Here are 64 books that Fault Lines Trilogy fans have personally recommended once you finish the Fault Lines Trilogy series.
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As a genre reader since childhood, I’m all-too-familiar with the tropes of the Chosen One, the Prophecy and all those things that lead the unsuspecting child of humble birth to fulfil their Great Destiny. I’ve no complaint against it, it’s been the source of many rich and inventive stories, but I find myself increasingly drawn to stories where the protagonist is an ordinary Joe (or Jo), sucked into uncommon events beyond their normal lives and forced to find a way to survive. It’s easy to grab attention with the threatened destruction of the galaxy. How much more satisfying, then, to make a reader care about the soul of one character.
My journey with this book came at a young age, recommended to me by my older brother, and was a formative experience. Not only was it an early experience with a more adult version of the fantasy literature I’d grown up reading but it also built a bond between my brother and I, it was a shared literary experience that became special because of who I shared it with.
It opened my eyes to the idea that you could write this kind of stuff for grown-ups, and therefore, a whole new world of reading was opened to me.
Brendan Doyle is a twentieth-century English professor who travels back to 1810 London to attend a lecture given by English romantic poet Samuel Taylor Coleridge. This is a London filled with deformed clowns, organised beggar societies, insane homunculi and magic.
When he is kidnapped by gypsies and consequently misses his return trip to 1983, the mild-mannered Doyle is forced to become a street-smart con man, escape artist, and swordsman in order to survive in the dark and treacherous London underworld. He defies bullets, black magic, murderous beggars, freezing waters, imprisonment in mutant-infested dungeons, poisoning, and even a plunge back to…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Tim Powers is best known for his secret histories. Unlike alternate history, a secret history doesn’t change the publicly known facts of the past; instead, it tells a story hidden beneath those facts that may change their meaning.
Powers takes a strict approach to secret history that I admire and try to follow when I can: all the known historical details (who was where and when and what they were doing) must remain the same. His marvelous novel Declare applies this rule to the Kim Philby spy case. Powerful beings that have been dwelling among us provide the hidden motivations for espionage and treason from WWII into the Cold War.
Declare is fun both for its spycraft and occult details.
As a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Andrew Hale finds himself caught up in a secret, even more ruthless war. Two decades later, in 1963, he will be forced to confront again the nightmarethat has haunted his adult life: a lethal unfinished operation code-named Declare. From the corridors of Whitehall to the Arabian desert, from post-war Berlin to the streets of Cold War Moscow, Hale's desperate quest draws him into international politics and gritty espionage tradecraft -- and inexorably drives Hale, the fiery and beautiful Communist agent Elena Teresa Ceniza-Bendiga, and Kim Philby, mysterious…
I’ve always loved pirates and fantasy – combining the two is just wonderful in my eyes, cemented with my first watch of The Curse of the Black Pearl.It’s a struggle to identify exactly why these things appeal so much – I suppose my imagination and sense of free-wheeling roguish adventure runs wild. I’ve loved action-adventure and exploration since growing up watching the Indiana Jones films and playing Tomb Raider. The beloved genre of pirate fantasy seemed absurdly scarce within literature. I couldn’t find the books I wanted to read – so I had to write them, filling them with all the pirate fantasy staples I adored, twisting them, and adding entirely new creations.
I must start, of course, with the quintessential pirate fantasy book.
Many might not be aware that the fourth Pirates of the Caribbean film was loosely adapted from this 1987 novel by Tim Powers. Anybody who knows the genre and is asked for a pirate fantasy book most likely brings up this one first. It’s the clearest yet expression of a rarified genre, and something with few imitators.
Expect to be entertained with high-seas piracy, ship battles, jungles, dark voodoo, ghost ships, and zombies as you follow Jack Shandy on the quest for the Fountain of Youth. Blackbeard, played wonderfully by Ian McShane in the film, proves a foreboding antagonist with supernatural designs.
Shortlisted for the World Fantasy Award Shortlisted for the Locus Award for Best Fantasy Novel
1718: Puppeteer John Chandagnac has set sail for Jamaica to recover his stolen inheritance, when his ship is seized by pirates. Offered the choice to join the crew, or be killed where he stands, he decides that a pirate's life is better than none at all.
Now known as Jack Shandy, this apprentice buccaneer soon learns to handle a mainsail and wield a cutlass - only to discover he is now a subject of a Caribbean pirate empire ruled by one Edward Thatch, better known…
My mother was a student who divorced when I was very small. Lacking resources, we moved frequently, rarely staying anywhere for more than a few months. It has left me with an abiding sympathy for stories of outsiders trying to figure out what exactly they did to be relegated to the other side of the glass, peering in. This is why when I decided to write about werewolves, I made them wolves first and humans only very secondarily. Because my sympathy is always with the monsters.
