Picked by Chronicles of Will Ryde & Awa Maryam fans
Here are 4 books that Chronicles of Will Ryde & Awa Maryam fans have personally recommended once you finish the Chronicles of Will Ryde & Awa Maryam series.
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I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Set in Delhi on
the eve of the first battle for Indian independence in 1857 that would be so
brutally put down by the British, ending with Delhi in flames and India coming
under direct British rule, our detective, the poet laureate Mirza Ghalib
investigates a murder. The investigation reveals the myriad of personalities,
pressures, and allegiances from every corner of Indian and British society that
led to the uprising and all that has come after. This finely wrought novel
begins and ends with death at a Mushaira—a poetry recitation, public, private,
or intimate for just two, that typically drew from every level of society—sounding
the loss of India as it was before colonization, and then partition, when
religious and social boundaries were not as starkly defined and policed as they
are now.
3 May 1857. India stands on the brink of war. Everywhere in its cities, towns, and villages, rebels and revolutionaries are massing to overthrow the ruthless and corrupt British East India Company which has taken over the country and laid it to waste. In Delhi, the capital, even as the plot to get rid of the hated foreigners gathers intensity, the busy social life of the city hums along. Nautch girls entertain clients, nawabs host mushairas or poetry soirees in which the finest poets of the realm congregate to recite their latest verse and intrigue, the wealthy roister in magnificent…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
The magnificence
of the first in the Amalgant series is the immersive
reconstruction of Mongol social, political, and religious worlds, as well as the
lives of its people. Hammond resistantly reads histories produced by hostile
cultures, instead privileging the earliest and most comprehensive Mongol
tellings of their own lives, The
Secret History of the Mongols. This is no dry historical account of
cultural norms, steppe relations, or material artifacts, but an intimate and
humane telling of the personal tragedies and struggles that would change the
world as the war-orphaned Temujin grows to be the man we know as Chenggiz Khan.
Mother Hoelun was never ashamed or embarrassed by their hardships. When Jochi wore a dog’s pelt for a cloak, because they had no fleeces and no felt and had to trade for hides and dog was cheap, none of the children felt a sense of indignity. Indignity was alien to her.The Mongols are a people of orphans. A disastrous battle with China has left wives without husbands, children without fathers. Temujin is one of these children, impoverished by the heavy tribute China has punished them with, in danger of forgetting what a Mongol stands for. Worse, Temujin's the subject of…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Segu
may begin with a lone white explorer gazing across a river at the Bambara
people, but this novel turns away from him to those whose world will be irrevocably
changed as colonialism and Christianity, Muslim expansionism, and the horrific
trade in human beings irrevocably changes the course of African lives. Condé
turns an unblinking eye on the Traore family as they break under the weight of
these civilizational pressures. Traditional ways of life turn brutal and
desperate—women especially feel the brunt of an unstable world—and sons abandon
the family for enemies or are kidnapped and enslaved. Each storyline in this
famed epic cuts straight into the political and social complexities of that
time and exposes its players to uncompromising account.
'Maryse Conde is an extraordinary storyteller who brings the history of an African kingdom alive as vividly as if it existed today. . . This is a great novel: unputdownable and unforgettable' Bernardine Evaristo
Winner of the Alternative Nobel Prize for Literature 2018
The bestselling epic novel of family, treachery, rivalry, religious fervour and the turbulent fate of a royal African dynasty
It is 1797 and the African kingdom of Segu, born of blood and violence, is at the height of its power. Yet Dousika Traore, the king's most trusted advisor, feels nothing but dread. Change is coming. From the…
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.
I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature.
I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
