Here are 4 books that Joe Sandilands fans have personally recommended once you finish the Joe Sandilands series.
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Iâm an historian who writes novels, and an avid reader of historical murder mysteriesâespecially ones whose characters are affected by social, religious, and political change. Lately, Iâve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a âcountry houseâ mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. âInterestingâ was an understatement; writing it was eye-opening.
Blind Justice, set in 1768, is the first of Bruce Alexanderâs 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of Londonâs Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fieldingâs wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremyâs observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhopeâs history through Londonâs streets, gambling houses, coffee houses, and great housesâto Drury Lane theater and Newgateâin a compelling portrait of eighteenth-century London.
The first of a series of novels set in 18th-century London and featuring Sir John Fielding - magistrate, detective, founder of the Bow Street Runners, half-brother of Henry, and confidant of such notables as Johnson and Boswell. Sir John is blind, and uses a young orphan as his "eyes".
Iâm an historian who writes novels, and an avid reader of historical murder mysteriesâespecially ones whose characters are affected by social, religious, and political change. Lately, Iâve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a âcountry houseâ mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. âInterestingâ was an understatement; writing it was eye-opening.
Lisa M. Laneâs Murder at Old St. Thomasâs opens in Old St. Thomasâs Hospital, recently closed to make way for railroad lines. In the once-famous operating theater, the body of an eminent surgeon is found nailed to one of the seats in which medical students once watched him operate. The cause of death: toxic inhalation of chloroform. As Detective Inspector Cuthbert Slaughter and his American sergeant Mark Honeycutt interview suspects, their investigation provides a portrait of Victorian surgery (anesthetics still experimental; hygiene ignored by all but the nurses taught by Florence Nightingale). This 2022 mystery has fascinating characters, and it provides a wonderful picture of Victorian London and Southwark.Â
In 1862 London, the body of a famous surgeon is found, sitting upright, in an old operating theatre. His dead eyes stare at the table at the center of the room, where patients had screamed and cried as medical students looked on. The bookish Inspector Slaughter must discover the killer with the help of his American sergeant Mark Honeycutt and clues from Nightingale nurses, surgeon's dressers, devious apothecaries, and even stage actors. Victorian Southwark becomes the theatre for revealing secrets of the past in a world where anesthesia is new, working-class audiences enjoy Shakespeare, and women reformers solve society's problems.
Iâm an historian who writes novels, and an avid reader of historical murder mysteriesâespecially ones whose characters are affected by social, religious, and political change. Lately, Iâve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a âcountry houseâ mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. âInterestingâ was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barronâs 14 Jane Austen mysteries, based on Austenâs âdiscoveredâ diaries about her adventures as a sleuth. The seriesâ witty tone is true to Austenâs, and portrayals of Austenâs family are based in fact. In this opening volume, Jane is visiting a friend âof more fashion than meansâ newly married a middle aged earlâwho dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.Â
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husbandâa gentleman of mature yearsâis felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adulteryâand murder. Desperately afraidâŚ
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhereânew planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of charactersâmen and some women who made a mark on the world through their wit and wisdomâand some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.Â
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summonsâŚ