Here are 22 books that Laundry Files fans have personally recommended once you finish the Laundry Files series.
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I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Laird Barron may be the Robert E. Howard of modern horror and weird fiction—or its Dashiell Hammett. So hard-boiled you could break rocks with it, his prose is ferociously energetic, brutally unsettling, and consummately capable of crafting its own phantasmagoric world. If Melville was resurrected and took to writing plots for Quentin Tarantino, the result might be Laird Barron. The Imago Sequence is among his best collections, but almost any of them is equally strong.
To the long tradition of eldritch horror pioneered and refined by writers such as H.P. Lovecraft, Peter Straub, and Thomas Ligotti comes Laird Barron, an author whose literary voice invokes the grotesque, the devilish, and the perverse with rare intensity and astonishing craftsmanship.
Collected here for the first time are nine terrifying tales of cosmic horror, including the World Fantasy Award-nominated novella "The Imago Sequence," the International Horror Guild Award-nominated "Proboscis," and the never-before-published "Procession of the Black Sloth." Together, these stories, each a masterstroke of craft and imaginative irony, form a shocking cycle of distorted evolution, encroaching chaos, and…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Caitlín R. Kiernan is one of the most prolific, versatile, inventive dark fantasy and horror writers living. Her unique transgressive perspective has won her multiple awards, and her repertoire of styles is as vast as her prose is dazzling. From cosmic horror thrillers to twisted romance, she deepens and enriches every genre she engages with. This collection is an excellent sample across her wide range—and a lure to hook you and draw you deeper into her work.
“Lyrically compelling tales that are nearly impossible to stop reading...fans of weird writers like Carmen Maria Machado, Jeff VanderMeer, and China Mieville will be glad to find this volume and thereby discover a writer who inspired them all.” —Booklist
Caitlín R. Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”
My personal author coach (David Farland) suggested this read.
The premise of a teenage, self-diagnosed sociopath who works at a morgue but doesn’t want to become a serial killer was far too intriguing to pass by. Well’s background research into sociopath profiling and morgue duties kept me engaged, but never felt intrusive or information-dumpy.
Refreshingly, Wells keeps the teen character intelligent. Instead of the overwritten, arrogant teen who makes stupid decisions, the main character is thoughtful and bright, and recognizes beforehand that his choices driven by curiosity are a tad foolish.
Although I won’t read the sequels because they dive into a subgenre I’m not fond of, I consider I Am Not a Serial Killer one of the most innovative reads of this century.
I Am Not A Serial Killer is now a major film starring Christopher Lloyd and Max Records. This is the first title in the thrillingly dark John Wayne Carver series.
John works in his family's mortuary and has an obsession with serial killers. He wants to be a good person, but fears he is a sociopath, and for years he has suppressed his dark side through a strict system of rules designed to mimic 'normal' behavior.
Then a demon begins stalking his small town and killing people one by one, and John is forced to give in to his darker…
Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!
I love finding a new series that hits all my favourite urban fantasy points – smart, funny, peopled with delightfully weird and very uncool characters, andit’s set anywhere in the UK outside London (nothing against London, it’s just fun to read about somewhere different). C.K. McDonnell’s The Stranger Times hits all of these, plus is partly inspired by actual news stories from around the world (some clippings included, and the author’s podcast covers a lot more). This is a pure joy to read, and I’m definitely looking at Manchester a little differently now...
'Wonderfully dark, extremely funny' proclaimed ADAM KAY, author of the No.1 bestselling This is Going to Hurt 'A filmic romp with great characters, a jet-propelled plot, and a winning premise' said the GUARDIAN JASON MANFORD thinks it's 'Hilarious. You'll never look at Manchester the same way again.' The Chronicles of St Mary's series author JODI TAYLOR declared 'I loved this . . . great premise - great story - great characters . . . hugely enjoyable.' And THE TIMES called it 'ripping entertainment from start to finish.'
There are dark forces at work in our world (and in Manchester in…
We've been writing together for over ten years now. A theme that we’ve come back to lots of times is the horrible workplace with its bosses from hell. Feedback from readers tells us that the ways in which we’re made miserable at work are universal and it can be fun to examine them in fiction. We doubled down on the theme in the Oddjobs series of books. We both love to read and write horror, and we spend time with lots of horror authors, so this list came together very easily.
