Here are 85 books that Kurt Wallander Mysteries fans have personally recommended once you finish the Kurt Wallander Mysteries series.
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I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.
Even the darkest things are not wholly dark, and that makes a story about vampires seem far more real than many books set in the "real world." It uses the supernatural to tell a story about the human condition, in all its stark, bleak, beautiful loneliness.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!
I tell everyone I know that if they want a book with incredible character development, read The Girl with a Dragon Tattoo.
This book is highly atmospheric. You can feel the biting cold, the fear, the pain. It also has characters with questionable ethics. It made me question how I feel about vengeance and retribution. Some of the content is very dark, yet it doesn’t feel sensationalized.
This is also a thriller with hints of a happy ending—at least, for some people—while also leaving some things uncertain or unresolved. I prefer a thriller to leave me hanging a little . . .
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I’m a taxidermy-loving vegan who had a pet cemetery as a kid. So, I guess you could say I’m a bit of a Wednesday Adams. My airplane reading? Forensic pathology textbooks. When my first thrillers were published, a lot of people were surprised. “You seem so nice!” they said. “You’re so funny and happy!” Here’s a secret: thriller writers are some of the most jolly people I know. We get it all out on the page. We get to murder people for a living. So, if you cut me off in traffic or don’t RSVP to my Evite, it's no big deal. I won’t get upset. I’ll just kill you later...in a book.
I have said this before, but if there had been a fourth book in this series in 2004, I would not have written Heartsick and would not have had a career. I love Val’s Tony Hill/Carol Jordan books. They are the blueprint for all thrillers.
She doesn’t hold back on the violence but finds these incredibly intimate character moments that tremble my heart.
In this special 20th anniversary edition, Lee Child introduces the Gold Dagger award-winning serial killer thriller that began the Number One bestselling crime series featuring clinical psychologist Dr Tony Hill, hero of TV's much-loved Wire in the Blood.
You always remember the first time. Isn't that what they say about sex? How much more true it is of murder...
Up till now, the only serial killers Tony Hill had encountered were safely behind bars. This one's different - this one's on the loose.
Four men have been found mutilated and tortured. As fear grips the city, the police turn to…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Retired FBI profiler Terry McCaleb is recovering from a heart transplant he required after a heart attack he suffered while hunting a serial killer. When a woman urges him to help investigate the murder of her sister who was shot dead during a robbery, Terry discovers it is her heart he received. Possibly the killer wanted McCaleb to recover so he could resume his pursuit. This is one of the finest stories I have ever read; deeply moving, and a very exciting read.
Terry McCaleb, one of the most effective serial-killer investigators in the history of the FBI, hunts down his heart donor's killer. An unputdownable story from the award-winning No. 1 bestselling author.
'Blood Work' - that's what Terry McCaleb used to call his job at the FBI. Eight weeks ago he was a dead man, but now someone else's heart is keeping him alive. Then a newspaper report of his brush with death brings him an unwanted visitor. Graciela Rivers reveals to McCaleb that the anonymous donor of his heart was her murdered sister, and that the police investigation into the…
I’m a taxidermy-loving vegan who had a pet cemetery as a kid. So, I guess you could say I’m a bit of a Wednesday Adams. My airplane reading? Forensic pathology textbooks. When my first thrillers were published, a lot of people were surprised. “You seem so nice!” they said. “You’re so funny and happy!” Here’s a secret: thriller writers are some of the most jolly people I know. We get it all out on the page. We get to murder people for a living. So, if you cut me off in traffic or don’t RSVP to my Evite, it's no big deal. I won’t get upset. I’ll just kill you later...in a book.
Camilla is the so-called Queen of Nordic Noir. I got way into her books during the pandemic, which is to say I read every single one of them right after the other while I had a fever. The great thing about the Scandinavians is that they describe truly horrible happenings matter-of-factly.
I love Camilla’s books because she also adds another tension – my favorite kind of tension – the “when will the protagonists kiss?”. I will endure the most gruesome crime scenes because I’m invested in a relationship, and her series pays this off over and over.
“A top-notch thriller, one of the best of the genre” (Minneapolis Star Tribune) from international crime-writing sensation Camilla Läckberg tells the story of brutal murders in a small Swedish fishing village, and the shattering, decades-old secrets that precipitated them.
In this electrifying tale of suspense from an international crime-writing sensation, a grisly death exposes the dark heart of a Scandinavian seaside village. Erica Falck returns to her tiny, remote hometown of Fjällbacka, Sweden, after her parents’ deaths only to encounter another tragedy: the suicide of her childhood best friend, Alex. It’s Erica herself who finds Alex’s body—suspended in a bathtub…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
Authenticity appeals to me the most. Donna Fletcher Crow shares my love of Celtic Christianity and meticulously researches her deeply evocative settings. She set out to write a nonfiction book about Pilgrimage. It never got written, but the profoundly resonant places she visited inspired A Very Private Grave.
