Here are 88 books that Fight Club Series fans have personally recommended once you finish the Fight Club Series series.
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I am a tumbleweed writerāone who moves from town to town every few yearsāand I have learned to adapt to new communities and break into new friend groups. In a sense, one could say I reinvented parts of myself as I moved from place to place, and I changed hats regarding what job I would get. Although challenging at times, the scope of this atypical lifestyle has provided me with a wealth of experiences to draw on when drafting a story, not only in setting and career, but also the psychological rollercoaster that comes with blowing with the wind.
Not only is it loaded with suspenseful moments, but the heartache, Piās incredible journey, and the masterful metaphor make it one of those books that will always be near the top of my reading pile. Even the side story of why Pi changed his name is written with humor and heart.
I am a fan of survival stories, and Iām also an animal lover, so the combination of animals playing such a huge role, coupled with Pi struggling to survive when the odds are against him, makes this a great read.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutanāand a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe hisā¦
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
I used this book to relieve the boredom of a long daily commute.
Instead of looking out of a train window at the same old scenery I'd passed a thousand times before, I was now taken to a dystopian society in which everything which I had taken for granted about family life was turned upside down. Where humans are manufactured to a specification instead of being born. A new pseudo religion where everyone makes the sign of the āTā, to signify their devotion to the original Ford Model T, which was the first vehicle to be manufactured on an assembly line.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
Iāve been a lifelong horror reader, really since first stumbling onto Stephen King in the 9th grade. Thereās something about that genre that has held a particular fascination for me through the years, probably because the best works are some combination of suspenseful, well-written, and cathartic, as they really get your mind racing as to what you might do yourself in a given situation. If youāre lucky, they might even have something to say about the human condition as a whole. But given this prolonged interest and exposure to horror, itās only natural I would eventually progress to giving it a stab myself.
This is a unique entry in that the cursed place is a framing device, for this collection of mostly disturbing tales. For his first-ever collection of short stories, Palahniuk brings his wretched cast of characters to a haunted house, where each in turn offers his or her own demented tale. They donāt all work, but a number of the stories really stick with you, and this spooky old house at the center of it ratchets the intensity up another levelāitās not a static situation they are in, there, so the plot progresses to its own warped conclusion on this front as well.Ā
"Haunted" is a novel made up of stories: twenty-three of them to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter - sometimes all at once. They are told by the people who have all answered the ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from theā¦
Iām a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my fatherās stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.
āMany mixed martial artists claim they experience something like bliss at the moment they lose consciousness from a choke.ā Thatās a real quote from the book, which tells a personal journey of a 33-year-old man trying to to understand what itās like to hit and get hit, and why some weirdos like me love it so much.
Count that as self-discovery if youāre fighter or an observational expedition if you canāt understand how someone can be one. Either way, keep that quote away from my wife, before she starts to rethink the decision to get our son into martial arts too.
Shortlisted for the William Saroyan International Prize for Writing
A physical and philosophical mediation on why we are drawn to fight each other for sport, what happens to our bodies and brains when we do, and what it all means
Anyone with guts or madness in him can get hit by someone who knows how; it takes a different kind of madness, a more persistent kind, to stick around long enough to be one of the people who does the knowing.
Josh Rosenblatt was thirty-three years old when he first realized he wanted to fight. A lifelong pacifist with aā¦
Iām a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my fatherās stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.
East and West have massively different approaches to fighting. To how itās trained, to whatās the goal of training⦠this book is about that contrast.
About the cultural shock experienced by the first American to study at the legendary Shaolin Temple, in China. Thatās what my brain said, at least. But if I have to be honest, while I let Polly carry me through his report, I was mostly living the ultimate fantasy of any martial artist of my generation, which is becoming a Shaolin monk, just like those I grew up watching on TV. Thank you, Matt.
The raucously funny story of one young American's quest to become the baddest dude on the planet (and possibly find inner peace along the way)
Growing up a ninety-eight-pound weakling tormented by bullies in the schoolyards of Kansas, Matthew Polly dreamed of one day journeying to the Shaolin Temple in China to become the toughest fighter in the world, like Caine in his favorite 1970s TV series Kung Fu.
American Shaolin is the story of the two years Matthew spent in China living, studying, and performing with the Shaolin monks. The Chinese term for tough training is chi ku ("eatingā¦
Iām a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my fatherās stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.
This is my favorite book, ever. In part because itās the story of the greatest of all Samurai. But thereās more to that.
In the long run, martial arts are an exercise of self-development. Of tapping into your inner beast, setting it free, then controlling it back. No book ever written tells that journey as beautifully as Musashi, by Eiji Yoshikawa.
Often called āJapanās Gone with the Wind,ā the book marches from cliffhanger to cliffhanger through the glorious life of the protagonist, although for me its mark was deeper than any of these electrical moments of adventure. For my eyes, once I crossed the last words of the book, what was left was the realization of how long and chained true change really is.
The classic samurai novel about the real exploits of the most famous swordsman. The classic samurai novel about the real exploits of the most famous swordsman. Miyamoto Musashi was the child of an era when Japan was emerging from decades of civil strife. Lured to the great Battle of Sekigahara in 1600 by the hope of becoming a samurai-without really knowing what it meant-he regains consciousness after the battle to find himself lying defeated, dazed and wounded among thousands of the dead and dying. On his way home, he commits a rash act, becomes a fugitive and brings life in
Iām not an expert on very much. Certainly not the biggest questions of all, such as are we really here, and if not, whatās this all about? But Iāve always enjoyed books that touch upon these questions and find a way to connect them to our everyday reality (I find them easier than actual philosophy). If I am well placed to curate this list, thatās why. I hope it reminds you how we all grapple with these same universal questions. How we all share our doubts and face the same fears. How weāre all whittled away by the same relentless flow of time.
