Here are 70 books that Craft Sequence fans have personally recommended once you finish the Craft Sequence series.
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I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
This lesser-known gem was my favorite book of 2019. You take a World War II-style submarine war but throw in horrifying new supernatural powers, and then pitch it against Cthulu-style interdimensional monsters and you start to have an idea of the gloriously-insane trajectory of this book. That may sound over-the-top at a glance, but I promise this is a grounded read that’s flush with complex interweaving relationships, and an unrelenting pace that constantly throws new, bigger dangers at the characters before they’ve had a chance to catch their breath. This book is far better than it has any right to be.
Naval officer Mila Blackwood is determined to keep her country's most powerful secret - shrouding, the ability to traverse their planet in seconds through an alternate realm - out of enemy hands. But spies are everywhere: her submarine has been infiltrated by a Dhavnak agent, and her teenage brother has been seduced by an enemy soldier. When Blackwood's submarine is attacked by a monster, she and fellow sailor, Holland, are marked with special abilities, whose manifestations could end the war - but in whose favor? Forced to submit to military scientists in her paranoid and war-torn home, Blackwood soon learns…
Full disclosure: I am a fantasy world nerd! I treasure my visits to these imaginary places, and I love imagining how the world goes on after the last page. I’ve spent hours pondering what would happen in Narnia after the invention of the internal combustion engine, or in Middle Earth when populations reach levels requiring building codes and infrastructure planning. (I told you I was a nerd!) Advancing fantasy technologies creates new problems, new solutions, and new parallels to our own time. The books on this list redefine our assumptions of what a fantasy world is, and what stories they have to share.
Oh, man… I love this book so much! Donnelly writes the kind of prose that makes me jealous. I frequently stop and go back, rereading her words just to savor the imagery and effortless flow. Characterizations are rich and full, not only for the leads but also for the background characters. Now, I need to point out that there is no magic in this book, so if you’re looking for dragons and lightning bolts, it won’t scratch that itch. But Amberlough feels like a proper fantasy world, and that earns it a place on this list. if you enjoy the encroaching global conflict of Lord of the Rings, but also love John LeCarre and Cabaret, Amberlough is the perfectly-blended cocktail you’ve been looking for.
A double-agent sacrifices all his ideals in order to save his smuggler lover before a government coup takes over their decadent city in Lara Elena Donnelly’s glam spy thriller debut, now a Nebula finalist for Best Novel!
“Exploring the roots of hatred, nationalism, and fascism, while at the same time celebrating the diversity, love, romance, fashion, and joy the world is capable of producing.” ―Bookriot
In Amberlough, amidst rising political tensions, three lives become intertwined with the fate of the city itself.
The Smuggler: By day, Aristide Makricosta is the emcee for Amberlough City’s top nightclub. By night, he moves…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
Full disclosure: I am a fantasy world nerd! I treasure my visits to these imaginary places, and I love imagining how the world goes on after the last page. I’ve spent hours pondering what would happen in Narnia after the invention of the internal combustion engine, or in Middle Earth when populations reach levels requiring building codes and infrastructure planning. (I told you I was a nerd!) Advancing fantasy technologies creates new problems, new solutions, and new parallels to our own time. The books on this list redefine our assumptions of what a fantasy world is, and what stories they have to share.
I’m a sucker for fantasy blended with industrial strife. In Michael Swanwick’s Jane, we see a character trapped in an industrialized fairy-world, forced to work in a factory building bio-mechanical dragons. The Iron Dragon’s Daughter blends biting social commentary with a thoughtful coming-of-age narrative, resulting in a powerful story that’s accumulated a stack of award wins and nominations.
Named a NEW YORK TIMES notable book of 1994, THE IRON DRAGON'S DAUGHTER tells the heartrending story of a changeling child who is kidnapped to a realm of malls and machines and enslaved in a vast, infernal factory. Ultimately she escapes and attempts to educate herself about this alien world, while being tormented by visions of the life she was denied.
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I view this book as an equal mix of cosmic deep-sea horror, exploration of loneliness, and marital devotion.
I really appreciate that this book follows two flawed women across multiple periods of time, on land and in the deep sea, and across the full length of their relationship. The weight of one of them disappearing beneath the ocean for months profoundly affects both of them–mentally, emotionally, and physically–in different and weird ways, but underneath everything is an enduring love.
I particularly enjoyed the slow-moving body horror in this one, plus the escalating creep of being stuck at the bottom of the ocean for months and the overarching terror of losing the one you love.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I finished this book, I was a little heartbroken because I didn’t want to leave that crew.
I love how Chambers builds a world that doesn’t put heroes on a pedestal—a world full of ordinary, flawed people trying to understand one another while doing extraordinary work in an uncaring universe.
It taught me about quiet courage, the kind that doesn’t need destiny to feel meaningful. It made me believe again that kindness and curiosity can be forms of rebellion.
I come back to the Wayfarer whenever I need reminding that connection, not perfection, is what makes us human.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
'A quietly profound, humane tour de force' Guardian
The beloved debut novel that will restore your faith in humanity
#SmallAngryPlanet
When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.
But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix,…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I strapped in to read Red Rising, I was mentally prepared for a modern Dune-style space opera, complete with a chosen-one arc. But what kept me turning pages was Darrow’s humanity.
I was thrilled to discover how he breaks, rebuilds, and keeps fighting to become more than the system that made him. I loved that it refused to give me a perfect hero. Every victory costs something, and every choice leaves a scar.
It reminded me that courage doesn’t always look noble—sometimes it’s messy, angry, and uncertain. But that’s what makes it real.
This book made me feel the weight of change and how hard it is to stay kind while tearing down what’s broken.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