Felicity is studying at a monastery when her favorite monk is bludgeoned to death. Fr Antony is soaked in his blood. Yet soon the two of them are on the run from the murderer. Their flight takes them to some of my favorite places–the holy island of Lindisfarne, Ninian’s hermitage at Whithorn, Hilda’s clifftop monastery at Whitby, Jarrow, that nurtured Bede, and St Cuthbert’s grave in Durham Cathedral. The settings are vividly brought to life, making this book a rich experience.
Felicity Howard, a young American studying at the College of the Transfiguration in Yorkshire, is devastated when she finds her beloved Fr. Dominic bludgeoned to death and Fr. Antony, her church history lecturer, soaked in his blood ... 'A Very Private Grave' is a contemporary novel with a thoroughly modern heroine who must learn some ancient truths in order to solve the mystery and save her own life as she and Fr. Antony flee a murderer and follow clues that take them to out-of-the way sites in northern England and southern Scotland. The narrative skillfully mixes detection, intellectual puzzles, spiritual…
I love reading mysteries, ever since I started back in junior high with Hercule Poirot, I have loved an atmospheric murder and ensuing investigation. As I’ve gotten older and started writing my own books, though, I’ve gotten pickier about what kinds of detective novels I can stick with—I now require that they also be excellent on the sentence level, which isn’t always easy to find. I also find that I gravitate towards books that have pockets of dry humor from time to time and a unique investigator.
There are 25 (!) books in the Rebus series by Scottish writer Ian Rankin, which is really great news for everyone because they are all really good. Each book can be read as a stand-alone as well, so don’t be daunted. This one is one of my favorites because it has a cool twist and it’s very moody.
Inspector John Rebus, who is (as many mystery protagonists are) a gifted detective who doesn’t always play by the rules, has been sent a way to a kind of Scottish re-training course for senior offices who have been bad. The dialogue is very good here, not to mention the many gritty descriptions of Edinburgh.
The thirteenth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES
'No one in Britain writes better crime novels' Evening Standard
'This is Rankin at his best, and, boy, that's saying something' TIME OUT
Rebus is off the case - literally. A few days into the murder inquiry of an Edinburgh art dealer, Rebus blows up at a colleague. He is sent to the Scottish Police College for 'retraining' - in other words, he's in the Last Chance Saloon.
Rebus is assigned to an old, unsolved case, but there are those in his team…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
This novel is enriched by being set in the theatre and based on a real dance troupe. We are caught up in an authentically realized experience of a stage company. It is set in Ngaio Marsh’s home country of New Zealand. Her knowledge of the Maori fertility symbol, the tiki, plays a significant role in the plot.
Her detective, Roderick Alleyn. Is also a gentleman, like Lord Peter Wimsey, but this time a professional policeman, who looks like a cross "between a monk and a grandee."
As with Dorothy Sayers, an extra interest is added in later books, with Alleyn’s edgy love affair with the artist Agatha Troy.
The leading lady of a theater company touring New Zealand was stunningly beautiful. No one-including her lover-understood why she married the company's pudgy producer. But did she rig a huge jeroboam of champagne to kill her husband during a cast party?
Did her sweetheart? Or was another villain waiting in the wings? On a holiday down under, Inspector Roderick Alleyn must uncork this mystery and uncover a devious killer...
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Trust me when I say that any book by Michael Robotham will not disappoint, but this one is something special. Shatter features psychologist Joe who has his own problems and aids the police in tracking down a serial killer who can destroy his victims by getting them to kill themselves. Never have I read a book that has taken me on such an emotional roller-coaster.
A naked woman in red high-heeled shoes is perched on the edge of Clifton Suspension Bridge with her back pressed to the safety fence, weeping into a mobile phone. Clinical psychologist Joseph O'Loughlin is only feet away, desperately trying to talk her down. She whispers, 'you don't understand,' and jumps.
Later, Joe has a visitor - the woman's teenage daughter, a runaway from boarding school. She refuses to believe that her mother would have jumped off the bridge - not only would she not commit suicide, she is terrified of heights.
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
The seventies. The tough town. Laidlaw, Glasgow’s philosopher detective, is trying to find out who killed the lassie in the park. Arguably the template for Taggart, arguably the starting point for Tartan Noir.
I liked the way its bark was just as bad as its bite. It threatens to explode into violence all the way through, between most of its characters–then it does. Hard cases. And yet, at the very end, incredibly, compassion and sympathy.
First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author).
The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the darkness…
