Here are 19 books that East of Troost fans have personally recommended once you finish the East of Troost series.
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Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Remembering its excellent character portrayals, I re-read this book when I began writing my own novel about an interracial friendship. Set in Kentucky, Stranger Here Below depicts the friendship that develops when outgoing Maze (short for Amazing Grace) and staid Mary Elizabeth room together at Berea College in the 1960s. Mary Elizabeth, who’s quiet and musically talented, is the daughter of a black preacher, while Maze is a chatty Appalachian girl. Although the friendship is interrupted when Mary Elizabeth abruptly leaves school, the two women try, years later, to revive it.
In 1961, when Amazing Grace Jansen, a firecracker from Appalachia, meets Mary Elizabeth Cox, the daughter of a Black southern preacher, at Kentucky's Berea College, they already carry the scars and traces of their mothers' troubles. Poor and single, Maze's mother has had to raise her daughter alone and fight to keep a roof over their heads. Mary Elizabeth's mother has carried a shattering grief throughout her life, a loss so great that it has disabled her and isolated her stern husband and her brilliant, talented daughter. The caution this has scored into Mary Elizabeth has made her defensive and…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I was struck by the beautiful writing in this novel and the way the author, a woman, convincingly depicts male friendship. Augustus Lee Rivers, a black farmer in Arkansas, is happiest when playing his guitar; he has dreams of making it big in Chicago. David Duncan, an enthusiastic fan of Hummin’ Gusty’s music, comes from a wealthy white family. What can happen to a black man’s dreams in rural Arkansas in the 1950s? Trust me, you’ll keep reading to find out.
Independent Publisher Book Awards Bronze Medal for Regional Fiction (2017) Set in Arkansas in 1957, the complexities of identity, yearnings for love and acceptance, and racial tension are all unmasked in the riveting literary drama, Melting the Blues, by debut author Tracy Chiles McGhee. Augustus Lee Rivers, a farmer and bluesman, has two obsessions: his relationship with the Duncan family and his desire to leave small town Chinaberry to become a musician in Chicago. When his plans are prevented by a devastating betrayal, Augustus is driven into the belly of the blues where he must reckon with his past if…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested.
A spellbinding debut about half sisters, one black and one white, on a 1950s road trip through the American South
Self-educated and brown-skinned, Cassie works full time in her grandmother’s laundry in rural Mississippi. Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.
In an old junk car, with a frying pan, a ham, and a few dollars…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I loved the way the mystery at the heart of this novel was so slowly and stunningly revealed. Why does Isabelle, an elderly white woman in Texas, want Dorrie, her much younger black hairdresser, to drive her all the way to Ohio for a funeral? It seems a lot to ask of a friend. The answer lies in a secret Isabelle has kept since she was a teenager in 1930s Kentucky.
A moving love story inspired by a true story and perfect for fans of The Help
In a time of hate, would you stand up for love?
Shalerville, Kentucky, 1939. A world where black maids and handymen are trusted to raise white children and tend to white houses, but from which they are banished after dark.
Sixteen-year-old Isabelle McAllister, born into wealth and privilege, finds her ordered life turned upside down when she becomes attracted to Robert, the ambitious black son of her family's housekeeper. Before long Isabelle and Robert are crossing extraordinary, dangerous boundaries and falling deeply in love.
At a conference hosted by Maria Shriver, I met Sister Terry Dodge, who works with women exiting prison with nothing but $200, with no job and no place to live. She showed a video, and that video has stuck with me. So much so that it wrote itself into The Breaks. Meanwhile, I was volunteering with a therapy program, taking pets into Juvenile Hall. I learned a lot from the kids and counselors there. Then You Got Nothing Coming came my way, and later Orange is the New Black (the book, not the television show). In both fiction and nonfiction, the mix of pathos, hilarity, and horror is astounding.
Women’s prison was something I never thought about, until I picked up this memoir because I was curious about the title (and was completely wrong about it).
How a Smith graduate with a job as a New York creative ended up in prison was interesting, but once she walked inside, I was spellbound. I got caught up in the sadness, the fear, the drama, the boredom, and the unfairness of (no period products??).
This book was as eye-opening as it was mesmerizing.
'I loved this book ... a beautifully told story about how incredible women can be, and I will never forget it Elizabeth Gilbert, bestselling author of Eat, Pray, Love
With her career, live-in boyfriend and loving family, Piper Kerman barely resembles the rebellious young woman who got mixed up with drug runners and delivered a suitcase of drug money to Europe over a decade ago. But when she least expects it, her reckless past catches up with her; convicted and sentenced to fifteen months at an infamous women's prison in Connecticut, Piper becomes inmate #11187-424.
At a conference hosted by Maria Shriver, I met Sister Terry Dodge, who works with women exiting prison with nothing but $200, with no job and no place to live. She showed a video, and that video has stuck with me. So much so that it wrote itself into The Breaks. Meanwhile, I was volunteering with a therapy program, taking pets into Juvenile Hall. I learned a lot from the kids and counselors there. Then You Got Nothing Coming came my way, and later Orange is the New Black (the book, not the television show). In both fiction and nonfiction, the mix of pathos, hilarity, and horror is astounding.
Allen Eskens is adept at melding literary fiction with crime, mystery, suspense, and psychological thriller.
