Here are 100 books that Hannibal Lecter fans have personally recommended once you finish the Hannibal Lecter series.
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I’m a taxidermy-loving vegan who had a pet cemetery as a kid. So, I guess you could say I’m a bit of a Wednesday Adams. My airplane reading? Forensic pathology textbooks. When my first thrillers were published, a lot of people were surprised. “You seem so nice!” they said. “You’re so funny and happy!” Here’s a secret: thriller writers are some of the most jolly people I know. We get it all out on the page. We get to murder people for a living. So, if you cut me off in traffic or don’t RSVP to my Evite, it's no big deal. I won’t get upset. I’ll just kill you later...in a book.
I have said this before, but if there had been a fourth book in this series in 2004, I would not have written Heartsick and would not have had a career. I love Val’s Tony Hill/Carol Jordan books. They are the blueprint for all thrillers.
She doesn’t hold back on the violence but finds these incredibly intimate character moments that tremble my heart.
In this special 20th anniversary edition, Lee Child introduces the Gold Dagger award-winning serial killer thriller that began the Number One bestselling crime series featuring clinical psychologist Dr Tony Hill, hero of TV's much-loved Wire in the Blood.
You always remember the first time. Isn't that what they say about sex? How much more true it is of murder...
Up till now, the only serial killers Tony Hill had encountered were safely behind bars. This one's different - this one's on the loose.
Four men have been found mutilated and tortured. As fear grips the city, the police turn to…
I’ve been lucky enough to have a happy childhood and enjoy a fulfilling life. Nevertheless, I’ve always been drawn to the darkness… the macabre, the sinister, and the bizarre. My selection of books has, in one way or another, helped to shape me as a writer. I’m constantly fascinated by the process of creating truly disturbed, twisted, or hideous characters. I enjoy the process of working out what makes them tick; shedding my own moral compass and experiencing the world through their eyes… wherever that ends up taking me.
This one is in my top ten books because of its “wow” factor, and its influence on me as a writer. It’s the first in the late, great Mo Hayder’s series featuring D.I. Jack Caffrey. He’s a character who is haunted by grief and guilt but driven to find out what happened to his brother, who went missing as a child, and to track down a present-day killer known as ‘Birdman’. How this maniac gets his nickname still makes my stomach churn.
This dark and disturbingly compelling thriller from bestselling and prize-winning author Mo Hayder is not for the faint-hearted. Perfect for fans of Stephen King, Stuart MacBride and Karin Slaughter, it is one read you won't be able to forget easily...
'A first-class shocker . . . a frightening mix of forensics, thrills, analytical police work and poetic images.' -- Guardian 'Wickedly constructed . . . The detail, if you can stomach it, is fascinating.' -- Daily Telegraph 'Hayder's vibrant narrative and crunchy characterisation propel the book along to its denouement with fearsome velocity' -- The Times 'WOW! This is one…
Over the years, I’ve lived and worked in the US, and I find it endlessly fascinating. With its mix of cultures, regional identities, and historical tensions, it often felt like several nations merged into one, forged initially against Britain with the help of France. Living there and reading extensively about its history gave me a personal perspective on the forces shaping the nation.
Researching the year 1865 around Abraham Lincoln’s assassination, I discovered far more than I expected, deepening my understanding of the era. I wanted to share a selection of American novels—works that influenced my thinking or mirror the historical mystery and adventure central to that period.
Blends psychological thriller, historical fiction, and detective mystery, set in New York City in 1896.
Journalist John Schuyler Moore and psychologist Dr. Laszlo Kreizler, aided by a young Theodore Roosevelt, investigate brutal murders that shock the city. Carr’s meticulous research brings Gilded Age New York vividly to life, from opulent drawing rooms to grim tenements.
The novel explores the roots of criminal profiling and human darkness, reflecting techniques I use in my own book's character’s investigations, including incorporating real historical figures for authenticity.
The internationally bestselling historical thriller, now a major Netflix series starring Luke Evans, Dakota Fanning and Daniel Bruhl.
Some things never change.
New York City, 1896. Hypocrisy in high places is rife, police corruption commonplace, and a brutal killer is terrorising young male prostitutes.
Unfortunately for Police Commissioner Theodore Roosevelt, the psychological profiling of murderers is a practice still in its infancy, struggling to make headway against the prejudices of those who prefer the mentally ill - and the 'alienists' who treat them - to be out of sight as well as out of mind.
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I’ve always been fascinated by the darker corners of the human mind, such as what drives people to commit unspeakable acts and how others find the strength to face them. As both a neuropsychologist and a thriller author, I explore those questions on the page, weaving together my background in psychology with my love of twisty, character-driven stories. Books where the crimes are as twisted as the minds behind them have shaped my own writing, including my latest novel, Heavy Are the Stones. I read them not just for the suspense, but for the unsettling and raw truths they reveal about us all as humans.
Eriq La Salle is best known for his role as Dr. Peter Benton on the hit TV show ER, but Laws of Depravity shows that he’s a magnificent writer as well as a prolific actor.
