Here are 22 books that El Deafo fans have personally recommended once you finish the El Deafo series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.
In the summer of 1966, aspiring artist Kevin Sacco learns that his family is moving from New York City to London-and that he will be attending
Sevenoaks, a traditional boarding school in the English countryside.
At first considered a "Yank" outsider with limited academic or sports acumen, Sacco gradually comes to experience and understand this life of rugby, cold showers, new friendships and discipline. Letters between Sacco and his best friend in New York serve to compare his cloistered life at Sevenoaks to the life that he would be living back home: a life touched by drugs, anti-war sentiments and…
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.
A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway
Utterly original, deeply moving and very funny, Ethel & Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971.
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War…
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.
Will Eisner (1917-2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.
More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works…
As a graphic novel creator and art teacher with years of experience, I understand the importance of introducing serious topics for discussion in an accessible way. My art students of all ages are curious about different subjects, wondering what life is like for others and if their own feelings are normal. Graphic novels are a perfect tool for fostering these discussions. Having been interested in comics as a medium for a long time, I'm thrilled to share this with young audiences and encourage exploration of diverse perspectives.
Representation in literature matters, and Jerry Craft's book offers a unique perspective on a young boy's experience of transferring to a private middle school where he stands out due to his race and socioeconomic background.
The book thoughtfully highlights microaggressions and their impact, making it an essential read for children. It's an excellent starting point for important conversations on race, identity, and friendship.
Winner of the Newbery Medal, Coretta Scott King Author Award, and Kirkus Prize for Young Readers' Literature!
Perfect for fans of Raina Telgemeier and Gene Luen Yang, New Kid is a timely, honest graphic novel about starting over at a new school where diversity is low and the struggle to fit in is real, from award-winning author-illustrator Jerry Craft.
Seventh grader Jordan Banks loves nothing more than drawing cartoons about his life. But instead of sending him to the art school of his dreams, his parents enroll him in a prestigious private school known for its academics, where Jordan is…
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
Cece Bell is one of the funniest, most fearless writers in town, and I never know what she’s going to do next. This book features Bell’s trademark absurd humor and endearing characters.
Rabbit lives by her to-do list, and Robot tends to go off-script, asking for nuts and bolts on pizza or running out of batteries during a game called Go Fish. (Hey, who hasn’t?) But for me, Rabbit’s missing remote gets the biggest laugh as Bell works it into a visual joke that’s a hoot to be in on.
Candlewick Sparks are perfect for the newly independent reader: * Award-winning stories by top authors & illustrators * Short, engaging chapters * Vibrant illustrations * Welcoming design Rich vocabulary Candlewick Sparks are sure to ignite a lifelong love of reading.
As a kid, being shy and often scared witless of monsters under the bed, books were my refuge. I especially loved fantasy and great story-telling, which, at first, just took my mind off of things. Then, sneakily, the stories began to teach me how to find courage when facing monsters, as well as to value hopefulness, invention, and the study of science and nature. The earth is in a pickle now. There are monsters under the bed. We need science to help us find the right tools. We need stories to fire our inventiveness and our courage. Here are some great books for that. They will suit young readers and beyond.
I am fascinated by stories of robots evolving into sentient beings. For a change, in this one, the robots do not rise up to destroy their masters. Instead, we are invited into a funny, tender, and exciting tale about a robot who finds herself castaway on a wilderness island and must learn what her purpose is and how to survive. As she and the animals who live there grow closer and closer together, she begins to find a home in the wilderness. A rich story that works on many levels at once. It is a tale about the interdependence of all things in nature, as well as about the perils and possibilities that technology is bringing to us. Best of all, it’s about kindness.
'An engaging tale that explores many important themes. We can only hope that Roz serves as the template for all future robots. Peter Brown's illustrations are as marvellous as ever!' Coralie Bickford-Smith, author of THE FOX AND THE STAR
When robot Roz opens her eyes for the first time, she discovers that she is alone on a remote, wild island. She has no idea how she got there or what her purpose is - but she knows she needs to survive. After battling a fierce storm and escaping a vicious bear attack, she realises that her only hope for survival…
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
Poor Nat the Cat just wants to take a nap, but the intrusive narrator won’t let him. The incongruity of the narrator’s words and Nat’s actions pack a comedic punch on every page, just as the brilliant See the Cat and See the Dog books do.
Lerner managed to create this gem with few words and sparse illustrations, which is incredibly difficult. And good news—the Nat the Cat books are now a series.
From Jarrett Lerner, the powerhouse creator behind the EngiNerds, Geeger the Robot, and Hunger Heroes series, comes a hilarious new Pre-Level 1 Ready-to-Read series about a grumpy cat and a long-suffering narrator!
Nat the Cat is taking a nap. Or he would be…if only the narrator would stop interrupting his sleep! This witty story, where Nat’s words keep getting turned upside down and inside out, is sure to make readers laugh out loud.
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
Is there such a thing as too silly in children’s books? No way, I say! This book is book 6 in the side-splitting A Jack Book series. It’s super silly and a little weird—just the way I like my books.
The mischievous Jack has a habit of swiping snacks and ladies' lipsticks (great for writing on walls). So when Jack figures out how to clone himself, watch out! This book is a storytime hit with dry humor and escalating chaos… until the super silly and a little weird ending.
From New York Times bestselling author Mac Barnett and Geisel Award-winning illustrator Greg Pizzoli, an uproarious early reader series about a mischievous rabbit, a cranky old lady, and a lovable dog.
The Lady gives Jack a gift. It's a lab kit! Jack goes into the shed to experiment and doesn't come out until he's made another Jack and another Jack and another. But one Jack was already too many. Can Jack stop his naughty robot clones before they destroy the town?
Welcome to the laugh-out-loud and irreverent world of Jack, a new early reader series by the New York Times…
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
This book is one of my all-time favorites. It’s full of funny and sweet surprises: 1. There’s a monster in Annie’s backpack. 2. It ate her lunch (except for the carrots—they make the monster burp) 3. The monster ripped up her homework. Isn’t it the worst? But wait! The monster was just making confetti for the parade it was throwing—the ANNIE-IS-GREAT PARADE.
Aww! Come on, is that not the cutest? I want a monster in my backpack.
Having trouble with your backpack zipper? Maybe there’s a monster inside! A little girl slowly warms up to her unexpected guest in this funny story.
When Annie unzips her backpack and finds a monster inside, it’s hard to say who is more shocked. "AAAAHHHH!" yells the monster. "EEEEEEKKKK!" yells Annie. Then the monster proceeds to gobble up Annie’s sandwich, put gum in her boot, and tear up her homework to use as confetti for an "Annie is great" parade during class. With perfect comic timing, this charming story depicts a young girl’s shift from annoyance to affection as a disarming…
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
Worms are slimy and wiggly, and you can’t tell their tops from their bottoms! *shudder* This is one of those books I want to immediately read at storytime because I know the room will erupt in giggles.
From the idea of a fierce tiger being terrified of worms to the physical humor to the hilarious dialogue, this book is full of laugh-out-loud moments. I also love how the ending flips this story on its head … or is it its tail!?