Even the simplest jobs can turn out to be horrible. George and Lou are the nicest, most amiable underworld thugs you could meet. They just want to get their delivery job done and then go out for some beers and bowling. Except, the thing they don’t know is that their delivery consignment is a very angry werewolf. When it escapes, they are forced into a cat-and-mouse chase across Florida. No paycheck can be worth the horror and torment that Jeff Strand’s bloody comedy puts them through.
Two thugs. One innocent woman. And one VICIOUS frickin' werewolf.
Meet George and Lou, thugs for hire. The kind of intimidating-yet-friendly guys who will break your thumbs, but be polite about it. Their latest assignment is to drive across Florida to deliver some precious cargo to a crime lord. The cargo: a man in a cage. Though Ivan seems perfectly human, they’re warned that he is, in fact, a bloodthirsty werewolf.
George and Lou don’t believe in the supernatural, but even if they did, it’s daytime and tonight isn’t the full moon. Their instructions are straightforward: Do not open the…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.
During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me.
It's a classic old-fashioned haunted house story - set in a big box Swedish furniture superstore. Designed like a retail catalogue, Horrorstor offers a creepy read with mass appeal-perfect for Halloween tables! Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Bracken glassware, and vandalized Liripip sofabeds-clearly, someone or something is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-til-dawn shift-and they encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I discovered mind uploading in 1997 via a nonfiction book by Earl and Cox. That book literally changed my life, opening my eyes to concepts I had never previously considered. I joined groups and organizations that advocate for and advance research toward eventual mind-uploading technology. My enthusiasm for the topic ultimately culminated in my 2014 nonfiction book and then again in my 2024 novel, Contemplating Oblivion. The novel presents my philosophy concerning the purpose of existence and the universe, offering an answer that is closely tied to our destiny to one day computerize the brain, upload humanity, and populate the galaxy.
I fell in love with Stross’s book based on a single line: “The wreckage of an incredible meal is scattered across the tables around her.” I never forgot that evocative sentence and the vivid imagery it inspired. This book directly invokes the biggest concepts in cosmological futurism, like Matrioshka brains: star-powered computerized uber-brains.
This book has it all. I enjoyed the space-themed perspective on the singularity, which is less focused on the happenings on Earth and more on a space-faring civilization as the full scope of the singularity comes to pass. I particularly appreciated the utilization of a laser sail to transport an uploaded crew in a spaceship far too small for conventional humans, a concept that only works in the context of mind uploading.
His most ambitious novel to date, ACCELERANDO is a multi-generational saga following a brilliant clan of 21st-century posthumans. The year is some time between 2010 and 2015. The recession has ended, but populations are ageing and the rate of tech change is accelerating dizzyingly. Manfred makes his living from spreading ideas around, putting people in touch with one another and leaving a spray of technologies in his wake. He lives at the cutting edge of intelligence amplification technology, but even Manfred can take on too much. And when his pet robot cat picks up some interesting information from the SETI…
I discovered mind uploading in 1997 via a nonfiction book by Earl and Cox. That book literally changed my life, opening my eyes to concepts I had never previously considered. I joined groups and organizations that advocate for and advance research toward eventual mind-uploading technology. My enthusiasm for the topic ultimately culminated in my 2014 nonfiction book and then again in my 2024 novel, Contemplating Oblivion. The novel presents my philosophy concerning the purpose of existence and the universe, offering an answer that is closely tied to our destiny to one day computerize the brain, upload humanity, and populate the galaxy.
This book has two concepts that have stuck in my memory for years: the uplifted space-faring squid and the end-of-universe-scouring of astronomical bodies into perfectly smooth spheres. How many stories take the notion of the future to its logical extreme by showing the cosmos literally withering away countless eons downstream?
This book directly shows such a far-flung world, an endgame to which almost no science fiction story ventures. Mind uploading occurs in the novel in the far future of humanity, less so in much of the novel’s storyline in the near future, but I included it in this list because the book itself is fantastic and Baxter genuinely leans into a future in which mind uploading is an inevitable and expected outcome.
“Reading Manifold: Time is like sending your mind to the gym for a brisk workout. If you don’t feel both exhausted and exhilirated when you’re done, you haven’t been working hard enough.”—The New York Times Book Review
The year is 2010. More than a century of ecological damage, industrial and technological expansion, and unchecked population growth has left the Earth on the brink of devastation. As the world’s governments turn inward, one man dares to envision a bolder, brighter future. That man, Reid Malenfant, has a very different solution to the problems plaguing the planet: the exploration and colonization of…