Five thousand years after leaving the labyrinth, the Minotaur has traded in a diet of virgins for a job as a cook at a North Carolina joint called Grub’s Rib, a casually cannibalistic reference that gives a sense of Sherrill’s dark humor. His life is punctuated by problems that are both conventional (he lives in a trailer park and pines for one of Grub’s waitresses) and un- (his horns are awkward in the tight confines of kitchen and trailer, his tongue makes speech difficult, his penmanship is disastrous). What makes the Minotaur so appealing is that unlike the mortals around him who really have no excuse for cynicism, “M” clings desperately to possibility. “Even in the most tedious unending life there comes, occasionally, hope. One simply has to wait and be ready.”
Five thousand years out of the labyrinth, the Minotaur finds himself in the American South, living in a trailer park and working as a line cook at a steakhouse. No longer a devourer of human flesh, the Minotaur is a socially inept, lonely creature with very human needs. But over a two-week period, as his life dissolves into chaos, this broken and alienated immortal awakens to the possibility for happiness and to the capacity for love.
Steven Sherrill is a graduate of UNC Charlotte and holds an MFA in poetry from the Iowa Writers' Workshop. The recipient of a NEA…
Ever since I was a child, I’ve loved anything fantasy-related, and I especially loved stories where the world around you would completely melt away as you read. I used to write my own stories then, too, and I’ve always had a passion for diving into it headfirst and immersing myself in the world entirely. I went through a period in my life where I was dealing with depression, and fantasy books that I could escape into were very important to me at that time.
I’ve never read anything with such a well-thought-through and descriptive world as the one in this book. The more you read, the richer it becomes, creating such an incredible story.
I was such a sucker for this book because it had a little of everything that I loved, and it is absolutely a story that’ll leave you wanting to make a Pinterest board. I love books with strong aesthetics, and I find them enjoyable to read. This book was absolutely that!
Experience Feyre Archeron's journey all over again with the beautiful collector's edition of A Court of Thorns and Roses, the seductive first book in the #1 New York Times bestselling series by Sarah J. Maas, featuring a deluxe new package, an updated map, ribbon pull, and more!
When nineteen-year-old Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin-one of the lethal, immortal faeries who once ruled their world.
As she…
I’ve been reading and writing horror for more than forty years and am prolific in both aspects. Show me a book with a tentacle and I’ll show you my newest purchase.
Release the Kraken! While the tentacles might be more subtle on newer editions of this fine book, the title alone is enough to get it added to my list. This is a classic and the twists and turns in it are stupendous. What hooked me from the beginning was the characters and the story arc, although the plot, setting, and everything else make this a book you cannot miss. A must-read.
Winner of the Locus Award for Best Science Fiction Novel, Kraken is a darkly comic, wildly absurd adventure by author of Perdido Street Station, China Mieville.
Deep in the research wing of the Natural History Museum is a prize specimen, something that comes along much less often than once in a lifetime: a perfect, and perfectly preserved, giant squid. But what does it mean when the creature suddenly and impossibly disappears?
For curator Billy Harrow it's the start of a headlong pitch into a London of warring cults, surreal magic, apostates and assassins. It might just be that the creature…
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
As a fantasy lover with strong interest in humanity’s relationship with religion and our gods, I was blown away by this book. Gaiman is the proven master at fusing our lore, myths, and legends with uniquely powerful characters, themes, and story arcs to create brilliant literary works.
In this book, Gaiman examines American identity and the extremes of our obsessions while seeking to answer the questions of what it means to be ‘god’ and who is deserving of worship. The novel is a chilling allegory of human civilization’s extremes told within the context of a struggle between the ‘old gods’ and the ‘new gods’ of the modern Parthenon, represented by the likes of Technology and the Media.
WARNING: This book may change how you look at America forever!
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.
I was amazed at the subtle way this horror story unfolded and how the evil presence slowly began to reveal itself. It draws you in completely.
When the hunters become the hunted and justice is brought by those who were wronged, it is one of the most satisfying aspects of this book. The masterful way Mr. Graham interwove elements of Native American culture and the power of Nature was beautiful, even in its most horrifying aspects.
The final sequences are truly breathtaking, and the final justice is more than gratifying.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.
The development of both of these characters was amazing. Sometimes, you read a book where you relate to one character and not as much to the other. Not with this book!
Both voices and stories were gripping by themselves. Then, when they met, the explosions happened and you saw two “people” with the same background (but under vastly different circumstances), merge.
'One of only two novels I've ever loved whose main characters are not human' BARBARA KINGSOLVER
For fans of The Essex Serpent and The Mermaid and Mrs Hancock.
'By far my favourite book of of the year' Guardian
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
