy, in which Nora shines ever more brightly. The novel was a comedy of manners but, sadly, was also Hammett’s last.