Here are 20 books that Green Rider fans have personally recommended once you finish the Green Rider series.
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My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
Greek tragedy is similar to fantasy except for matters of form (e.g. the chorus). Euripides was a startlingly modern playwright, especially when it comes to psychology.
Heracles can be portrayed as a monstrous monster-slayer (I’m looking at you, Sophocles), but in Euripides he’s noble, brave, and domestic. He performs his labors because he’s the kind of guy to use his powers for good.
Hera, being a jealous jerk, drives him mad; Madness herself is unenthusiastic about the whole affair, recognizing that Heracles has made the world a better place.
But insane Heracles knows that he’s murdering innocent people. Is that who he really is? Is it all Hera’s fault?
Or is Heracles a good, normal person who’s lost a bit of his decency after so much fighting?
Euripides' Heracles is an extraordinary play, innovative in its treatment of the myth, bold in its dramatic structure, and filled with effective human pathos. The play tells a tale of horror: Heracles, the greatest hero of the Greeks, is maddened by the gods to murder his wife and children. But this suffering and divine malevolence are leavened by the friendship between Heracles and Theseus, which allows the hero to survive this final and most painful labor. The Heracles raises profound questions about the gods and mortal values in a capricious and harsh world.
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Tales Before Tolkien is a collection of stories that give readers a glimpse of the modern fantasy genre’s historical roots. It is edited by Douglas A. Anderson, who provides helpful commentary on the stories and their historical context.
Many of the stories are set in the medieval period, and Anderson does an excellent job of contextualizing the stories within their historical background. He looks at how such stories reflect the values and beliefs of the medieval period, and how they often diverge from how we tend to perceive the medieval era today.
This book served as a personal reference for me when writing my own fantasy series as I pondered medieval setting.
Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkien’s imagination in a collection destined to become a classic in its own right.
Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women— and cursed by a…
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Tanith Lee’s Wolf Tower takes readers through a detailed medieval world.
The novel is filled with accurate and realistic descriptions, from the customs of medieval court to the harsh realities of life in feudal society. The unique yet historically grounded setting is brought to life through vivid prose.
Throughout the novel, Lee carefully weaves in medieval cultural details, giving readers a sense of the era’s customs, beliefs, and hierarchies. This is a book that captured me. I was completely immersed in the world Lee created and felt a cozy nostalgia for beloved fantasy books of the ‘90s.
Cladi, a sixteen year old orphan, and handmaiden to cruel royal family, is looking for a chance at freedom, and thinks she's found it when she helps a hansome and mysterious prisoner escape, but uncovers a conspiracy plot in the process, and must act quickly to avert it. 25,000 first printing.
As a reader, I have always been partial to fantasy—the sweeping worlds, the heroics, the adventures, and the characters. I grew up immersed in fantasy, and as I began my writing journey, I remained immersed in it. I love being transported to another world and escaping the mundane of life, exchanging it, if only briefly, for a life of excitement and magic. I am a fantasy romance writer at heart, and my writing personifies my love affair with both fantasy and romance. To me, romance is just as tantalizing as world-building. My books consist of powerful romances that weave perfectly with the magical world in which they bloom.
A more recent read for me was The Wicked Woods Chronicles by Indie author L. V. Russell.
Russell weaves a tale of faeries and love in this dark fantasy that is wickedly satisfying. Teya stumbles into the forest of the faerie and finds herself entangled with creatures ranging from monstrous to beautiful.
When she meets Laphaniel, it is not love at first sight, but as her journey into the land of the faeries continues, love blooms in unexpected ways. This love story is set in a world that is mystical and enchanting while horrifying at the same time.
The romance is prevalent throughout the series, beckoning us to read further to discover Teya and Laphaniel’s fate.
The woods are dark and wicked, and perhaps some things would be better off staying lost…
Teya Jenkins is ten years old when her sister is taken. Niven is never found, because no one knows where to look. No one but Teya that is, who heard the whispers of the trees and saw the beautiful creatures that dwelled in the shadows.
It is only after another tragedy, years later, that Teya finally dares to enter the forest that haunts her dreams, determined to bring home her sister and mend the fractured remains of her family.
Stephanie Storm is a talented young adult fantasy author whose writing is reminiscent of classic fantasy novels with a modern twist. Her imaginative storytelling and richly developed characters draw readers into immersive worlds filled with magic, adventure, and breathtaking landscapes. Her writing style is enchanting, capturing the hearts of readers of all ages and leaving them eagerly turning pages late into the night. Growing up with her nose buried in a book, she found solace and inspiration in the escapism and limitless possibilities of the genre. Her imagination was sparked by the enchanting stories she devoured, which fuelled her passion for writing and creating her own fantastical tales.
Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.
This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!
When shy, awkward Helen Hamilton sees Lucas Delos for the first time she thinks two things: the first, that he is the most ridiculously beautiful boy she has seen in her life; the second, that she wants to kill him with her bare hands.
With an ancient curse making them loathe one another, Lucas and Helen have to keep their distance. But sometimes love is stronger than hate, and not even the gods themselves can prevent what will happen . . .
The first book in Josephine Angelini's thrilling series, Starcrossed is a passionate love story that began thousands of…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
This book features a sort of contest between “real-world” and “fantasy-world” accounts of the hero’s behavior.
Some warriors experience “the Thrill” when they fight: battle is invigorating (because it gets your blood, oxygen, and adrenaline flowing); this is the stuff of modern psychology or biology.
No, wait, the Thrill is basically a supernatural being. Naturally: Sanderson’s world incorporates creatures who appear when various strong emotions are in play. But his handling of psychology is realistic in other respects, so that explanation makes sense, too….
But why does the Thrill affect the hero more than others? Maybe he’s just a bloodthirsty barbarian. No, wait, he has a special relationship with the supernatural creature. But doesn’t that mean they’re kindred spirits, and maybe the hero is a bloodthirsty barbarian?
The #1 New York Times bestselling sequel to Words of Radiance, from epic fantasy author Brandon Sanderson at the top of his game.
In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.
Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.
I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.
The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero.
But then the hero successfully exorcises his demon.
But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.
The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon).
The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.
A weaver of tales, a caster of spells, and a writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation to her story, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings.
Gavril Nagarian has finally cast out the dragon-daemon from deep within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. Though no longer besieged by the Drakhaoul’s unnatural lusts and desires, Gavril has betrayed his birthright and his people. He has put the ice-bound princedom of Azhkendir at…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The Bloodwrath is basically Berserkergang, not possession, right? It affects badgers almost exclusively. What a bummer to be a badger and bear a burden that no one else has!
But it’s a bit more like possession in this book. Lady Cregga has the Bloodwrath more strongly than anyone has ever observed before; her personality seems to reflect this, as she’s impatient, brusque, and aggressive (even for a badger). She’s wounded and loses her sight, and the Bloodwrath goes away.
Even though her personality appears to be tied up with her madness, the Bloodwrath must be something external, since it can leave her without destroying her. Is it an inborn quality or an effect brought about by her personal choices, an appetite that can be satiated, or something else?
The tenth book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie!
Tammo dreams of joining the Long Patrol, the legendary army of fighting hares who serve Lady Cregga Rose Eyes, ruler of Salamandastron. And with Damug Warfang's mighty battalion of savage vermin on the rampage, young Tammo's dream is about to become a brutal reality . . .
Hi, my name is CT Phipps, and I am a crazy nerd from Ashland, Ky. I'm married with two dogs and love superheroes. I mean love. I used to wallpaper my bedroom wall with Spider-Man comics in their polybags. I've been a lifelong superhero fan and just love all the melodrama, hilarity, and weird science as well as magic that are the undercurrents of the genre. I've never lost my love of the characters and their stories, so when the MCU first came out, I ended up writing this book as well as its sequels. I’ve also written a bunch of other humorous sci-fi/fantasy books but this is the series closest to my heart.
Forging Hephaestus is a fantastic book about a tenuous treaty between superheroes and villains in a four-color world.
Hephaestus AKA Tori Rivas is a new supervillain and is learning the ropes from the most powerful one of them all, Fornax. Fornax is a lot nicer guy than you'd expect from the most terrifying of all villains, which shows this world is a lot more complicated than it seems.
I love the complexity, deep characterization, and thickness of this book. It’s over six hundred pages and full of fantastic details about a complicated but believable superhero world. By the end, I wanted to read a dozen more giant-sized volumes.
From Drew Hayes, author of Super Powereds and Fred, the Vampire Accountant, comes a series set in a new world of capes, cowls, and superheroes.
Gifted with metahuman powers in a world full of capes and villains, Tori Rivas kept away from the limelight, preferring to work as a thief in the shadows. But when she’s captured trying to rob a vault that belongs to a secret guild of villains, she’s offered a hard choice: prove she has what it takes to join them or be eliminated.
Apprenticed to one of the world’s most powerful (and supposedly dead) villains, she…
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
Do you know what makes life-and-death drama better? Throwing it in a pot with a healthy dash of family drama and stirring vigorously. Rachel Aaron understands that, and I love that almost all of her series effortlessly blends the importance of apocalyptic disasters with the difficulty of dysfunctional familial relationships.
And sometimes–just sometimes–the characters get a little healing along the way.
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