I have read a lot of crime fiction, yet Laws of Depravity stopped me cold and made me question whether “the killing of devils is a condemnable act.” Growing up a preacher’s kid, I’m fascinated by the ways people use religion as an explanation or shield for both wonderful and terrible acts.
Lasalle doesn’t shy away from looking at the darker side, and that made me brave enough to take a closer look in my own work. La Salle has delivered a highly character-driven book that profiles the detectives and civilians as much as the killer while still maintaining that thrilling pace. Every morally gray twist felt earned, and the surprises kept coming right up…
From actor, director, producer and award-winning author Eriq La Salle comes the first in a heart-pounding crime thriller series that will leave you on the edge of your seat, frantically questioning the blurred lines between good and evil.
30 years. 36 priests butchered. His bloodiest masterpiece is yet to come.
Every ten years, for the past 30 years, a dozen clergymen are killed, brutally murdered in twisted scenes emulating the deaths of Jesus and his disciples. It is the work of a serial killer known as "The Martyr Maker." And in 2011, he set his mark on New York City.…
I’ve always been fascinated by the darker corners of the human mind, such as what drives people to commit unspeakable acts and how others find the strength to face them. As both a neuropsychologist and a thriller author, I explore those questions on the page, weaving together my background in psychology with my love of twisty, character-driven stories. Books where the crimes are as twisted as the minds behind them have shaped my own writing, including my latest novel, Heavy Are the Stones. I read them not just for the suspense, but for the unsettling and raw truths they reveal about us all as humans.
I enjoy mysteries that tie my brain in knots, and With A Vengeance had more twists than a pretzel.
Right from the start, the premise flips the genre on its head where the main character, Anna Matheson, who wishes everyone she has gathered together was dead, is also the one who must save them. I loved that Riley Sager set the entire locked-room mystery inside a moving train where every passenger is a suspect, yet somehow maybe none of them are guilty.
I spent the whole ride toggling between motives and alibis, sure I’d cracked it, only to be blindsided by another twist. Sager’s color-coded cast felt like walking Clue pieces, vivid enough that I swore I would find Mr. Plum in the Conservatory with the candlestick. But I certainly didn’t make the correct guess, and there’s nothing I love in a book more than a surprise ending!
One train. No stops. A deadly game of survival and revenge.
'A locked room thriller at its best! Nonstop suspense with twists and turns that will leave your head spinning' FREIDA MCFADDEN
'Sager wields a deft hand in bringing all the elements together into a rip-roaring, tension-filled tale of greed, murder and revenge' DAVID BALDACCI
In 1942, six people destroyed Anna Matheson's family. Twelve years later, she's ready for retribution.
Under false pretenses, Anna has lured those responsible for her family's downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of fourteen hours. Her goal? Confront the…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
I am haunted by the story that Richard Allen heard skinheads were a thing, went to a pub, bought a couple of local skinheads a few pints while he pumped them for stories and then went away and wrote Skinhead in a weekend.
A weekend?! It totally shows. Skinhead is as rough, nasty, and real as pulp fiction gets. Titular skinhead Joe Hawkins is a horrendously violent teenage thug, but beyond the aggro is a beautiful pen portrait of working-class London in the 70s. All chipped formica and smashed in faces.
It’s the sort of raw crime writing I find terrifying and compelling all at the same time. It’s so short, visceral, and urgent I inhaled it in one sitting.
Sixteen-year-old Joe Hawkins is the anti-hero’s anti-hero. His life is ruled by clothes, beer, football and above all violence – violence against hippies, authority, racial minorities and anyone else unfortunate enough to get in his way.
Joe is a London skinhead – a member of a uniquely British subculture which arose rapidly in the late 1960’s. While other skins were driven mainly by music, fashion and working-class pride, Joe and his mob use their formidable street style as a badge of aggressive rage, even while Joe dreams of making a better life for himself.
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I found this novel to be emotionally gripping and suspenseful. It is a historical thriller rooted in truth. It follows women affected by a serial killer in the seventies.
The killer is a depiction of Ted Bundy, though he’s only referred to as “the defendant”—a purposeful choice on behalf of Knoll, who succeeds in taking away his notoriety while giving a name to the women he affected. I appreciate that by focusing on the victims and survivors, it flips the narrative on its head, veering away from the predictable or sensational.
Knoll's writing is, as always, superb. I applaud Knoll for her fresh take on the true crime genre, for not romanticizing a killer, and for crafting a relatable, moving tribute to victims and survivors.
A Richard & Judy Book Club pick New York Times Bestseller A Goodreads Choice Award Finalist
Bright Young Women is an unflinching thriller based on Ted Bundy's heinous crimes, as two women search for justice in the wake of his brutal murders. From Jessica Knoll, author of the New York Times bestseller and #1 Netflix movie Luckiest Girl Alive.
'A compelling, almost hypnotic read' - Lisa Jewell, bestselling author of None of This is True
'Knoll deconstructs the myth of a criminal mastermind, revealing the women he seeks to destroy as the truly brilliant ones' - Flynn Berry, author of…
