36 books like House of Niccolo

I like historical novels with strong female characters, even unsympathetic ones (maybe especially unsympathetic ones), but if I am not going to throw the book against the wall, their lives and values need to be true to those of their time.

The Maria of the title is one of the best examples I know of a slightly difficult and strong-minded woman who is fully a product of her world, in this case, the world of Norman adventurers of the eleventh century who carved out domains for themselves in southern Italy against opposition from Muslims and the pope in Rome.

Her life is constrained by the expectations of her class and gender and a marriage she does not want, but she is a survivor, and she finds her own way to exert power.

I’m not a great Wilbur Smith fan, but I read this story because it involves trade with India in the age of sail and the monsoon, and it has stayed with me. There is a sweeping plot taking an 18th Century Englishman on a perilous voyage around the Cape of Good Hope to the Indian Ocean, memorable characters, victims of greed and perpetrators of evil, and some brilliantly described action scenes. If you want some edge-of-your-seat armchair travel, this novel will take you on a real adventure to far-away places.

Technically this is not historical fiction, but if you know anything about Venice and Constantinople, you will recognise our world in the past. Guy Gavriel Kay’s magical writing weaves history into fantasy, where incredible occurrences become perfectly credible. This story is about various individuals caught up in a conflict between those who worship the stars and those who pray to the sun. Each character is very real in their flaws and ambitions and desires. Battles are fought across the fantasy Balkan states and the Adriatic Sea, involving Seressa (Venice) and the Asharites (the ‘infidel’). Kay’s books are quite simply splendid; I love the way they take me on exciting journeys with fascinating characters. Un-put-downable.

Book 1 in Gill’s Troubadour series opens in Provence, in 1150. A young runaway wakes in a ditch protected by a huge white dog. The girl becomes the celebrated lutist Estela at the court of Alienor of Aquitaine. Her tutor, then lover, is the Queen’s finest troubadour, Dragonetz los Pros. Using Jewish money and Moorish expertise, Dragonetz builds a paper mill, bringing him into desperate conflict with the Christian Church. This is a compelling story woven into real events: the writing is captivating, the history fascinating. Jean Gill is one of those authors who can ‘take you there’. I was watching what was happening and fearing for the safety of the protagonists to the last page. History, action, and a not-too-treacly romance. A great read all round.

Lace-making and swordsmanship, and a deadly personal feud; swashbuckling hist-fic with a well-researched core about cultural conflict in 17th century Spain. The story opens in London, in 1609, then moves to Seville, where a young woman tries to reclaim her inheritance from a man devoted solely to fencing and himself. I married into a traditional Spanish family; I know Seville. Deborah Swift captures the summer heat and dust, and the pervading sensation that violence is just one stone's throw away in a page-turning novel that made me think more deeply about Moorish Andalucía, what happened in the past here – and is still happening. Quality fiction.

I devoured this book in a weekend.

Hild plunged me into the rough and tumble world of seventh-century Anglo-Saxon England through the eyes of its title character, a young woman with unusual abilities who is dangerously close to the crown of one of its kings and who protects herself by becoming his seer.

I appreciated how Griffith evoked the texture of life in this period, its beauty and its roughness, bringing me into its mead halls and forests and onto its sea cliffs. She also draws out the cultural and linguistic diversity of the Anglo-Saxon world and the conflicts this created between Celts and Saxons, mixed with pressure from Franks across the Channel and the Latin Church in Rome.

It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.

I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature. 

I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.

I was drawn to this book, a ripping and irreverent yarn about Vikings, by the foreword to its new edition written by Michael Chabon.

Our sea-faring hero finds himself in endless scrapes everywhere a Viking ship could go, often brought about by his own foolishness. Of special note are his adventures in Islamic Spain.

And I discovered as I was writing this recommendation that the novel was (sort of) made into a 1964 movie, a British-Yugoslav coproduction starring, among others, Sidney Poitier. You’ve got to love that.

This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alive in his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.

In the character of Francis Crawford of Lymond, Dorothy Dunnett created one of the most memorable heroes in historical fiction. I lived for the next book in the series. Lymond was mercurial, malicious, loving, insouciant, flawed, and fearless – and yet believable and very human. Dunnett brought 16th-century Scotland and the borderlands to life, even to the songs and the literature. It was a world entirely real to the reader and one in which, despite unexpected tragedy, elsewhere in the story, there could be a sense of humor.