In this book, his lawyer-protagonist (Boady) is trying to save two unrelated people: the teen-aged Emma, but also Elijah, who is locked up in a psychiatric hospital, convicted of murder. And he has to save himself.
I love how these stories are interwoven, how Boady struggles with family, his work with the Innocence Project, and his own grief, fears, and failings. I found the Elijah story especially gripping—to save Elijah, he must unpick the knots that keep Elijah from helping himself, and at the same time he must gently undo brainwashing at the hands of a devious aunt.
A lawyer's race to reveal a wrongful conviction collides with the dark shadow of a murder in his own home in this propulsive and perfectly-plotted thriller from "one of our best crime writers at the top of his game" (William Kent Krueger, New York Times bestselling author).
"Ambitious, absorbing, and deeply satisfying." Kirkus Reviews (starred review)
"Eskens brilliantly combines legal and personal drama." Publishers Weekly (starred review)
"Superb . . . another Eskens novel to be savored." South Florida Sun-Sentinel
When Boady Sanden first receives the case of Elijah Matthews, he's certain there's not much he can do. Elijah, who…
At a conference hosted by Maria Shriver, I met Sister Terry Dodge, who works with women exiting prison with nothing but $200, with no job and no place to live. She showed a video, and that video has stuck with me. So much so that it wrote itself into The Breaks. Meanwhile, I was volunteering with a therapy program, taking pets into Juvenile Hall. I learned a lot from the kids and counselors there. Then You Got Nothing Coming came my way, and later Orange is the New Black (the book, not the television show). In both fiction and nonfiction, the mix of pathos, hilarity, and horror is astounding.
I loved the characters in this novel, both the “ordinary” people and the quirky ones. And the non-human ones.
I loved how each character’s backstory and front story came out over time and sometimes merged and sometimes stayed quiet. I loved how the main and minor plots merged and separated and did not always go where I thought they would go. I loved that the story sometimes seemed predictable, and then, like real life, didn’t go as planned.
Most of all, I love how the author constructed a novel about a tough subject that didn’t drag me down into hopelessness and also didn’t turn out all sunshine and kittens. As a bonus, I learned some pretty cool things about parrots.
"The perfect pick to really light a fire under my book club, and yours....A reminder that goodness, and books, can still win in this world." —New York Times Book Review
"A beautiful, big-hearted treasure of a novel." —Lily King
National Bestseller * From the award-winning author of The One-in-a-Million Boy comes a heartfelt, uplifting novel about a chance encounter at a bookstore, exploring redemption, unlikely friendships, and the life-changing power of sharing stories.
Our Reasons meet us in the morning and whisper to us at night. Mine is an innocent, unsuspecting, eternally sixty-one-year-old woman named Lorraine Daigle…
At a conference hosted by Maria Shriver, I met Sister Terry Dodge, who works with women exiting prison with nothing but $200, with no job and no place to live. She showed a video, and that video has stuck with me. So much so that it wrote itself into The Breaks. Meanwhile, I was volunteering with a therapy program, taking pets into Juvenile Hall. I learned a lot from the kids and counselors there. Then You Got Nothing Coming came my way, and later Orange is the New Black (the book, not the television show). In both fiction and nonfiction, the mix of pathos, hilarity, and horror is astounding.
This was the first book I ever read dealing with life in prison, and it took me into a world way beyond my own.
The prisoner who wrote it was, like me, a corporate office worker (although unlike me, he killed someone). This book took me right into prison with him, directly from the courtroom. I could feel and hear and see and smell this utterly alien place, this community of people that has its own structure and its own rules, and where nothing that worked in your past life has any relevance.
A big part of why I love this book is the humor in the author’s outlook and writing style—so I got to laugh occasionally, especially when he would describe trying to apply his MBA training to the situations he encountered on the inside.
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
The most supernatural of this list, this book has occasional short chapters (usually just a paragraph or two) by the angel who is shepherding a dying man toward death.
These little interludes give the reader flickers of insight into the author’s vision of dying without anything like proselytizing. The engrossing overarching story is one of friends and family in a small Southern town and one woman’s struggle with her identity and her religion, again without judgment.
There are no easy answers – this book is real and heartwarming at the same time that it is heartbreaking.
"There's a set time, a season, for everything under the heavens," Tobiel said. "You can ask God to do something numerous times. Get others to ask for you. And He still will not move until the set time, when everything is beautiful. Including you." --from IF I COULD DIE
John "Dusty" Wilson's life is falling apart. His wife Lisa has left him, and he's having a hard time convincing her to come back home. When his alcoholic uncle's health fails and he's faced with more difficulties, Dusty wonders if God is the refuge that he needs or the source of…
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
This one gets all the way to the end before the mysterious creeps in, where it felt completely natural.
I find Trafford’s novels both engrossing and enlightening—genre-merging legal/psychological thrillers that are also thoughtful and literary. I loved the books prior to this one, but this is the one that first introduces a little supernatural healing that was surprising and then . . . good. Intriguing. He carries it forward into the second book of the Dark River series.
The bridge in this book is an actual bridge over an actual river (the Mississippi) connecting Missouri and Illinois at St. Louis. The story is fiction, involving a body that washed up on the Missouri side of the river, which sets the stage for all that follows.