When I read this it felt like a seagoing version of One Hundred Years of Solitude, and it was touch and go which to include in this list. But if youāre like me, and love the sea, thereās no real choice.
In this epic novel weāre shown how the Danish port town of Marstal ā and people who call it home ā evolve over the course of a century. The novel brilliantly captures the pull that the sea has over the townās inhabitants, and their struggle to keep what makes them human when faced with its power and scale.
Thereās a fantastical element too, just a touch here and there, which somehow matches how most of us experience the unexplainable.Ā Ā
In 1848 a motley crew of Danish sailors sets sail from the small island town of Marstal to fight the Germans. Not all of them return - and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.
Spanning four generations, two world wars and a hundred years, We, The Drowned is an epic tale of adventure, ruthlessness and passion.
As someone who spent his days working as a journalist and his nights writing novels and short stories, I've always been fascinated by the fine line separating fact and fiction. We live our lives conforming to the rules of our universe, yet sometimes feel brave enough to ask whatās that?and watch with delight as reality transforms into fantasy. What, exactly, is that brilliant sunset? Billions of bits of light being processed by our survival-evolved brain as a reminder to seek shelter before the perilous darkness descends? The wondrous work of Godās hand? A pleasing distraction from the brutality of our brief existence? Something else we may never comprehend? Great stories help us decide.
When Toronto bookstore owner Jean Mason hears she may have a doppelganger, it sets off a strange series of events that show how fragile our grip on reality really is. Equal parts psychological horror, ghost story, warm family drama, and literary look at mental illness, this dizzying and at times difficult novel asks if we genuinely know ourselves and the nature of our existence. It may leave you like its bewildered main character: full of questions about identity and struggling to distinguish between whatās real and what isnāt.
A darkly comic literary thriller about a woman who fears for her sanityāand then her lifeāwhen she learns that her doppelganger has appeared in a local park.
Jean Mason has a doppelganger. She's never seen her, but others swear they have. Apparently, her identical twin hangs out in Kensington Market, where she sometimes buys churros and drags an empty shopping cart down the streets, like she's looking for something to put in it. Jean's a grown woman with a husband and two kids, as well as a thriving bookstore in downtown Toronto, andā¦
Robert-Houdin, Houdini's first and greatest inspiration, famously said that a magician is an actor playing the role of a sorcerer. When I started out writing professionally, I quickly found myself drawn to characters who are at odds with themselves, living in their own shadows. There's a core tension in the stories these people inhabit that, for me, reflects the structure of a magic trick, with its misdirection and layered realities. I always try to incorporate the principles of magic into my writing, and the figurative masks my characters wear to function in worlds that alienate them are a major part of that.
This book, for me, stands alongside The Strange Case of Dr. Jekyll and Mr. Hydeas a necessary stepping stone toward all modern 'dark double' fiction. I actually first encountered the book via one of its looser adaptations, The Man Who Haunted Himself, starring Roger Moore. I must have seen that some time in the 70s, and it stuck with me across five decades without losing its core power. The Armstrong original, written in 1940 then expanded later, is still a legitimately creepy tale, particularly in terms of the questions it refuses to answer. Watching Pelham's slow-motion collapse into paranoia and chaos is a genuinely uneasy experience, like seeingThe Picture of Dorian Gray through the eyes of the portrait itself.
First published in 1957 The Strange Case of Mr Pelham is Anthony Armstrongās masterclass in suspense, a slow-burning examination of one manās descent into paranoia. Filmed several times for television in both the UK for the BBC, and in the US as an episode of Alfred Hitchcock Presents, Armstrongās Pelham eventually hit the big screen in 1970 as the movie The Man Who Haunted Himself, starring Roger Moore. Reissued here for the first time in more than half a century, this classic period piece is set to bring one of the great 20th century thriller writers to a new generationā¦
Robert-Houdin, Houdini's first and greatest inspiration, famously said that a magician is an actor playing the role of a sorcerer. When I started out writing professionally, I quickly found myself drawn to characters who are at odds with themselves, living in their own shadows. There's a core tension in the stories these people inhabit that, for me, reflects the structure of a magic trick, with its misdirection and layered realities. I always try to incorporate the principles of magic into my writing, and the figurative masks my characters wear to function in worlds that alienate them are a major part of that.
As a model unreliable narrator, you couldn't pick a more disarming armed robber than Mark "Chopper" Read. He described his pseudo-autobiographical book series as "the truth, the half-truth and nothing like the truth," which may be the most honest statement he ever made. None of this is to suggest that Read wasn't every inch the ultra-violent toecutter he sketches out in his writing. It's just that every word in Chopperis working toward the same goal: building a larger-than-life self-caricature to outshine and outlast the man himself. The cover quote boldly declares, "I regret nothing." The final line of the book admits, "I regret everything." Chopper Read lived and died within that contradiction, and his story's all the more mesmerising for its gunsmoke and mirrors.
Bullied at school, and growing up dreaming of revenge, Mark 'Chopper' Read determined to be the toughest in any company. He became a crime commando who terrorised drug dealers, pimps, thieves and armed robbers on the streets and in jail - but boasts never to have hurt an innocent member of the public. Streetfighter, gunman and underworld executioner, he has been earmarked for death a dozen times, but has lived to tell the tale. This is his story.